In this comprehensive account of the label’s first two decades (up to the point that Russell left), music journalist Martin Aston explores the fascinating story with unique access to all the key players and pretty much every artist who released a record on 4AD during that time, and to its notoriously reclusive founder.With a cover designed by Vaughan Oliver this is an essential book for all 4AD fans and anyone who loved the music of that time.

    But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. “I was a devil in other countries, and I was a little devil in America, too,” she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance.Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.

    seemed on the cusp of a golden age. Although Americans had been shocked by the assassination in 1963 of President Kennedy, they exuded a sense of consensus and optimism that showed no signs of abating. Indeed, political liberalism and interracial civil rights activism made it appear as if 1965 would find America more progressive and unified than it had ever been before. In January 1965, President Lyndon Johnson proclaimed that the country had “no irreconcilable conflicts.”Johnson, who was an extraordinarily skillful manager of Congress, succeeded in securing an avalanche of Great Society legislation in 1965, including Medicare, immigration reform, and a powerful Voting Rights Act. But as esteemed historian James T. Patterson reveals in The Eve of Destruction, that sense of harmony dissipated over the course of the year. As Patterson shows, 1965 marked the birth of the tumultuous era we now know as “The Sixties,” when American society and culture underwent a major transformation. Turmoil erupted in the American South early in the year, when police attacked civil rights demonstrators in Selma, Alabama. Many black leaders, outraged, began to lose faith in nonviolent and interracial strategies of protest. Meanwhile, the U.S. rushed into a deadly war in Vietnam, inciting rebelliousness at home. On August 11th, five days after Johnson signed the Voting Rights Act, racial violence exploded in the Watts area of Los Angeles. The six days of looting and arson that followed shocked many Americans and cooled their enthusiasm for the president's remaining initiatives. As the national mood darkened, the country became deeply divided. By the end of 1965, a conservative resurgence was beginning to redefine the political scene even as developments in popular music were enlivening the Left.In The Eve of Destruction, Patterson traces the events of this transformative year, showing how they dramatically reshaped the nation and reset the course of American life.

    After a little noticed debut and a follow-up that had failed to chart at all, Pye Records were threatening to annul the group’s contract. But with its unforgettable distorted guitar riff, 'You Really Got Me’ went on to reach No.1, entering the US Top Ten later the same year. Followed by a string of hits, it marked the breakthrough of one of Britain’s most innovative and influential bands, and a turning point in the fortunes of two brothers whose troubled story is as tumultuous and characterful as the music they produced: Ray and Dave Davies. Born into a deeply musical working-class family in London’s Muswell Hill, Ray and Dave grew up in a city recovering from the bombs and privations of the Second World War, and, more than any other musicians of the Sixties, they crafted the soundtrack that made it swing again. In songs such as ‘Dedicated Follower of Fashion’, ‘Sunny Afternoon’ – which toppled The Beatles to become the hit of Summer 1966 – ‘Waterloo Sunset’, ‘Days’ and ‘Lola’, they drew on music hall, folk and rhythm and blues to craft a peculiarly English pop idiom, inspiring generations of songwriters from David Bowie to Jarvis Cocker and Damon Albarn.Pocked by sibling rivalry, furious on-stage violence, walkouts, overdoses, a career-throttling ban from the US, gross self-indulgence, and the band's curious rebirth as Eighties stadium rockers, the story laid bare in God Save The Kinks is one of the greatest in British pop history.

    The FBI combated these & other groups as nodes of a single revolutionary underground dedicated to the violent overthrow of the USA. Burrough's Days of Rage recreates an atmosphere almost unbelievable decades later, conjuring a time of native-born radicals, often nice middle-class kids, smuggling bombs into skyscrapers & detonating them inside the Pentagon & the Capitol, at a Boston courthouse & a Wall Street restaurant. The FBI’s response included the formation of a secret task force, Squad 47, dedicated to hunting the groups down. But Squad 47 itself broke laws in its attempts to bring the revolutionaries to justice. Its efforts ended in fiasco. Drawing on interviews about their experiences with members of the underground & the FBI, Days of Rage is a look into the hearts & minds of homegrown terrorists & federal agents alike, weaving their stories into a secret history of the '70s.

    When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).

