Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.The Hundred-Year House unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer.

    Bree rejected that fearful outlook, and life has proved her right. Having married into a family with wealth, power, and connections, Bree now has all a woman could ever dream of.Until the day she awakens and sees someone peering into her bedroom window--an old gray-haired woman dressed all in black who vanishes as quickly as she appears. It must be a play of the early morning light or the remnant of a waking dream, Bree tells herself, shaking off the bad feeling that overcomes her.Later that day though, she spies the old woman again, in the parking lot of her daughters' private school . . . just minutes before Bree's infant son, asleep in his car seat only a few feet away, vanishes. It happened so quickly--Bree looked away only for a second. There is a note left in his place, warning her that she is being is being watched; if she wants her baby back, she must not call the police or deviate in any way from the instructions that will follow.The mysterious woman makes contact, and Bree learns she, too, is a mother. Why would another mother do this? What does she want? And why has she targeted Bree? Of course Bree will pay anything, do anything. It's her child.To get her baby back, Bree must complete one small--but critical--task. It seems harmless enough, but her action comes with a devastating price.Bree will do whatever it takes to protect her family--but what if the cost tears their world apart?

    At the end of a long winter, in bucolic Ridgedale, New Jersey, the body of an infant is discovered in the woods near the town’s prestigious university campus. No one knows who the baby is, or how her body ended up out there. But there is no shortage of opinions. When freelance journalist, and recent Ridgedale transplant, Molly Anderson is unexpectedly called upon to cover the story for the Ridegdale Reader, it’s a risk, given the severe depression that followed the loss of her own baby. But the bigger threat comes when Molly unearths some of Ridgedale’s darkest secrets, including a string of unreported sexual assaults that goes back twenty years. Meanwhile, Sandy, a high school dropout, searches for her volatile and now missing mother, and PTA president Barbara struggles to help her young son, who’s suddenly having disturbing outbursts. Told from the perspectives of Molly, Barbara, and Sandy, Kimberly McCreight’s taut and profoundly moving novel unwinds the tangled truth about the baby’s death revealing that these three women have far more in common than they realized. And that their lives are more intertwined with what happened to the baby than they ever could have imagined.

    He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll.George is of course the immediate suspect—the question of his guilt echoing in a story shot through with secrets both personal and professional. While his parents rescue him from suspicion, a persistent cop is stymied at every turn in proving Clare a heartless murderer. And three teenage brothers (orphaned by tragic circumstances) find themselves entangled in this mystery, not least because the Clares had moved into their childhood home, a once-thriving dairy farm. The pall of death is ongoing, and relentless; behind one crime there are others, and more than twenty years will pass before a hard kind of justice is finally served. A rich and complex portrait of a psychopath and a marriage, this is also an astute study of the various taints that can scar very different families, and even an entire community. Elizabeth Brundage is an essential talent who has given us a true modern classic.

    But when she returns, Viola is gone. A breaking point in an already fractured marriage, Viola’s abduction causes Ellis to disappear as well—into grief, guilt, and addiction. Convinced she can only do more harm to her family, Ellis leaves her husband and young sons, burying her desperate ache for her children deeper with every step into the mountain wildernesses she treks alone.In a remote area of Washington, a young girl named Raven keeps secrets inside, too. She must never speak to outsiders about how her mother makes miracles spring from the earth, or about her father, whose mysterious presence sometimes frightens her. Raven spends her days learning how to use her rare gifts—and more important, how to hide them. With each lesson comes a warning of what dangers lie in the world beyond her isolated haven. But despite her mother’s cautions, Raven finds herself longing for something more.As Ellis and Raven each confront their powerful longings, their journeys will converge in unexpected and hopeful ways, pulled together by the forces of nature, love, and family.

    A golden couple, their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. Graham is a bookseller, a big, gregarious man with large appetites—curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie’s comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham’s son with his first wife, Frieda, works in New York. Annie and Graham’s daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham’s last and greatest love. When Graham suddenly dies—this man whose enormous presence has seemed to dominate their lives together—Annie is lost. What is the point of going on, she wonders, without him?  Then, while she is still mourning him intensely, she discovers that Graham had been unfaithful to her; and she spirals into darkness, wondering if she ever truly knew the man who loved her.

    Alice, once a singer in a well-known rock band, is now a successful lawyer. Jake is a partner in an up-and-coming psychology practice. Their life together holds endless possibilities. After receiving an enticing wedding gift from one of Alice’s prominent clients, they decide to join an exclusive and mysterious group known only as The Pact.The goal of The Pact seems simple: to keep marriages happy and intact, and most of its rules make sense: Always answer the phone when your spouse calls. Exchange thoughtful gifts monthly. Plan a trip together once per quarter. . . .Never mention The Pact to anyone.Alice and Jake are initially seduced by the glamorous parties, the sense of community, their widening social circle of like-minded couples--and then one of them breaks the rules. The young lovers are about to discover that for adherents to The Pact, membership, like marriage, is for life, and The Pact will go to any lengths to enforce that rule. For Jake and Alice, the marriage of their dreams is about to become their worst nightmare.

