Sixteen years later he moves back into the world of Europeans, among hopeful yet terrified settlers who are staking out their small patch of home in an alien place. To them, Gemmy stands as a different kind of challenge: he is a force that at once fascinates and repels. His own identity in this new world is as unsettling to him as the knowledge he brings to others of the savage, the aboriginal."Breathtaking...To read this remarkable book is to remember Babylon well, whether you think you've been there or not."--The New York Times Book Review

    The crash wakes Charlie’s sister, Abby, who’d been sleeping in the passenger seat next to him. They were heading to their father’s farm.A dead woman has no place in either of their plans. They drive away, leaving her on the ground as heavy rain falls. They cannot help her, there are no witnesses, and there is too much at stake.When they arrive at the farm, the siblings learn that the dead woman, Skye, was their father’s fiance.They resolve to tell no one what they’ve done — to admit to this crime will cost them their father and their future. Charlie leans on his older sister to lead them out of trouble, to act as the protector she’s had to be since their mother died. But their secret grows more complicated by the day.Abby, however, is not one to give up. She keeps the single piece of evidence hidden, and decides to redeem herself. She determines to raise Skye’s son as her own, study, and make a difference. She is convinced that she and Charlie can get back on track. But along the way, they need to reconsider exactly what it is they want.

    In this clever and explosive thriller, a feisty but flawed investigative journalist battles unexplained deaths, big business, trade unions and media manipulation amidst the gritty underside of Melbourne.She was slipping away. The further she fell, the closer the clouds seemed to come. Wispy transparent slipstreams of white. Cirrus. Pain smashed her head. Floating ... When investigative journalist Chrissie O’Brian lands a senior job at The Argus, she is desperate to escape the nightmares of her past. Her life has become a daily battle to numb the pain. But her job is something she does better than anyone else – and the only thing that’s keeping her anchored to this world. A face-off on the waterfront between the unions and big business is just the kind of headline-grabbing story to get her career back on track. But when a dockworker turns up dead, she becomes obsessed with unravelling the truth. When a gruesome threat lands on her desk, it's clear someone will do anything to stop her. But this is one battle Chrissie won't give up without a fight.

    Mia and Lorrie Ann are lifelong friends: hard-hearted Mia and untouchably beautiful, kind Lorrie Ann. While Mia struggles with a mother who drinks, a pregnancy at fifteen, and younger brothers she loves but can't quite be good to, Lorrie Ann is luminous, surrounded by her close-knit family, immune to the mistakes that mar her best friend's life. Until a sudden loss catapults Lorrie Ann into tragedy: things fall apart, and then fall apart further-and there is nothing Mia can do to help. And as good, kind, brave Lorrie Ann stops being so good, Mia begins to question just who this woman is and what that question means about them both. A staggeringly arresting, honest novel of love, motherhood, loyalty, and the myth of the perfect friendship that moves us to ask ourselves just how well we know those we love, what we owe our children, and who we are without our friends.

    Amelia's meeting a lot of men but once she gets the sex she wants from them, that's it for her; she can't connect further. A terrible thing happened to Daniel last year and it's stuck inside Amelia ever since, making her stuck too.Maybe being a cosmetician at her family's mortuary business isn't the best job for a young woman. It's not helping her social life. She loves her job, but she's not great at much else. Especially emotion.And then something happens to her mum and suddenly Amelia's got too many feelings and the only thing that makes any sense to her is running away.It takes the intervention of her two fathers and some hilariously wrong encounters with other broken people in a struggling Tasmanian BDSM club to help her accept the truth she has been hiding from. And in a final, cataclysmic scene, we learn along with Amelia that you need to feel another person's weight before you can feel your own.Deadpan, wise and heartbreakingly funny, New Animal is a stunning debut.

    It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back.Then comes that dreaded moment: He thinks they should have a talk. Braced for the worst, Ellen is pleasantly surprised. It turns out that Patrick’s ex-girlfriend is stalking him. Ellen thinks, Actually, that’s kind of interesting. She’s dating someone worth stalking. She’s intrigued by the woman’s motives. In fact, she’d even love to meet her.Ellen doesn’t know it, but she already has.

    Blemishes, scars, freckles, and wrinkles have all disappeared, their fingerprints are different, their vision is impeccable, and most importantly, their illnesses have been cured.But the fresh start they’ve been given is anything but perfect. Without their old bodies, their new physical identities have been lost. Hannah, an artistic prodigy, has to relearn how to hold a brush; David, a Congressman, grapples with his old habits; Connie, an actress whose stunning looks are restored after a protracted illness, tries to navigate an industry obsessed with physical beauty; and Linda, who spent eight years paralyzed after a car accident, now struggles to reconnect with a family that seems to have built a new life without her. As each tries to re-enter their previous lives and relationships they are faced with the question: how much of your identity rests not just in your mind, but in your heart, your body?

    But that's another way maps lie, because it felt like the distance travelled was a whole lot further than that.'Sorrento, Victoria - 1999 Fred's family is a mess. Fred's mother died when she was six and she's been raised by her Pop and adoptive father, Luca, ever since. But now Pop is at the Rye Rehabilitation Centre recovering from a fall; Luca's girlfriend, Anika, has moved in; and Fred's just found out that Anika and Luca are having a baby of their own. More and more it feels like a land-grab for family and Fred is the one being left off the map.But even as the world feels like it's spinning out of control, a crisis from the other side of it comes crashing in. When 400 Kosovar-Albanian refugees arrive in the middle of the night to be housed at one of Australia's 'safe havens' on an isolated headland not far from Sorrento, their fate becomes intertwined with the lives of Fred and her family, as she navigates one extraordinary year that will change them all.A middle-grade coming-of-age story about the bonds of family and the power of compassion for fans of The Bone Sparrow, Wolf Hollow and The Thing About Jellyfish.

