He joins forces with Ippolit Matveyevich Vorobyaninov, a former nobleman who has returned to his hometown to find a cache of missing jewels which were hidden in some chairs that have been appropriated by the Soviet authorities. The search for the bejeweled chairs takes these unlikely heroes from the provinces to Moscow to the wilds of Soviet Georgia and the Trans-caucasus mountains; on their quest they encounter a wide variety of characters: from opportunistic Soviet bureaucrats to aging survivors of the prerevolutionary propertied classes, each one more selfish, venal, and ineffective than the one before.

    It is one of the great mysteries of our times. They would be found with missing eyes, even a missing tongue, crushed bones, and stripped of their clothes in minus 50 degree temperatures . Theories range from their being being murdered by the CIA to space aliens, to "Abominable Snowmen". This book explores this famous incident using a technique known as "Higher criticism" to explain their terrifying deaths. It provides hitherto unexplored answers and is now the leading source on the incident, debunking all previous explanations while pointing to eleven points of overwhelming evidence that tell us what really happened on this tragic night of horror.

    It is a great gift to be able to read these ninety poems together and complete in English for the first time, with explanatory notes provided for each. They form a wrenching diary of 'iron tenderness' and doomed, penetrative brilliance". -- Publishers Weekly. Childish and wise, joyous and angry, at once complex and simple, he was sustained for twenty years by his wife and memoirist Nadezhda Mandelstam, who became, with Anna Akhmatova, the savior of his poetry. After his exile to Voronezh and his sentencing to hard labor for counter-revolutionary activities, he died of 'heart failure' in the winter of 1938 in Siberia.

    This work paints a vivid picture of the entire Romanov family and illustrates exactly what it contributed to the creation of Russia, bringing the characters of the tsars and their family to life.

    Fluent in five languages and able to get by in several others, Masha lives with her boyfriend, Elias. Her best friends are Muslims struggling to obtain residence permits, and her parents rarely leave the house except to compare gas prices. Masha has nearly completed her studies to become an interpreter, when suddenly Elias is hospitalized after a serious soccer injury and dies, forcing her to question a past that has haunted her for years.   Olga Grjasnowa has a unique gift for seeing the funny side of even the most tragic situations. With cool irony, her debut novel tells the story of a headstrong young woman for whom the issue of origin and nationality is immaterial—her Jewish background has taught her she can survive anywhere. Yet Masha isn’t equipped to deal with grief, and this all-too-normal shortcoming gives a particularly bittersweet quality to her adventures.

    They have become renowned for their visual excellence, which includes unparalleled photography, 3-D mapping, and specially commissioned cutaway illustrations. DK "Eyewitness Travel Guides" are the only guides that work equally well for inspiration, as a planning tool, a practical resource while traveling, and a keepsake following any trip. Each guide is packed with the up-to-date, reliable destination information every traveler needs, including extensive hotel and restaurant listings, themed itineraries, lush photography, and numerous maps.

    Locked in a complex, uniquely Russian partnership, Berezovsky and Abramovich battled their way through the “Wild East” of Russia with Berezovsky acting as the younger man’s krysha — literally, his roof, his protector.Written with the heart-stopping pacing of a thriller—but even more compelling because it is true—this story of amassing obscene wealth and power depicts a rarefied world seldom seen up close. Under Berezovsky’s krysha, Abramovich built one of Russia’s largest oil companies from the ground up and in exchange made cash deliveries—including 491 million dollars in just one year. But their relationship frayed when Berezovsky attacked President Vladimir Putin in the media—and had to flee to the UK. Abramovich continued to prosper. Dead bodies trailed Berezovsky’s footsteps, and threats followed him to London, where an associate of his died painfully and famously of Polonium poisoning. Then Berezovsky himself was later found dead, declared a suicide.Exclusively sourced, capturing a momentous period in recent world history, Once Upon a Time in Russia is at once personal and political, offering an unprecedented look into the wealth, corruption, and power behind what Graydon Carter called “the story of our age.”

    Learn how to quilt all-over, as filler, on borders, and on individual blocks…using loops and swirls, feathers and flames, flowers and vines, pebbles and more! Includes tips for choosing batting and thread, layering and basting, starting and stopping, and prepping your machine are included. After you've practiced, show off your new skills with six geometric quilt projects.

