Nancy was gorgeous, wealthy, and cherished by those who knew her—from the outside, her life was perfect. But as the investigation into her death flounders and her friends Eleanor and Mary wrestle with their grief, dark details surface that reveal how little they knew their friend, each other, and maybe even themselves.A gripping, immersive novel about impossible expectations and secrets that fester and become lethal, Imperfect Women unfolds through the perspectives of three fascinating women. Their enduring, complex friendship is the knot the reader must untangle to answer the question Who killed Nancy?Imperfect Women explores guilt and retribution, love and betrayal, and the compromises we make that alter our lives irrevocably. With the wickedly sharp insights and finely tuned suspense that has drawn comparisons to Patricia Highsmith and Paula Hawkins, Araminta Hall returns with another page-turning, thought-provoking tour de force.

    Powell, Marcus Wicker's Maybe the Saddest Thing is a sterling collection of contemporary American poems by an exciting new and emerging voice.

    Hadi and Sama are a young Syrian couple flying high on a whirlwind love, dreaming up a life in the country that brought them together. She had come to Boston years before chasing dreams of a bigger life; he’d landed there as a sponsored refugee from a bloody civil war. Now, they are giddily awaiting the birth of their son, a boy whose native language would be freedom and belonging. When Sama is five months pregnant, Hadi’s father dies suddenly in Jordan, the night before his visa appointment at the embassy. Hadi flies back for the funeral, promising his wife that he’ll only be gone for a few days. On the day his flight is due to arrive in Boston, Sama is waiting for him at the airport, eager to bring him back home. But as the minutes and then hours pass, she continues to wait, unaware that Hadi has been stopped at the border and detained for questioning, trapped in a timeless, nightmarish limbo. Worlds apart, suspended between hope and disillusion as hours become days become weeks, Sama and Hadi yearn for a way back to each other, and to the life they’d dreamed up together. But does that life exist anymore, or was it only an illusion? Achingly intimate yet poignantly universal, No Land to Light On is the story of a family caught up in forces beyond their control, fighting for the freedom and home they found in one another.

    Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'

    He wants to be haunted—he insists on it. Randon Billings Noble does too. Instead of exorcising the ghosts of her past, she hopes for their cold hands to knock at the window and to linger. Be with Me Always is a collection of essays that explore hauntedness by considering how the ghosts of our pasts cling to us. In a way, all good essays are about the things that haunt us until we have somehow embraced or understood them. Here, Noble considers the ways she has been haunted—by a near-death experience, the gaze of a nude model, thoughts of widowhood, Anne Boleyn's violent death, a book she can't stop reading, a past lover who shadows her thoughts—in essays both pleasant and bitter, traditional and lyrical, and persistently evocative and unforgettable.

    In this restless, swerving book simple questions—such as, Why paint a bird?—are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its—and our own—invention.

    Their new home is run-down compared to their neighbour’s, but generous Mrs Barley quickly becomes a friend.   Until Stina sees a mysterious figure in the widow’s garden, and her happy new life begins to unravel. And when she hears strange noises in the night, she is forced to question if Mrs Barley is what she seems.  Why do the other villagers whisper about her? Why is she so eager to help the couple? And what is she hiding in her picture-perfect home?  A haunting, twisty story about the power of secrets and rumours, perfect for fans of Ruth Ware’s The Turn of the Key and Lucy Atkins’s Magpie Lane.

    In and outside the bedroom, Remy and Alicia's entire relationship revolves around fantasies of Jen, whose every Instagram caption, outfit, and New Age mantra they know by heart.Imagine their confused excitement when they run into Jen, in the flesh, and she invites them on a surfing trip to the Hamptons with her wealthy boyfriend and their group. Once there, Remy and Alicia try (a little too hard) to fit into Jen’s exalted social circle, but violent desire and class resentment bubble beneath the surface of this beach-side paradise, threatening to erupt. As small disturbances escalate into outright horror, Remy and Alicia tumble into an uncanny alternate reality, one shaped by their most unspeakable, deviant, and intoxicating fantasies. Is this what “self-actualization” looks like?Part millennial social comedy, part psychedelic horror, and all wildly entertaining, A Touch of Jen is a sly, unflinching examination of the hidden drives that lurk just outside the frame of our carefully curated selves.

