Slowly her parents, Paddy and Kit, begin to accept that she’s gone forever. But she returns, changed, and with a few surprises for her family and neighbours.Nothing is ever the same again for the Gladneys, who learn that fate cares little for duty, that life rarely conforms to expectation, that God can’t be relied upon to heed any prayer.A story of exile and return, of loss and discovery, of retreat from grief and the saving power of love.

    . . A bored London housewife discovers a secret erotic club . . . A shy, bookish girl develops an unlikely friendship with the schoolyard bully and her wild, horsey family . . . After fighting with her boyfriend, a woman goes for a night walk on a remote tropical beach with dark, unexpected consequences.Sarah Hall has been hailed as "one of the most significant and exciting of Britain's young novelists" (The Guardian). Now, in this collection of seven pieces of short fiction, published in England to phenomenal praise, she is at her best: seven pieces of uniquely talented prose telling stories as wholly absorbing as they are ambitious and accessible.

    With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief—all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history—about who gets to tell them, and the cost of setting the record straight.In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

    Matilda Simpkin, rooting through a cupboard, comes across a small wooden club – an old possession of hers, unseen for more than a decade.Mattie is a woman with a thrilling past and a chafingly uneventful present. During the Women’s Suffrage Campaign she was a militant. Jailed five times, she marched, sang, gave speeches, smashed windows and heckled Winston Churchill, and nothing – nothing – since then has had the same depth, the same excitement.Now in middle age, she is still looking for a fresh mould into which to pour her energies. Giving the wooden club a thoughtful twirl, she is struck by an idea – but what starts as a brilliantly idealistic plan is derailed by a connection with Mattie’s militant past, one which begins to threaten every principle that she stands for.Old Baggage is a funny and bittersweet portrait of a woman who has never, never given up the fight.

    Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons. On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E, from Philip K. Dick to Terminator. On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time. Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time?There can only be one…or can there?

    Join Clara at the rat pit. Relax with Mr Bodley as he is lulled to sleep by Mrs Tremain and her girls. Find out what became of Sophie.Michel Faber revisits the world of his bestselling novel The Crimson Petal and the White, conjuring tantalising glimpses of its characters, their lives before we first met them and their intriguing futures. You'll be desperate for more by the time you reluctantly re-emerge into the twenty-first century.

    But as the tide of revolution rises, women from gilded salons to the streets of Paris decide otherwise—upending a world order that has long oppressed them.Blue-blooded Sophie de Grouchy believes in democracy, education, and equal rights for women, and marries the only man in Paris who agrees. Emboldened to fight the injustices of King Louis XVI, Sophie aims to prove that an educated populace can govern itself--but one of her students, fruit-seller Louise Audu, is hungrier for bread and vengeance than learning. When the Bastille falls and Louise leads a women’s march to Versailles, the monarchy is forced to bend, but not without a fight. The king’s pious sister Princess Elisabeth takes a stand to defend her brother, spirit her family to safety, and restore the old order, even at the risk of her head.But when fanatics use the newspapers to twist the revolution’s ideals into a new tyranny, even the women who toppled the monarchy are threatened by the guillotine. Putting her faith in the pen, brilliant political wife Manon Roland tries to write a way out of France’s blood-soaked Reign of Terror while pike-bearing Pauline Leon and steely Charlotte Corday embrace violence as the only way to save the nation. With justice corrupted by revenge, all the women must make impossible choices to survive--unless unlikely heroine and courtesan’s daughter Emilie de Sainte-Amaranthe can sway the man who controls France’s fate: the fearsome Robespierre.

    It is the spring of 1968 in Belfast and James Kirkpatrick has just lost his father under suspicious circumstances, Casey Riordan is released from prison after five years and Pamela O'Flaherty has crossed an ocean and a lifetime of memories to find the man she fell in love with as a little girl. All three lives are on a collision course with each other against the backdrop of the burgeoning civil rights movement and a nation on the brink of revolution. They come from disparate backgrounds-Jamie a wealthy aristocrat whose life is like an imperfect but multi-faceted jewel-brilliant, flawed and with a glitter that is designed to distract the observer. Casey, a card-carrying member of the Irish Republican Army, who must face the fact that five years away has left him a stranger, a misfit in his own neighborhood where not everyone is sympathetic to a convicted rebel. Pamela, who has come to Ireland in search of a memory and a man who may not have existed in the first place. Through it all runs the ribbon of a love story: love of country, the beginning love of two people unable to resist the pull of each other regardless of the cost to themselves and those around them, and the selfless love of one man who no longer believes himself capable of such emotion. It is an electrifying tale of a people divided by religion and politics, a tale of love and danger, of triumph and tragedy. Ultimately it is the story of that 'terrible beauty' herself-Ireland-and how nation is bound to one's identity, woven into the weft of all we become.

