But a sudden tragedy forces Esperanza and Mama to flee to California during the Great Depression, and to settle in a camp for Mexican farm workers. Esperanza isn't ready for the hard labor, financial struggles, or lack of acceptance she now faces. When their new life is threatened, Esperanza must find a way to rise above her difficult circumstances--Mama's life, and her own, depend on it.

    A small, unforgiving town and distant, punitive parents ensure that he is never allowed to forget the horrific mistake he made as a child. He has only two friends - his dog, Surrender, and the unruly wild boy, Finnigan, a shadowy doppelganger with whom the meek Gabriel once made a boyhood pact. But when a series of arson attacks grips the town, Gabriel realizes how unpredictable and dangerous Finnigan is. As events begin to spiral violently out of control, it becomes devastatingly clear that only the most extreme measures will rid Gabriel of Finnigan for good.

    Her name is changed to the biblical Esther, and she is forced to follow the severe set of social codes of the order. Soon, Esther begins to lose her own identity.

    But he's focused on his duties as chief of the Maori in Whangara, New Zealand—a tribe that claims descent from the legendary "whale rider." In every generation since the whale rider, a male has inherited the title of chief. But now there is no male heir—there's only Kahu. She should be next in line for the title, but her great-grandfather is blinded by tradition and sees no use for a girl. Kahu will not be ignored. And in her struggle she has a unique ally: the whale rider himself, from whom she has inherited the ability to communicate with whales. Once that sacred gift is revealed, Kahu may be able to reestablish her people's ancestral connections, earn her great-grandfather's attention—and lead her tribe to a bold new future.

    Emily is sure he is innocent, but what happened that night in the woods behind their house where she used to play as a child? Determined to find out, she seeks out Damon Hillary, the enigmatic boyfriend of the murdered girl. He also knows these woods. Maybe they could help each other. But he’s got secrets of his own about games that are played in the dark.A new psychological thriller from the award-winning and bestselling author of STOLEN and FLYAWAY.

    For official purposes, these agents do not exist. They are sent out on missions to spy on terrorists, hack into crucial documents, and gather intel on global threats—all without gadgets or weapons. It is an exceptionally dangerous job, but these agents have one crucial advantage: adults never suspect that teens are spying on them. James is the latest CHERUB recruit. He’s a bit of a troublemaker, but he’s also brilliant. And CHERUB needs him. James has no idea what to expect, but he’s out of options. Before he can start in the field he must first survive one hundred grueling days of basic training, where even the toughest recruits don’t make it to the end.

    . .Sixteen-year-old Willa is fortunate to have a happy blended family. But a frantic phone call from Pryor, Texas, shatters the calm. Willa’s birth father has murdered his second wife and daughters . . . and the police think he’s on his way east to hunt down Willa and her mother. As this disturbing tragedy inevitably exposes family secrets to Willa and her community, she struggles with her own destructive secret.

    He knows he should have—Jasmine cried, Mum cried, Dad still cries. Roger didn't, but then he is just a cat and didn't know Rose that well, really.Everyone kept saying it would get better with time, but that's just one of those lies that grown-ups tell in awkward situations. Five years on, it's worse than ever: Dad drinks, Mum's gone and Jamie's left with questions that he must answer for himself.This is his story, an unflinchingly real yet heart-warming account of a young boy's struggle to make sense of the loss that tore his family apart.

    Addison killed a baby.Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?

    Here she is, about to be a teenager and she doesn't know how. It's worse for her than for anyone else, she believes, because she has no role model. Her mother has been dead for years. Help and advice can only come from her father, manager of a music store, and her nineteen-year-old brother, who is a slob. What do they know about being a teen age girl? What she needs, Alice decides, is a gorgeous woman who does everything right, as a roadmap, so to speak. If only she finds herself, when school begins, in the classroom of the beautiful sixth-grade teacher, Miss Cole, her troubles will be over. Unfortunately, she draws the homely, pear-shaped Mrs. Plotkin. One of Mrs. Plotkin's first assignments is for each member of the class to keep a journal of their thoughts and feelings. Alice calls hers "The Agony of Alice," and in it she records all the embarrassing things that happen to her. Through the school year, Alice has lots to record. She also comes to know the lovely Miss Cole, as well as Mrs. Plotkin. And she meets an aunt and a female cousin whom she has not really known before. Out of all this, to her amazement, comes a role model—one that she would never have accepted before she made a few very important discoveries on her own, things no roadmap could have shown her. Alice moves on, ready to be a wise teenager.

    "To Kill A Mockingbird" became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, "To Kill A Mockingbird" takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

    But best of all were the stars, which trumpeted their light into the misty dark.Castella Cresswell and her five siblings—Hannan, Caspar, Mortimer, Delvive, and Jerusalem—know what it’s like to be different. For years, their world has been confined to their ramshackle family home deep in the woods of upstate New York. They abide by the strict rule of God, whose messages come directly from their father.Slowly, Castley and her siblings start to test the boundaries of the laws that bind them. But, at school, they’re still the freaks they’ve always been to the outside world. Marked by their plain clothing. Unexplained bruising. Utter isolation from their classmates. That is, until Castley is forced to partner with the totally irritating, totally normal George Gray, who offers her a glimpse of a life filled with freedom and choice.Castley’s world rapidly expands beyond the woods she knows so well and the beliefs she once thought were the only truths. There is a future waiting for her if she can escape her father’s grasp, but Castley refuses to leave her siblings behind. Just as she begins to form a plan, her father makes a chilling announcement: the Cresswells will soon return to their home in heaven. With time running out on all of their lives, Castley must expose the depth of her father’s lies. The forest has buried the truth in darkness for far too long. Castley might be their last hope for salvation.

    Until he meets Curt MacCrae, an emaciated, semi-homeless, high school dropout guitar genius, the stuff of which Lower East Side punk rock legends are made. Never mind that Troy's dad thinks Curt's a drug addict and Troy's brother thinks Troy's the biggest (literally) loser in Manhattan. Soon, Curt has recruited Troy as his new drummer, even though Troy can't play the drums. Together, Curt and Troy will change the world of punk, and Troy's own life, forever.

    How can she find her biological parents? And are her adoptive parents really responsible for kidnapping her?

    Minutes after they leave, his parents arrive home. Ben and his little sister Olive are bundled into the car and told they’re going on a holiday. But are they? It doesn’t take long for Ben to realise that his parents are in trouble. Ben’s always dreamt of becoming a detective – his dad even calls him ‘Cop’. Now Ben gathers evidence and tries to uncover what his parents have done. The problem is, if he figures it out, what does he do? Tell someone? Or keep the secret and live life on the run?