    Lucy has set her career aside in order to devote her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy's husband, Jake. The revelation marks a turning point: Lucy and Jake decide to stay together, but make a special arrangement designed to even the score and save their marriage--she will hurt him three times.As the couple submit to a delicate game of crime and punishment, Lucy herself begins to change, surrendering to a transformation of both mind and body from which there is no return.Told in dazzling, musical prose, The Harpy is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power, control and revenge, of metamorphosis and renewal.

    . . give / not only take from us." This piercing short collection treats desire in a style that is chaste, spare, figuratively modulated, and almost classical in its precision. In lyrics that ponder what happens to the bodies of lovers--so vital when together, different when apart, death coming to one before the other--Michaels embraces both the intimacy and the vastness of the connection between two people. Love's sheltering understanding is a powerful presence in all the poems, with its particular imagery (the ringing fog, the white page of the bed), as is the shattering loss of its end. With Michaels, we enter a space that is "not inside / not outside: dusk's / doorway," where memory might be kept alive.

    A piercing indictment of rape culture, a read about what happens when women are objectified and stripped of choice--and what happens when they fight back.Celeste Morton has eagerly awaited her passage to adulthood. Like every girl, she was born with a set of childhood markings--the freckles, moles, and birthmarks on her body that foretell her future and that of those around her--and with puberty will come a new set of predictions that will solidify her fate. The possibilities are tantalizing enough to outweigh the worry that the future she dreams of won't be the one she's fated to have and the fear of her "changeling period" the time when women are nearly irresistible to men and the risk of abduction is rife.Celeste's beloved brother, Miles, is equally anticipating her transition to adulthood. As a skilled interpreter of the future, a field that typically excludes men, Miles considers Celeste his practice ground--and the only clue to what his own future will bring. But when Celeste changes, she learns a devastating secret about Miles's fate: a secret that could destroy her family, a secret she will do anything to keep. Yet Celeste isn't the only one keeping secrets, and when the lies of brother and sister collide, it leads to a tragedy that will irrevocably change Celeste's fate, set her on a path to fight against the inherent misogyny of fortune-telling, and urge her to create a future that is truly her own.

    Give the princess a sword. Send her into battle. Watch her win. This poetry book is a work of feminist self-empowerment for women and of understanding for men. It deals with love, loss, self discovery, self love, grief, and inspiration.

    This is a theatrical book of dilapidated houses and overgrown gardens, of passageways and thresholds, edges, prosceniums, unearthings, and root systems. The unstable property lines here rove from heaven to hell, troubling proportion and upsetting propriety in the name of unfathomable propagation. Are all the gates in this book folly? Are the walls too easily scaled to hold anything back or impose self-confinement? What won't a poem do to get to the other side?

    Sure, their sex had become a little formulaic, and yes, their life together mostly revolved around their kids, but whose doesn’t?Then came the shocking, utterly clichéd discovery of his affair. Five months of emotional turmoil later, Laura found herself single for the first time in 27 years and with two choices: to eke out her existence, or reinvent herself. A little encouragement from her friends and one astonishing one-night stand later, she realised that she had a sexual appetite she’d never explored, and that being a mother didn’t mean she had to ignore it. She could be independent, a good mother, and have a great sex life all at the same time… couldn’t she? From G-spots to bald spots, dirty talk to dating fiascos, Available is the unflinchingly honest, empowering, and humorous true story of a life turned downside up.

    These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers' childhoods. As much about loss as they are about reclamation, Doshi's poems guide us through an 'underworld of longing and deliverance', making the exhilarating claim that through the act of vanishing, we may be shaped into existence again. Everything Begins Elsewhere was followed by her third collection, Girls Are Coming Out of the Woods, in 2018.