In her fiction, Charlotte Bront

    So when Mary Anne Clarke seeks an escape from her squalid surroundings in Bowling Inn Alley, she ventures first into the scurrilous world of the pamphleteers. Her personal charms are such, however, that before long she comes to the notice of the Duke of York.With her taste for luxury and power, Mary Anne, now a royal mistress, must aim higher. Her lofty connections allow her to establish a thriving trade in military commissions, provoking a scandal that rocks the government - and brings personal disgrace.A vivid portrait of overweening ambition, MARY ANNE is set during the Napoleonic Wars and based on du Maurier's own great-great-grandmother. In Regency London, the only way for a woman to succeed is to beat men at their own game. So when Mary Anne Clarke seeks an escape from her squalid surroundings in Bowling Inn Alley, she ventures first into the scurrilous world of the pamphleteers. Her personal charms are such, however, that before long she comes to the notice of the Duke of York.With her taste for luxury and power, Mary Anne, now a royal mistress, must aim higher. Her lofty connections allow her to establish a thriving trade in military commissions, provoking a scandal that rocks the government - and brings personal disgrace.

    But this great novelist began and ended his writing career as a poet. In-between, he wrote a number of books that many readers find emotionally-wrenching, but which are considered among the classics of 19th Century British literature, including Far from the Madding Crowd, and Tess of the D'Urbervilles. Readers will experience Hardy's uncompromising, unsentimental realism in Wessex Tales, and for those seeking a taste of the Dorset poet and novelist, they represent an ideal start.

    Lawrence’s The Fox is a captivating work exploring the dual themes of power and supremacy in the aftermath of the First World War. Banford and March live and work together on their meager farm, surviving hardship only by sheer determination and dedicated labor. The farm is their world, a place of safety—that is, until a young soldier walks in and upsets the women’s delicate status quo. None could have predicted the effect his presence would have on their lives.

    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

    This volume includes the complete texts of fourteen plays by the leading Irish playwrights: W. B. Yeats, Lady Gregory, J. M. Synge, Bernard Shaw, Sean O'Casey, Samuel Beckett, Brian Friel, Conor McPherson, and Marina Carr. The plays are accompanied by John P. Harrington's introduction and by his detailed explanatory annotations.For ease of reference, "Backgrounds and Criticism" is chronologically organized by playwright and includes prefaces, letters, journal entries, program notes, and interpretive essays for each play in the volume. In addition, essays by Lady Gregory, John Eglinton, W. B. Yeats, Frank J. Fay, and Colm Tóibín provide an overview of the Irish dramatic literary revival. Finally, the present and future state of theater in Ireland is considered in essays by Victor Merriman, Mary Trotter, Lionel Pilkington, and Joan Fitz-Patrick Dean.A Chronology and Selected Bibliography are also included.Each Norton Critical Edition includes an authoritative text, contextual and source materials, and a wide range of interpretations-from contemporary perspectives to the most current critical theory-as well as a bibliography and, in many cases, a chronology of the author's life and work.

    But during his long lifetime Tolstoy also wrote enough shorter works to fill many volumes. Here reprinted in one volume are his eight finest short novels, together with "Alyosha the Pot", the little tale that Prince Mirsky described as "a masterpiece of rare perfection."The Death of Ivan IlychThe CossacksFamily HappinessThe DevilThe Kreutzer SonataMaster and ManFather SergiusHaji MuradAlyosha the Pot

    "The Canterbury Tales" gather twenty-nine of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble plowman. A graceful modren translation facing each page of the text allows the contemporary reader to enjoy the fast pace of these selections from "The Canterbury Tales" with the poetry of the Middle English original always at first hand.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.

    The Shorter Tenth Edition is more flexible, helpful, and innovative than ever, with new albums of thematically linked pieces, an expanded treatment of the contexts of literature, and in-text pedagogy and emedia features that hone students' reading, analytical, and writing skills.

    Now, combined into a single convenient volume, the New, Expanded Edition of "The Romance of Arthur" covers nearly a thousand years of translated texts in a broad range of genres, from the early chronicles and Welsh verse through Sir Thomas Malory. A new section on lyrics has been added. The translations from Latin, French, German, Spanish, Welsh, Middle English, and Italian were freshly done for the original anthologies and have now been updated. As before, complete text are presented whenever possible.

    She liked the simple things inlife - soft firelight and evenings at home. A quiet widow devoted to her only dear child, Sarah. Until she fell in with a fashionable crowd, going from party to party, trying things she would once have considered shocking and never quite thinking about the consequences. Why had she changed? And what was going to happen to her impressionable young daughter?Ann Prentice is in love with Richard Cauldfield and hopes for new happiness. Her only daughter, cannot contemplate the idea of her mother marrying again and wrecks any chance of her remarriage. Resentment and jealousy corrode their relationship as each seeks relief in different directions. Are mother and daughter destined to be enemies for life or will their underlying love for each other finally win through?

    

    An inspector calls to interrogate the family, and during the course of his questioning, all members of the group are implicated lightly or deeply in the girl's undoing. The family, closely knit and friendly at the beginning of the evening, is shown up as selfish, self-centered or cowardly, its good humor turning to acid, and good fellowship to dislike, before the evening is over. The surprising revelation, however, is in the inspector...