As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha.In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.

    This new translation is not only far more readable than earlier ones, it is also much more faithful to the content and style of the original. Intended for the general audience as well as the specialist, this edition is highly annotated.

    For centuries confined to a small literary elite in Japan, the writing of haiku is now practiced all over the world by those who are fascinated by its combination of technical challenge, expressive means, and extreme concentration.This anthology brings together hundreds of haiku by the Japanese masters-Basho, Issa, Buson, Shiki-with superb examples from nineteenth- and twentieth-century writers. The pioneering translator R. H. Blyth believed that the spirit of haiku is present in all great poetry; inspired by him, the editor of this volume has included lines from such poets as Wordsworth, Keats, Tennyson, Thoreau, and Hopkins, presented here in haiku form. Following them are haiku and haiku-influenced poems of the twentieth century-from Ezra Pound's "In a Station of the Metro" to William Carlos Williams's "Prelude to Winter," and from the irreverence of Jack Kerouac to the lyricism of Langston Hughes. The result is a collection as compact, dynamic, and scintillating as the form itself.

    This striking book contains full-color woodblock prints made during Japan's famous Edo Period, historic and contemporary photographs of geisha life, and images of the "floating world" Japan's mysterious artistic subculture. The accompanying text includes evocative Japanese poems and haikus. All celebrate the beauty and creativity of the geisha, who with her exquisitely detailed costume, elaborate make-up and hairstyle, and artfully ritualized behavior, chastely beguiles and entertains Japan's most powerful men.

    Based on the author's own experiences and on stories passed down from generation to generation, the book chronicles the disappearing world—and courageous rebirth—of this little-understood people.Kayano describes with disarming simplicity and frankness the personal conflicts he faced as a result of the tensions between a traditional and a modern society and his lifelong efforts to fortify a living Ainu culture. A master storyteller, he paints a vivid picture of the Ainus' ecologically sensitive lifestyle, which revolved around bear hunting, fishing, farming, and woodcutting.Unlike the few existing ethnographies of the Ainu, this account is the first written by an insider intimately tied to his own culture yet familiar with the ways of outsiders. Speaking with a rare directness to the Ainu and universal human experience, this book will interest all readers concerned with the fate of indigenous peoples.

    Army and Navy nurses were stationed in Guam and the Philippines at the beginning of World War II. After the Japanese attack on Pearl Harbor in December 1941, five navy nurses on Guam became the first American military women of World War II to be taken prisoner by the Japanese. More than seventy army nurses survived five months of combat conditions in the jungles of Bataan and Corregidor before being captured, only to endure more than three years in prison camps. In all, nearly one hundred nurses became POWs. Many of these army nurses were considered too vital to the war effort to be evacuated from the Philippines. Though receiving only half the salary of male officers of the same rank, they helped establish outdoor hospitals and treated thousands of casualties despite rapidly decreasing supplies and rations. After their capture, they continued to care for the sick and wounded throughout their internment in the prison camps. This account of the nurses' imprisonment adds a vital chapter to the history of American personnel in the Pacific theater. Lt. Col. Madeline Ullom, one of the captured nurses, remarked, "Even though women were not supposed to be on the front lines, on the front lines we were. Women were not supposed to be interned either, but it happened to us. People should know what we endured. People should know what we can endure." When freedom came, the U.S. military ordered the nurses to sign agreements with the government not to discuss their horrific experiences. Evelyn Monahan and Rosemary Neidel-Greenlee have conducted numerous interviews with survivors and scoured archives for letters, diaries, and journals to uncover the heroism and sacrifices of these brave women. The authors' dedication to accuracy, combined with their personal expertise in medical care and military culture and discipline, has enabled them to produce a realistic reconstruction of the dramatic experiences of these POWs.

    An enlarged edition, including thirty pages of illustrations (sculpture and drawings) as well as Pound's later pieces on Gaudier, was brought out in 1970, and is now re-issued as an ND Paperbook. The memoir is valuable both for the history of modern art and for what it shows us of Pound himself, his ability to recognize genius in others and then to publicize it effectively. Would there today be a Salle Gaudier-Brzeska in the Musée de L'Art Moderne in Paris if Pound had not championed him? Gaudier's talent was impressive and his Vorticist aesthetic important as theory, but he was killed in World War I at the age of twenty-three, leaving only a small body of work. Pound knew Gaudier in London, where the young artist had come with his companion, the Polish-born Sophie Brzeska. whose name he added to his own. They were living in poverty when Pound bought Gaudier the stone from which the famous "hieratic head" of the poet was made. Pound arranged exhibitions and for the publication of Gaudier's manifestoes in Blast and The Egoist. And he wrote and sent packages to him in the trenches, where Gaudier––a sculptor to the last––carved a madonna and child from the butt of a captured German rifle, just two days before he died.