    Rose's father finds a suitable husband, Captain Camden Lovell, twenty-seven years her senior. Captain Lovell takes his bride to Charleston, provides her with a beautiful home on the Battery and good standing in Charleston Society.Three years later Rose is a widow. Captain Wyatt, her husband's trusted employee is now in charge of her affairs. Rose senses he does not like her. One day he brings a young woman with child to her - and a secret that must be kept. A little girl is born, and Rose becomes a mother. Captain Wyatt offers to marry her in name only to protect her from Charleston society gossip, but she is determined she will not marry a second time for protection. She will marry for love or live alone.Just three months later, August 31st, 1886 the city of Charleston suffers the worst earthquake of the century. Her beautiful home is in shambles. Rose has no choice but to return to her parents' birthplace in Ireland. The only record she has of her Irish ancestry is in her mother's Bible. She and her infant daughter take the next ship to Ireland. She has begun to hope she has finally found happiness when Captain Wyatt comes with news that shatters her heart.Every person Rose loves is taken away. Her faith in God is shaken. There is a plan for her, but she can't see it. Captain Wyatt breaks her heart, not once but twice.

    Born in 1778, Robert Emmet, the youngest son of the State Physician of Ireland, has grown up in the heart of a prosperous and loving family, one of the most respected in Dublin city. From his parents he acquired a deep love of Ireland and a commitment to justice. From his brother Thomas he acquired an understanding of the divisions and inequalities of his country. In the historic year of 1798 Robert’s life changed from its charted course to one of rebellion. A brilliant student at Trinity, he casts aside all hopes of a scientific career, all the privileges of his class, to join the United Irishmen – a society dedicated to the union of Protestant and Catholic. But the men in Dublin Castle determined on the continuance of English rule, force him to flee to France. But even as his boat sails away from his beloved homeland, he looks back and knows he will return – to the cause of his country’s liberty, and to the beautiful girl he has fallen in love with, Sarah Curran, the daughter of Ireland’s most talented lawyer. He returns – and meets Anne Devlin, a passionate and brave Catholic country girl, who becomes his most devoted companion. Set against the background of the beauty of Ireland, the dark clouds of its past, as well as the humour and dreams of its people, this is a passionate and powerful true story of three young people, Robert Emmet, Anne Devlin, and Sarah Curran, drawn together in love, in hope, and tragedy.

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    After surviving the rigors of Ellis Island, Maureen learns that their benefactor, Colonel Wakefield, has died. His family, refusing to own his Civil War debt, casts her out. Alone, impoverished, and in danger of deportation, Maureen connives to obtain employment in a prominent department store. But she soon discovers that the elegant facade hides a secret that threatens every vulnerable woman in the city.Despite her family's disapproval, Olivia Wakefield determines to honor her father's debt but can't find Maureen. Unexpected help comes from a local businessman, whom Olivia begins to see as more than an ally, even as she fears the secrets he's hiding. As women begin disappearing from the store, Olivia rallies influential ladies in her circle to help Maureen take a stand against injustice and fight for the lives of their growing band of sisters. But can either woman open her heart to divine leading or the love it might bring?

    This page-turning family saga soars to a breathtaking ending that redefines the meaning of love. When Natalie and Anna, sisters and life-long rivals, hide an abandoned child from the Nazis, their struggle re-opens a star-crossed love triangle, threatening their safety and testing the bonds of their loyalty. Hungary's fragile alliance with Germany insured that Natalie, a best selling children's book author, and her family would be safe as World War Two raged through Europe. The Holocaust that has only been whispered about until now becomes a terrible reality for every Jewish family or those who hide Jews. Beautiful but troubled Anna, a poet and university professor is losing her tenuous hold on reality, re-igniting a dangerous sibling rivalry that began in childhood. The streets of Budapest echo with the pounding boots of Nazi soldiers. Danger creeps to the doorstep where the sisters' disintegrating relationship threatens to expose the child they are trying to protect. In one night, Anna's rash behavior destroys their carefully made plans of escape, and Natalie is presented with a desperate choice. Interwoven with Natalie and Anna's story, is Mila's. The abandoned child whose future Natalie lovingly imagines in a story about an old woman named Mrs. Tuesday. Mrs. Tuesday's Departure is an inspirational historical novel spanning two generations and exploring the un-breakable bonds of sisters.

    Where nature rubs against small towns, in mountains and woods and bedrooms, here is strangeness seen through a poet’s eye.They say there are always greener pastures. These stories consider the cost of that promise.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.