    Will he be able to make things right between them? In the small town of Little Heart, Juliette Kerr and Joel Hunter are drawn together by their shared experience being targeted by school bullies. But when the bullying takes a drastic turn, Juliette can see no other way to protect Joel from the aftermath than to break his heart and make him leave her behind. Devastated and confused, Joel packs his bags, heading far away in the heart of the outback to jackaroo at Rosalee Station for as long as it takes his heart to heal.A decade later, Joel returns to mend fences with his family and to offer Juliette support. He's no longer the hot-tempered young man who left, but he's never stopped loving her. Is it finally time to make things right between them? Will these two lovers find a way to make peace with the past and regain their future together?PRAISE FOR MANDY MAGRO: 'Mandy Magro captures tragedy, suspense, heartache and second chances all in one read' - Talking Books blog

    Having survived a violent knife attack, she’s seen it all – and far more than most cops her age. Now she’s back at work as the newest member of the Bondi Junction Detective’s Office and ready to start again.One of her first jobs is to execute a search warrant at a bikie clubhouse, one of the two local gangs in Sydney’s eastern suburbs. What she uncovers begins a chilling investigation into a vicious world where loyalty is deadly and unwavering and can’t be bought . . . Or can it?Lexie forms an unlikely alliance with one of the bikies as he realises his family is in danger. But what neither of them knows is that Lexie is the one who’s in too deep. She knows too much.As the stakes become personal it seems the unsung bond she has with a big bad bikie could be the one thing that could save her life.

    Hirsch isn’t just a disgraced cop; the internal investigations bureau is still trying to convict him of something, even if it means planting evidence. When someone leaves a pistol cartridge in his mailbox, Hirsch suspects that his career isn't the only thing on the line.  But the tiny town of Tiverton has more crime than one lone cop should have to handle. The stagnant economy, rural isolation, and entrenched racism and misogyny mean every case Hirsch investigates is a new basket of snakes. When the body of a 16-year-old local girl is found on the side of the highway, the situation in Tiverton gets even more sinister, and whether or not he finds her killer, there’s going to be hell to pay.Paperback edition found under the title Bitter Wash Road.

    The world is dancing on the edge of revolution, and nowhere more so than on the Greek island of Hydra, where a circle of poets, painters and musicians live tangled lives, ruled by the writers Charmian Clift and George Johnston, troubled king and queen of bohemia. Forming within this circle is a triangle: its points the magnetic, destructive writer Axel Jensen, his dazzling wife Marianne Ihlen, and a young Canadian poet named Leonard Cohen. Into their midst arrives teenage Erica, with little more than a bundle of blank notebooks and her grief for her mother. Settling on the periphery of this circle, she watches, entranced and disquieted, as a paradise unravels. Burning with the heat and light of Greece, A Theatre for Dreamers is a spellbinding novel about utopian dreams and innocence lost – and the wars waged between men and women on the battlegrounds of genius.

    Sandra, a rigid academic, struggles to navigate the world without her husband, whom she has recently lost to cancer. Martha—a self-taught textile artist with her own secret store of grief—spends her days knitting elaborate projects charged with personal meaning. As the two women collaborate on a new project, surprising events will help heal them both.

    "A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad." --The New York Times Book Review"Riddled with insights into aging, womanhood, and discontent, Wayward is as elegant as it is raw, and almost as funny as it is sad." --Philadelphia Inquirer"A comic, vital new novel." --The New YorkerSamantha Raymond's life has begun to come apart: her mother is ill, her teenage daughter is increasingly remote, and at fifty-two she finds herself staring into the Mids -- that hour of supreme wakefulness between three and four in the morning in which women of a certain age suddenly find themselves contemplating motherhood, mortality, and, in this case, the state of our unraveling nation.When she falls in love with a beautiful, decrepit house in a hardscrabble neighborhood in Syracuse, she buys it on a whim and flees her suburban life -- and her family -- as she grapples with how to be a wife, a mother, and a daughter, in a country that is coming apart at the seams.Dana Spiotta's Wayward is a stunning novel about aging, about the female body, and about female complexity in contemporary America. Probing and provocative, brainy and sensual, it is a testament to our weird times, to reforms and resistance and utopian wishes, and to the beauty of ruins.

    Trapped. Hunted. An almost unbearably tense Australian survival thriller. Not much daylight left now.So begins the field diary of Alix Verhoeven, whose impulsive acceptance of an offer to spend Easter on a remote island has turned into a terrifying ordeal. Hiding in a tiny cave, she carefully rations out her meagre supplies, while desperately trying to figure out how to escape the men hunting her. She is determined not to be a victim.What do they want with her? She knows it's nothing good - she overheard enough on that first night to flee. But now she's got little food or water, no way of calling for help, and only her skills as an exploration geologist and memories of Atkinson's Bushcraft Guide to survive.By day she is disciplined and lives by strict plans, but at night she finds herself haunted by questions about her life that she has never wanted to face.And her time is running out.