    A barbarous, volatile feudal tsar with a taste for torture; a progressive and enlightened reformer of government and science; a statesman of vision and colossal significance: Peter the Great embodied the greatest strengths and weaknesses of Russia while being at the very forefront of her development.Robert K. Massie delves deep into the life of this captivating historical figure, chronicling the pivotal events that shaped a boy into a legend - including his 'incognito' travels in Europe, his unquenchable curiosity about Western ways, his obsession with the sea and establishment of the stupendous Russian navy, his creation of an unbeatable army, and his relationships with those he loved most: Catherine, his loving mistress, wife, and successor; and Menshikov, the charming, unscrupulous prince who rose to power through Peter's friendship. Impetuous and stubborn, generous and cruel, a man of enormous energy and complexity, Peter the Great is brought fully to life.

    The Blue Cup is a 1936 Russian language short story.

    

    Born deformed yet mentally keen with a frighteningly sharp wit, strong intellect, and a voracious appetite for books, Ivan is forced to interact with the world through the vivid prism of his mind. For the most part, every day is exactly the same for Ivan, which is why he turns everything into a game, manipulating people and events around him for his own amusement. That is, until a new resident named Polina arrives at the hospital. At first Ivan resents Polina. She steals his books. She challenges his routine. The nurses like her. She is exquisite. But soon he cannot help being drawn to her and the two forge a romance that is tenuous and beautiful and everything they never dared dream of. Before, he survived by being utterly detached from things and people. Now Ivan wants something more: Ivan wants Polina to live.

    It is a neo-feudal world where iPads, WTO membership, and Brioni business suits conceal a power structure straight out of the Middle Ages, where the Sovereign is perceived as both divine and demonic, where a man’s riches are determined by his proximity to the Kremlin, and where large swathes of the populace live in precarious complacency interrupted by bouts of revolt. Where does that kind of power come from? The answer lies not in the leader, but in the people: from the impoverished worker who appeals directly to Putin for aid, to the businessmen, security officers and officials in Putin’s often dysfunctional government who look to their leader for instruction and protection. About the Author Anna Arutunyan’s work has appeared in USA Today, The Christian Science Monitor, The Nation, Foreign Policy in Focus, and The Moscow News, where she is an editor and senior correspondent. She is author of The Media in Russia (McGraw- Hill, 2009), and is the co-author (with Vladimir Shlapentokh) of Freedom, Repression and Private Property in Russia (Cambridge University Press, 2013). She has lectured on Russian power, politics and media at Tampere University in Finland and at Michigan State University. A bilingual Russian-American, she was born in the Soviet Union in 1980 but grew up and received her education in the United States. In 2002 she returned to Moscow to write about Russia. Anna Arutunyan lives in Moscow with her husband and daughter.

    Petersburg has always felt like an impossible metropolis, risen from the freezing mists and flooded marshland of the River Neva on the western edge of Russia. It was a new capital in an old country. Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter the Great, its dazzling yet unhinged reputation was quickly cemented by the sadistic dominion of its early rulers. This city, in its successive incarnations—St. Petersburg, Petrograd, Leningrad and, once again, St. Petersburg—has always been a place of perpetual contradiction.It was a window to Europe and the Enlightenment, but so much of Russia’s unique glory was also created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets.It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St. Petersburg, Jonathan Miles recreates the drama of three hundred years in this paradoxical and brilliant city, bringing us up to the present day, when its fate hangs in the balance once more.This is an epic tale of murder, massacre and madness played out against squalor and splendor, and an unforgettable portrait of a city and its people.

    He was Alexander Litvinenko, Sasha to his friends, a boy from the deep Russian provinces who rose through the ranks of the world's most feared security service. Litvinenko was the man who denounced murder and corruption in the Russian government, fled from the wrath of the Kremlin, came to London and took the shilling of Moscow's avowed enemy... Now he was a martyr, condemned by foes unknown to an agonised death in a hospital bed thousands of miles from home.Martin Sixsmith draws on his long experience as the BBC's Moscow correspondent, and contact with the key London-based Russians, to dissect Alexander Litvinenko's murder. Myriad theories have been put forward since he died, but the story goes back to 2000 when hostilities were declared between the Kremlin and its political opponents. This is a war that has blown hot and cold for over six years; a war that has pitted some of Russia's strongest, richest men against the most powerful president Russia has had since Josef Stalin.The Litvinenko File is a gripping, powerful inside account of a shocking act of murder, when Russia's war with itself spilled over onto the streets of London and made the world take notice.