    He conveys in the sweet simplicity of grounded language a sense of the self where it belongs, floating between heaven, earth, and underground.”—The Atlantic Monthly“W.S. Merwin is our strongest poet.”—The New York Times Review of BooksIn this new masterwork from one of America’s foremost poets, W.S. Merwin guides his readers to universal themes through worldly specifics. Akin to Neruda’s Elemental Odes, every poem in Present Company directly addresses the people and things of daily life, as in “To the Thief at the Airport” or “To Lingering Regrets.” To This May They know so much more now about the heart we are told but the world still seems to come one at a time one day one year one season and here it is spring once more with its birds nesting in the holes in the walls its morning finding the first time its light pretending not to move always beginning as it goesThese poems to the world are playful, deadly serious, and full of wonder. Whether writing of an unused vehicle in “To Zbigniew Herbert’s Bicycle” or watching fireworks from a distance in “To the Coming Winter,” Merwin’s poems create a rare and compelling intimacy. There is no one writing today like W.S. Merwin.Poet and translator W.S. Merwin has long been committed to artistic, political, and environmental causes in both word and deed. He has received nearly every major literary accolade, including the Pulitzer, Tanning, Lannan, and Bollingen prizes. His most recent award is the International Golden Wreath from the Struga Foundation, a longstanding literary honor that, in its 70-year history, has been offered to only three English-speaking poets. W.S. Merwin lives in Hawaii, where he cultivates endangered palms.

    Unmasks the tough, street-smart persona of Charles Bukowski—America's "Ultimate Outsider"Amazing letters filled with passionate, literary, and personal observationInsights into the author of Tales of Ordinary Madness, Notes of a Dirty Old Man, and Run with the HuntedInsights into Sheri Martinelli: the protege of Anais Nin, an accomplished painter, and the mistress of Ezra Pound Charels Bukowski's persona as the Dirty Old Man of American Literature is just that: a persona, a mask beneath which there was a man better read and more cultured than most people realize.Sheri Martinelli was one of the favored few for whom Bukowski dropped the mask and engaged in serious discussion of literature and art, and for that reason the discovery and publication of his letters to her give us a more complete picture of this complicated man.

    Arranged chronologically, the photos trace the story of the band, from their emergence on the scene in England, through their rise to international superstardom, to their very public breakup in 1970. Every aspect of their evolution from mop-tops to legends is depicted, including their personal lives, performances, press conferences, recording sessions, public appearances, photo sessions, filmmaking, and more. The captions by Simon Wells are rich in detail and provide both band history and cultural context for the photographs, as well as quotes from members of the band and those associated with them that have never been published. The insatiable hunger for new books about the Beatles has never waned, and this arresting volume-with its wealth of never- and seldom-seen pictures that have long been embargoed at the Getty Images archive-will have a special appeal for all Beatles fans.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Written with artless simplicity and quiet humor, The Tosa Diary is the story of a fifty-five day journey by ship from Tosa to Kyoto in AD 935.

    In spite of his preeminent stature, this is the first edition of Po Chü?-i's poetry to appear in the West. It encompasses the full range of his work, from the early poems of social protest to the later recluse poems, whose spiritual depths reflect both his life-long devotion to Taoist and Ch'an (Zen) Buddhist practice. David Hinton's translations of ancient Chinese poetry have earned wide acclaim for creating compelling English texts that have altered our conception of Chinese poetry. Among his books published by New Directions are The Selected Poems of Tu Fu, and The Selected Poems of Li Po. His work has been supported by fellowships from The National Endowment for the Arts and The National Endowment for the Humanities.

    Editor Stephen Cope has made a judicious selection of Oppen's extant writings outside of poetry, including the essay "The Mind's Own Place" as well as "Twenty-Six Fragments," which were found on the wall of Oppen's study after his death. Most notable are Oppen's "Daybooks," composed in the decade following his return to poetry in 1958. iSelected Prose, Daybooks, and Papers is an inspiring portrait of this essential writer and a testament to the creative process itself.

    Beyond lay a world of which they had only the haziest impressions. The belief that Christian communities were to be found here was nurtured in the 12th century by the growth of the legend of Prester John; but otherwise Asia was peopled in the Western imagination by monstrous races borrowed from the works of late Antiquity. The rise of the Mongol empire, however, and the Mongol devastation of Hungary and Poland in 1241-2, brought the West into much closer contact with Inner Asia. Embassies were being exchanged with the Mongols from 1245; Italian merchants began to profit from the commercial opportunities offered by the union of much of Asia under a single power; and the newly emerging orders of preaching friars, the Franciscans and the Dominicans, who had been active in Eastern Europe and in the Islamic world since the 1220s, found their field of operations greatly expanded. The Franciscan William of Rubruck, who travelled through the Mongol empire in 1253-55, composed the earliest report of such a missionary journey that has come down to us. Couched in the form of a long letter to the French king Louis IX, this remarkable document constitutes an extremely valuable source on the Mongols during the era of their greatness. Rubruck was also the first Westerner to make contact with Buddhism, to describe the shamanistic practices by which the Mongols and other steppe peoples set such store, and to make detailed observations on the Nestorian Christian church and its rites. His remarks on geography, ethnography and fauna (notably the ovis poli, which he encountered a generation before the more celebrated Venetian adventurer from whom it takes its scientific name) give him an additional claim to be one of the keenest of medieval European observers to have travelled in Asia. This new annotated translation is designed to supersede that of W.W. Rockhill, published by the Society in 1900, by relating Rubruck's testimony to the wealth of material on Mongol Asia that has become accessible in other sources over the past nine decades.