    Founded on rock music, celebrity, boom-time economics, and fleeting political optimism, this was "Cool Britannia." Records sold in the millions, a new celebrity elite emerged, and Tony Blair's Labour Party found itself returned to government. Drawing on interviews from all the major bands including Oasis, Blur, Elastica, and Suede, and from music journalists, record executives, and those close to government, Britpop! charts the rise and fall of the Britpop moment. In this wonderfully engaging, page-turning narrative, John Harris, currently the hottest young music journalist in the UK, argues that the high point of British music's cultural impact also signaled its effective demise. After all, if rock stars were now friends of government, how could they continue to matter?"Cool Britannia was an empty promise that was bound to end in tears. John Harris captures the moment when New Labour, desperately wanting to seem hip, invited Britpop into Downing Street. Irresistible."-Billy Bragg

    Kaplan, named one of the world’s Top 100 Global Thinkers by Foreign Policy magazine, comes a riveting journey through one of Europe’s frontier countries—and a potent examination of the forces that will determine Europe’s fate in the postmodern age. Robert Kaplan first visited Romania in the 1970s, when he was a young journalist and the country was a bleak Communist backwater. It was one of the darkest corners of Europe, but few Westerners were paying attention. What ensued was a lifelong obsession with a critical, often overlooked country—a country that, today, is key to understanding the current threat that Russia poses to Europe. In Europe’s Shadow is a vivid blend of memoir, travelogue, journalism, and history, a masterly work thirty years in the making—the story of a journalist coming of age, and a country struggling to do the same. Through the lens of one country, Kaplan examines larger questions of geography, imperialism, the role of fate in international relations, the Cold War, the Holocaust, and more. Here Kaplan illuminates the fusion of the Latin West and the Greek East that created Romania, the country that gave rise to Ion Antonescu, Hitler’s chief foreign accomplice during World War II, and the country that was home to the most brutal strain of Communism under Nicolae Ceaușescu. Romania past and present are rendered in cinematic prose: the ashen faces of citizens waiting in bread lines in Cold War–era Bucharest; the Bărăgan Steppe, laid bare by centuries of foreign invasion; the grim labor camps of the Black Sea Canal; the majestic Gothic church spires of Transylvania and Maramureş. Kaplan finds himself in dialogue with the great thinkers of the past, and with the Romanians of today, the philosophers, priests, and politicians—those who struggle to keep the flame of humanism alive in the era of a resurgent Russia. Upon his return to Romania in 2013 and 2014, Kaplan found the country transformed yet again—now a traveler’s destination shaped by Western tastes, yet still emerging from the long shadows of Hitler and Stalin. In Europe’s Shadow is the story of an ideological and geographic frontier—and the book you must read in order to truly understand the crisis with Russia, and within Europe itself.Praise for In Europe’s Shadow “[A] haunting yet ultimately optimistic examination of the human condition as found in Romania . . . Kaplan’s account of the centuries leading up to the most turbulent of all—the twentieth—is both sweeping and replete with alluring detail.”—The New York Times Book Review “A serious yet impassioned survey of Romania . . . [Kaplan’s] method is that of a foreign correspondent, firing off dispatches from the South China Sea to North Yemen to the darkest corners of Eastern Europe. . . . Kaplan is a regional geographer par excellence.”—The Christian Science Monitor “Kaplan’s work exemplifies rare intellectual, moral and political engagement with the political order—and disorder—of our world.”—The Huffington Post“A masterly work of important history, analysis, and prophecy about the ancient and modern rise of Romania as a roundabout between Russia and Europe . . . I learned something new on every page.”—Tom Brokaw “A favorite of mine for years, Robert D. Kaplan is a thoughtful and insight-driven historian who writes clear and compelling prose, but what I like most about him is his political sophistication. A true pleasure for the reader.”—Alan Furst

    He provided the propulsive bass guitar melodies of Love Will Tear Us Apart, as well as Blue Monday and many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed, and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and it is far sadder, funnier, scarier, and stranger than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world, and they had top 10 hits, their royalties were being ploughed into the Hacienda and they were only being paid £20 per week. As Peter Hook tells the story of that exciting and hilarious time, all the main characters appear—Tony Wilson, Barney, Shaun Ryder—and he tells it like it truly was—a rollercoaster of success, money, confusion, and true faith.

    Meacham writes a celebration of the history and songs of the eras, and McGraw reflects on these songs as an artist and performer. Beginning with the battle hymns of the Revolution, and taking us through songs from the defining events of the Civil War, the two World Wars, the Great Depression, the Civil Rights movement, the Vietnam War, into the twenty-first century, Meacham and McGraw explore the songs that defined generations and the cultural and political climates that made them. The songs of America remind us where we've been, who we are—and what we can be.

