It's a common practice for large, hard-up families in 1950s Ireland, but for Angela it means that her mother and father don't love her any more. Still, she's well cared for till she's sixteen, when her uncle starts to take too much of an interest in her. Moving to Liverpool in the early 1960s, she becomes a success in the world of fashion design. The pain of a disastrous love affair sends her home to Ireland just after the death of her aunt: and there, among old papers, Angela makes an astonishing discovery. As she learns the truth about the past, a brighter new future beckons.

    As matters fall into frenzy, and as the lines between fantasy and truth, right and wrong, begin to blur, who will these two fathers choose to protect?Dark, propulsive and thrillingly original, this tale of fierce familial love and sacrifice fizzes with magic and wonder.

    “If there is a bleaker, funnier or more desperate play in Edinburgh this year, I’ll eat my hat.”—GuardianA brilliant new play by the author of Disco Pigs and this year’s winner of the Edinburgh First Fringe Award for Outstanding New Writing.

    This volume includes the complete texts of fourteen plays by the leading Irish playwrights: W. B. Yeats, Lady Gregory, J. M. Synge, Bernard Shaw, Sean O'Casey, Samuel Beckett, Brian Friel, Conor McPherson, and Marina Carr. The plays are accompanied by John P. Harrington's introduction and by his detailed explanatory annotations.For ease of reference, "Backgrounds and Criticism" is chronologically organized by playwright and includes prefaces, letters, journal entries, program notes, and interpretive essays for each play in the volume. In addition, essays by Lady Gregory, John Eglinton, W. B. Yeats, Frank J. Fay, and Colm Tóibín provide an overview of the Irish dramatic literary revival. Finally, the present and future state of theater in Ireland is considered in essays by Victor Merriman, Mary Trotter, Lionel Pilkington, and Joan Fitz-Patrick Dean.A Chronology and Selected Bibliography are also included.Each Norton Critical Edition includes an authoritative text, contextual and source materials, and a wide range of interpretations-from contemporary perspectives to the most current critical theory-as well as a bibliography and, in many cases, a chronology of the author's life and work.

    

    As the author writes in the preface, "There is no such thing as bad language. It is raw speech and it comes from the essence of what makes us who we are, and is often colorfully manifested in idiom, common parlance, and slang." Garry Bannister, the author of numerous language courses and Irish dictionaries, has a wide knowledge of both Irish literature and Celtic folklore. He has extensive experience teaching Irish both in Ireland and internationally.

    In a widely expanded version of the supplement that appeared in The Irish Times in March to commemorate the 90th Anniversary, The 1916 Rising recreates the actual course of events during that tumultuous week, based on contemporary witnesses, memoirs and later recollections. It adds up to the most comprehensive and accessible account of Easter Week in print.