Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a chance just as his own chances have dwindled to almost nothing. Together they follow a twisting map to redemption--or ruin.

    During the twilight of a Sunday afternoon in March, New York book editor Phillip Carver receives an urgent phone call from each of his older, unmarried sisters. They plead with Phillip to help avert their widower father's impending remarriage to a younger woman. Hesitant to get embroiled in a family drama, he reluctantly agrees to go back south, only to discover the true motivation behind his sisters' concern. While there, Phillip is forced to confront his domineering siblings, a controlling patriarch, and flood of memories from his troubled past. Peter Taylor is one of the masters of Southern literature, whose work stands in the company of Eudora Welty, James Agee, and Walker Percy. In A Summons to Memphis, he has composed a richly evocative story of revenge, resolution, and redemption and given us a classic work of American literature.

    Every once in a while, though, something goes wrong. When 1960s folksinger Peggy Muryan moves to town seeking solitude and a career comeback, and she receives a postcard with a threatening message, her idyll is shattered. Then a local girl who looks like Peggy vanishes without a trace.Although she was once famous, Peggy has no fondness for the old times. Those days are best left forgotten for Spencer Arrowood, too. But sometimes the past can't rest, and those who try to forget it are doomed to relive it....

    Awaiting her husband's return, Ora and her children faced deprivation, theft, and two invading armies that brought war to their doorstep.

    Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941 "Let Us Now Praise Famous Men" was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century.

    Now the stories alone are available for the first time in trade paperback.

    The novel is told in a kaleidoscope of seamlessly woven voices and centers around an incendiary romance that consumes everyone in its path: Myra Lamb, a wild young girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain; her grandmother Byrdie Lamb, who protects Myra fiercely and passes down “the touch” that bewitches people and animals alike; the neighbor boy who longs for Myra yet is destined never to have her; the twin children Myra is forced to abandon but who never forget their mother’s deep love; and John Odom, the man who tries to tame Myra and meets with shocking, violent disaster. Against the backdrop of a beautiful but often unforgiving country, these lives come together—only to be torn apart—as a dark, riveting mystery unfolds. With grace and unflinching verisimilitude, Amy Greene brings her native Appalachia—and the faith and fury of its people—to rich and vivid life. Here is a spellbinding tour de force that announces a dazzlingly fresh, natural-born storyteller in our midst.

    Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister's troubled twins, Frazier has created his most memorable heroine.Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways.Charles Frazier is known for his historical literary odysseys, and for making figures in the past come vividly to life. Set in the twentieth century, Nightwoods resonates with the timelessness of a great work of art.

    Dorinda Oakley is a passionate, intelligent, and independent young woman struggling to define herself.

    There's always lots to do - dumping out the potted poinsettias and dusting off the plastic peonies, making sure the kids know everybody dead and how they are kin to everybody living. To most folks, which cemetery, which family plot, which tombstone and what's carved on it are of consequence. And the older you are, the more so. In the Bales-McCord family, two old people are at the point of contemplating their final resting places - Glenn and Laura Bales. Everybody is wondering which one will go first. A third old person looking death in the eye is Uncle Grove McCord, hell-raising, bootlegging, bush pilot, black sheep brother of Glenn Bales's first wife. Grove left Summerlin years ago and has buried several wives. He's got a good healthy one now out in Arkansas. But he pines for Summerlin where he was raised and is making his own private arrangements to be buried there. "Hell, " he says, "I can't be buried beside all my wives." Clyde Edgerton fans won't be surprised that the characters in his funny new novel end up with too many graves and too few tombstones. It all happens within the space of just a couple of weeks and it's told by everybody involved, from Buster Douglas, the Truck Freight Limited driver who delivers Uncle Grove's tombstone to Wilma and Harold Fuller, Visitors-to-the-Sick. Join them as they gather in Summerlin to attend to the business of passing on - and passing down. As Uncle Grove points out, "You're history longer than you are fact."

    "Norma had run off with Guy Dupree and I was waiting around for the credit card billings to come in so I could see where they had gone." The fussbudget is assailed by tropical storms, grifters, hippies, car trouble, and candy wrappers at high speed "wind came up through the floor hole in such a way that the Heath wrappers were suspended behind my head in a noisy brown vortex". Leech Dr Reo Symes is a font of dubious financial schemes and fluff such as a circus "fifty-pound rat from the sewers of Paris, France. Of course it didn't really weigh fifty pounds and it wasn't your true rat and it wasn't from Paris, France, either. It was some kind of animal from South America."

    In Shiloh, Bobbie Ann Mason introduces us to her western Kentucky people and the lives they forge for themselves amid the ups and downs of contemporary American life, and she poignantly captures the growing pains of the New South in the lives of her characters as they come to terms with feminism, R-rated movies, and video games. "Bobbie Ann Mason is one of those rare writers who, by concentrating their attention on a few square miles of native turf, are able to open up new and surprisingly wide worlds for the delighted reader," said Robert Towers in The New York Review of Books.

    This collection of persona poems tells the story of the infamous Lewis & Clark expedition from the point of view of Clark's personal slave, York. The poems form a narrative of York's inner and outer journey, before, during and after the expedition--a journey from slavery

    The air became black with coal dust. As the last echo of the explosion began to thin in the distance, the boy could hear the leaves from the trees settling to the ground around him...' In TO THE BRIGHT AND SHINING SUN James Lee Burke brings his brilliant feel for time and place to a stunning story of Appalachia in the early 1960s. Here Perry Woodson Hatfield James, torn between family honour and the lure of seedy "watering holes" must somehow survive the tempestuous journey from boyhood to manhood and escape the dark heritage of the Cumberland Mountains in this 'surging, bitter novel as authentic as moonshine' (New York Times)Cover by Joe Servello

    Now, for the first time, in his tenth travel book, Theroux explores a piece of America — the Deep South. He finds there a paradoxical place, full of incomparable music, unparalleled cuisine, and yet also some of the nation’s worst schools, housing, and unemployment rates. It’s these parts of the South, so often ignored, that have caught Theroux’s keen traveler’s eye.  On road trips spanning four seasons, wending along rural highways, Theroux visits gun shows and small-town churches, laborers in Arkansas, and parts of Mississippi where they still call the farm up the road “the plantation.” He talks to mayors and social workers, writers and reverends, the working poor and farming families — the unsung heroes of the south, the people who, despite it all, never left, and also those who returned home to rebuild a place they could never live without.  From the writer whose “great mission has always been to transport us beyond that reading chair, to challenge himself — and thus, to challenge us” (Boston Globe), Deep South is an ode to a region, vivid and haunting, full of life and loss alike.