    Martin Lee and Bruce Shlain's exhaustively researched and astonishing account—part of it gleaned from secret government files—tells how the CIA became obsessed with LSD as an espionage weapon during the early 1950s and launched a massive covert research program, in which countless unwitting citizens were used as guinea pigs. Though the CIA was intent on keeping the drug to itself, it ultimately couldn't prevent it from spreading into the popular culture; here LSD had a profound impact and helped spawn a political and social upheaval that changed the face of America. From the clandestine operations of the government to the escapades of Timothy Leary, Abbie Hoffman, Ken Kesey and his Merry Pranksters, Allen Ginsberg, and many others, Acid Dreams provides an important and entertaining account that goes to the heart of a turbulent period in our history.Also called: Acid Dreams. The Complete Social History of LSD: The CIA, The Sixties, and Beyond

    In this fascinating and revealing study, Thomas Frank shows how the youthful revolutionaries were joined—and even anticipated —by such unlikely allies as the advertising industry and the men's clothing business."[Thomas Frank is] perhaps the most provocative young cultural critic of the moment."—Gerald Marzorati, New York Times Book Review"An indispensable survival guide for any modern consumer."—Publishers Weekly, starred review"Frank makes an ironclad case not only that the advertising industry cunningly turned the countercultural rhetoric of revolution into a rallying cry to buy more stuff, but that the process itself actually predated any actual counterculture to exploit."—Geoff Pevere, Toronto Globe and Mail"The Conquest of Cool helps us understand why, throughout the last third of the twentieth century, Americans have increasingly confused gentility with conformity, irony with protest, and an extended middle finger with a populist manifesto. . . . His voice is an exciting addition to the soporific public discourse of the late twentieth century."—T. J. Jackson Lears, In These Times"An invaluable argument for anyone who has ever scoffed at hand-me-down counterculture from the '60s. A spirited and exhaustive analysis of the era's advertising."—Brad Wieners, Wired Magazine"Tom Frank is . . . not only old-fashioned, he's anti-fashion, with a place in his heart for that ultimate social faux pas, leftist politics."—Roger Trilling, Details

    'All the Madmen' tells the story of six stars who travelled to the edge of sanity in the years following the summer of love, and charts how they made some of the most seminal rock music ever recorded.

    When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the “Red Riviera” on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose barbs pointed inward toward the enemy: the citizens of the totalitarian regime.Kassabova discovers a place that has been shaped by successive forces of history: the Soviet and Ottoman empires, and, older still, myth and legend. Her exquisite portraits of fire walkers, smugglers, treasure hunters, botanists, and border guards populate the book. There are also the ragged men and women who have walked across Turkey from Syria and Iraq. But there seem to be nonhuman forces at work here too: This densely forested landscape is rich with curative springs and Thracian tombs, and the tug of the ancient world, of circular time and animism, is never far off.Border is a scintillating, immersive travel narrative that is also a shadow history of the Cold War, a sideways look at the migration crisis troubling Europe, and a deep, witchy descent into interior and exterior geographies.

    Now, in Boom!, one of America’s premier journalists gives us an epic portrait of another defining era in America as he brings to life the tumultuous Sixties, a fault line in American history. The voices and stories of both famous people and ordinary citizens come together as Brokaw takes us on a memorable journey through a remarkable time, exploring how individual lives and the national mindset were affected by a controversial era and showing how the aftershocks of the Sixties continue to resound in our lives today. In the reflections of a generation, Brokaw also discovers lessons that might guide us in the years ahead. Boom! One minute it was Ike and the man in the grey flannel suit, and the next minute it was time to “turn on, tune in, drop out.” While Americans were walking on the moon, Americans were dying in Vietnam. Nothing was beyond question, and there were far fewer answers than before.Published as the fortieth anniversary of 1968 approaches, Boom! gives us what Brokaw sees as a virtual reunion of some members of “the class of ’68,” offering wise and moving reflections and frank personal remembrances about people’s lives during a time of high ideals and profound social, political, and individual change. What were the gains, what were the losses? Who were the winners, who were the losers? As they look back decades later, what do members of the Sixties generation think really mattered in that tumultuous time, and what will have meaning going forward? Race, war, politics, feminism, popular culture, and music are all explored here, and we learn from a wide range of people about their lives. Tom Brokaw explores how members of this generation have gone on to bring activism and a Sixties mindset into individual entrepreneurship today. We hear stories of how this formative decade has led to a recalibrated perspective–on business, the environment, politics, family, our national existence. Remarkable in its insights, profoundly moving, wonderfully written and reported, this revealing portrait of a generation and of an era, and of the impact of the 1960s on our lives today, lets us be present at this reunion ourselves, and join in these frank conversations about America then, now, and tomorrow.