    Arthur, a widow, meets Maddy, a troubled teenage girl who is avoiding school by hiding out at the cemetery, where Arthur goes every day for lunch to have imaginary conversations with his late wife, and think about the lives of others. The two strike up a friendship that draws them out of isolation. Maddy gives Arthur the name Truluv, for his loving and positive responses to every outrageous thing she says or does. With Arthur’s nosy neighbor Lucille, they create a loving and unconventional family, proving that life’s most precious moments are sweeter when shared.

    Her greatest joy is her family: her devoted professor husband, her spirited fifteen-year-old stepdaughter, her adorable infant son. And, of course, the steadfast and supportive Charlotte. But Amy’s sweet, uncomplicated life begins to unravel when the mysterious and alluring Angelica Roux arrives on her doorstep one book club night.Sultry and magnetic, Roux beguiles the group with her feral charm. She keeps the wine flowing and lures them into a game of spilling secrets. Everyone thinks it’s naughty, harmless fun. Only Amy knows better. Something wicked has come her way—a she-devil in a pricey red sports car who seems to know the terrible truth about who she is and what she once did.When they’re alone, Roux tells her that if she doesn’t give her what she asks for, what she deserves, she’s going to make Amy pay for her sins. One way or another.To protect herself and her family and save the life she’s built, Amy must beat the devil at her own clever game, matching wits with Roux in an escalating war of hidden pasts and unearthed secrets. Amy knows the consequences if she can’t beat Roux. What terrifies her is everything she could lose if she wins.A diabolically entertaining tale of betrayal, deception, temptation, and love filled with dark twists leavened by Joshilyn Jackson’s trademark humor, Never Have I Ever explores what happens when the transgressions of our past come back with a vengeance.

    Twice a week, with strollers in tow, they get together in Prospect Park, seeking refuge from the isolation of new motherhood; sharing the fears, joys, and anxieties of their new child-centered lives.When the group’s members agree to meet for drinks at a hip local bar, they have in mind a casual evening of fun, a brief break from their daily routine. But on this sultry Fourth of July night during the hottest summer in Brooklyn’s history, something goes terrifyingly wrong: one of the babies is abducted from his crib. Winnie, a single mom, was reluctant to leave six-week-old Midas with a babysitter, but the May Mothers insisted that everything would be fine. Now Midas is missing, the police are asking disturbing questions, and Winnie’s very private life has become fodder for a ravenous media.Though none of the other members in the group are close to the reserved Winnie, three of them will go to increasingly risky lengths to help her find her son. And as the police bungle the investigation and the media begin to scrutinize the mothers in the days that follow, damaging secrets are exposed, marriages are tested, and friendships are formed and fractured.

    Her only companions are the scientists studying there, odd and quirky refugees from the mainland living in rustic conditions. They document the whales and seals around the island, the bold trio of sharks called the Sisters that hunt the surrounding waters, and the overwhelming, violent bird population.Shortly after her arrival, Miranda is assaulted by one of the island’s inhabitants. A few days later, her assailant is found dead, perhaps the result of an accident. As the novel unfolds, Miranda gives witness to the natural wonders of this astonishing place. She grapples with what has happened to her, deepens her connection to (and her misgivings about) her companions, and succumbs to the spell of the place nicknamed “the Islands of the Dead.” And when more violence occurs, each member of this strange community falls under suspicion.The Lightkeepers upends the traditional structure of a mystery novel—an isolated environment, a limited group of characters who might not be trustworthy, a death that might not have been accidental, a balance of discovery and action—while also exploring wider themes of the natural world, the power of loss, and the essence of recovery. It is a luminous debut novel from a talented and provocative writer.

    But when a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house The Dakota, leads to a job offer, her world is suddenly awash in possibility—no mean feat for a servant in 1884. The opportunity to move to America, where a person can rise above one’s station. The opportunity to be the female manager of The Dakota, which promises to be the greatest apartment house in the world. And the opportunity to see more of Theo, who understands Sara like no one else...and is living in The Dakota with his wife and three young children.

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

    It’s a secret she manages to keep for over two decades—from her daughter, the babysitter who helped raise her, family, coworkers, and friends. When Lucy’s now-grown daughter Mia discovers the devastating truth of her origins, she is overwhelmed by confusion and anger and determines not to speak again to the mother who raised her. She reaches out to her birth mother for a tearful reunion, and Lucy is forced to flee to China to avoid prosecution. What follows is a ripple effect that alters the lives of many and challenges our understanding of the very meaning of motherhood. Author Helen Klein Ross, whose work has appeared in The New Yorker, weaves a powerful story of upheaval and resilience told from the alternating perspectives of Lucy, Mia, Mia’s birth mother, and others intimately involved in the kidnapping. What Was Mine is a compelling tale of motherhood and loss, of grief and hope, and the life-shattering effects of a single, irrevocable moment.