According to Wikipedia: "Jack London (12 January, 1876 – 22 November, 1916) was an American author who wrote The Call of the Wild and other books. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first Americans to make a lucrative career exclusively from writing."

    First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume.

    But in Aurora Floyd, and in many of the novels written in imitation of it, bigamy is little more than a euphemism, a device to enable the heroine, and vicariously the reader, to enjoy the forbidden sweets of adultery without adulterous intentions.

    It is a revision of Thomas Killigrew's play "Thomaso", or "The Wanderer" (1664), and features multiple plot lines, dealing with the amorous adventures of a group of Englishmen and women in Naples at Carnival time. According to Restoration poet John Dryden, it "lacks the manly vitality of Killigrew's play, but shows greater refinement of expression." The play stood for three centuries as "Behn's most popular and most respected play."

    The first playwright of democracy, Euripides wrote with enduring insight and biting satire about social and political problems of Athenian life.  In contrast to his contemporaries, he brought an exciting--and, to the Greeks, a stunning--realism to the "pure and noble form" of tragedy.  For the first time in history, heroes and heroines on the stage were not idealized:  as Sophocles himself said, Euripides shows people not as they ought to be, but as they actually are.

    

    Love has not always taken such precedence, however, and it was in fact not until the eleventh century that French poets first began to express the romantic species of passion which English poets were still writing about in the nineteenth century. This book is intended for students of medieval literature from A-level upwards. Anyone interested in the "Courtly Love" tradition. Fans of C.S. Lewis's writings.

    Huxley's bold, nontraditional narrative tells the loosely autobiographical story of Anthony Beavis, a cynical libertine Oxford graduate who comes of age in the vacuum left by World War I. Unfulfilled by his life, loves, and adventures, Anthony is persuaded by a charismatic friend to become a Marxist and take up arms with Mexican revolutionaries. But when their disastrous embrace of violence nearly kills them, Anthony is left shattered—and is forced to find an alternative to the moral disillusionment of the modern world.

    A lyrical, moving valedictory.

    An invaluable selection of contextual material includes five Hawthorne stories that are closely related to The Scarlet Letter, along with relevant letters and notebook entries. A substantial excerpt from Hawthorne s campaign biography of Franklin Pierce offers a revealing glimpse at Hawthorne s political thought, especially regarding slavery and abolition. "Criticism" provides a comprehensive overview of early and modern commentary on The Scarlet Letter and the stories in this edition, including nineteenth-century reviews of the novel and critical essays by Robert S. Levine, Nina Baym, Larry J. Reynolds, and Jean Fagan Yellin. A Chronology and Selected Bibliography are also included."

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    From blake to wordsworth to robert browning and dylan thomas- a compact anthology of two centuries of poetry by 23 great british poets.

    Lovecraft's classic stories, among them some of the greatest works of horror fiction ever written, including:

    It was 1st published as a hardcover in 1897 by Archibald Constable & Co. Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel & invasion literature. Structurally it's an epistolary novel, told as a series of letters, diary entries, ships' logs, etc. Literary critics have examined many themes in the novel, such as the role of women in Victorian culture, conventional & conservative sexuality, immigration, colonialism, folklore & postcolonialism. Altho Stoker didn't invent the vampire, the novel's influence on the popularity of vampires has been singularly responsible for many theatrical, film & tv interpretations since its publication.FRANKENSTEIN or The Modern Prometheus is a novel about a failed artificial life experiment that's produced a monster, written by Mary Shelley. She started writing the story when she was 18. It was published when she was 21. The 1st edition was published anonymously in London in 1818. Shelley's name appears on the 2nd edition, published in France in 1823. She'd travelled the region in which the story takes place. The topics of galvanism & other similar occult ideas were themes of conversation among her companions, particularly her future husband Percy Bysshe Shelley. The storyline was taken from a dream. She was talking with three writer-colleagues, Percy Bysshe Shelley, Lord Byron & John Polidori. They decided they would have a competition to see who could write the best horror story. After thinking for weeks about what her storyline could be, she dreamt about a scientist who created life & was horrified by what he'd made. Then Frankenstein was written. Frankenstein is infused with some elements of the Gothic novel & the Romantic movement & is also considered to be an early example of sf. Brian Aldiss has argued it should be considered the 1st true sf story, because unlike in previous stories with fantastical elements resembling those of later sf, the central character "makes a deliberate decision" & "turns to modern experiments in the laboratory" to achieve fantastic results. The story is partially based on Giovanni Aldini's electrical experiments on dead & living animals & was also a warning against the expansion of modern man in the Industrial Revolution, alluded to in its subtitle, The Modern Prometheus. It's had a considerable influence across literature & popular culture & spawned a complete genre of horror stories & films.

    It is perhaps because of this that the poem is still popular with and of interest to modern readers. Owing to its length and its arguable breadth of focus, the poem might not be thought an elegy or a dirge in the strictest formal sense.The poem is not arranged exactly in the order in which it was written. The prologue, for example, is thought to have been one of the last things written. Critics believe, however, that the poem as a whole is meant to be chronological in terms of the progression of Tennyson's grief. The passage of time is marked by the three descriptions of Christmas at different points in the poem, and the poem ends with a description of the marriage of Tennyson's sister."In Memoriam" is written in four-line ABBA stanzas of iambic tetrameter, and such stanzas are now called In Memoriam Stanzas. Though not metrically unusual, given the length of the work, the meter creates a tonal effect which often divides readers - is it the natural sound of mourning and grief, or merely monotonous? The poem is divided into 133 cantos (including the prologue and epilogue), and in contrast to its constant and regulated metrical form, encompasses many different subjects: profound spiritual experiences, nostalgic reminiscence, philosophical speculation, Romantic fantasizing and even occasional verse. The death of Hallam, and Tennyson's attempts to cope with this, remain the strand that ties all these together.Excerpt: Strong Son of God, immortal Love,Whom we, that have not seen thy face,By faith, and faith alone, embrace,Believing where we cannot prove ;Thine are these orbs of light and shade ;Thou madest Life in man and brute ;[...]