Flax Hill, Massachusetts, isn’t exactly a welcoming town, but it does have the virtue of being the last stop on the bus route she took from New York. Flax Hill is also the hometown of Arturo Whitman—craftsman, widower, and father of Snow. SNOW is mild-mannered, radiant and deeply cherished—exactly the sort of little girl Boy never was, and Boy is utterly beguiled by her. If Snow displays a certain inscrutability at times, that’s simply a characteristic she shares with her father, harmless until Boy gives birth to Snow’s sister, Bird. When BIRD is born Boy is forced to re-evaluate the image Arturo’s family have presented to her, and Boy, Snow and Bird are broken apart. Sparkling with wit and vibrancy, Boy, Snow, Bird is a deeply moving novel about three women and the strange connection between them. It confirms Helen Oyeyemi’s place as one of the most original and dynamic literary voices of her generation.

    So when the clever diplomat Nicky Fleming dies suddenly and suspiciously, it’s convenient to brand him the traitor. But was his death an accident, murder, or suicide? As the government investigates Nicky's death, his wife relocates with their three children to a remote Scottish island hoping to save what remains of their family. But the isolated shores of her childhood retreat only intensify their distance between them, and it is the brilliant and peculiar youngest child, Jamie, who alone holds on to the one thing he’s sure of: his father has promised to return and he was a man who never broke a promise.When Jamie sets off to explore the island with his teenage sisters, they discover a tamed grizzly bear has been marooned on shore, hiding somewhere among the seaside caves. Jamie believes the bear may have a strange connection to his father, and as he seeks the truth, Nicky's story begins revealing itself in unexpected ways.

    What she doesn't realise is that she's not alone: her arrival has woken the spirits of her parents, who anxiously watch over her, longing to make amends. Because as the past comes back to Jack and Netty, they begin to see the summer of 1963 clearly, when Netty was desperately ill and a stranger moved in. Charismatic, mercurial Timothy Richardson, with his seemingly miraculous powers of healing, who drew all their attention away from Annette... Now, they must try to draw another stranger towards her, one who can rescue her.Blurring the boundaries between the corporeal and spirit worlds and subtly echoing the myth of Baucis and Philemon, this is an eerily beautiful, evocative and highly original novel, which underlines the eternal potency of hope.

    These are people for whom the idea of ‘home' has become increasingly intangible, hard to believe – and happiness, or grace, or freedom, all now seem to belong in some kind of dream, or a fable they might have read in a children's picture book. As he says in one story, ‘All a man has is his work and his sense of himself, all the secret life he holds inside that nobody else can know.' But in each of these normal, damaged lives, we are shown something extraordinary: a dogged belief in some kind of hope or beauty that flies in the face of all reason and is, as a result, both transfiguring and heart-rending. John Burnside is unique in contemporary British letters: he is one of our best living poets, but he is also a thrillingly talented writer of fiction. These exquisitely written pieces, each weighted so perfectly, opens up the whole wound of a life in one moment – and each of these twelve short stories carries the freight and density of a great novel.

    A young jazz buff in Tokyo. A crooked British lawyer in Hong Kong. A disc jockey in Manhattan. A physicist in Ireland. An elderly woman running a tea shack in rural China. A cult-controlled terrorist in Okinawa. A musician in London. A transmigrating spirit in Mongolia. What is the common thread of coincidence or destiny that connects the lives of these nine souls in nine far-flung countries, stretching across the globe from east to west? What pattern do their linked fates form through time and space?A writer of pyrotechnic virtuosity and profound compassion, a mind to which nothing human is alien, David Mitchell spins genres, cultures, and ideas like gossamer threads around and through these nine linked stories. Many forces bind these lives, but at root all involve the same universal longing for connection and transcendence, an axis of commonality that leads in two directions—to creation and to destruction. In the end, as lives converge with a fearful symmetry, Ghostwritten comes full circle, to a point at which a familiar idea—that whether the planet is vast or small is merely a matter of perspective—strikes home with the force of a new revelation. It marks the debut novel of a writer with astonishing gifts.

    Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen”. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.

    A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

    They embark on a furtive love affair and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. Exit West follows these characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.

    The Blue Ridge Madam—built by Willa’s great-great-grandfather during Walls of Water’s heyday, and once the town’s grandest home—has stood for years as a lonely monument to misfortune and scandal. And Willa herself has long strived to build a life beyond the brooding Jackson family shadow. No easy task in a town shaped by years of tradition and the well-marked boundaries of the haves and have-nots.But Willa has lately learned that an old classmate—socialite do-gooder Paxton Osgood—of the very prominent Osgood family, has restored the Blue Ridge Madam to her former glory, with plans to open a top-flight inn. Maybe, at last, the troubled past can be laid to rest while something new and wonderful rises from its ashes. But what rises instead is a skeleton, found buried beneath the property’s lone peach tree, and certain to drag up dire consequences along with it.For the bones—those of charismatic traveling salesman Tucker Devlin, who worked his dark charms on Walls of Water seventy-five years ago—are not all that lay hidden out of sight and mind. Long-kept secrets surrounding the troubling remains have also come to light, seemingly heralded by a spate of sudden strange occurrences throughout the town.Now, thrust together in an unlikely friendship, united by a full-blooded mystery, Willa and Paxton must confront the dangerous passions and tragic betrayals that once bound their families—and uncover truths of the long-dead that have transcended time and defied the grave to touch the hearts and souls of the living.Resonant with insight into the deep and lasting power of friendship, love, and tradition, The Peach Keeper is a portrait of the unshakable bonds that—in good times and bad, from one generation to the next—endure forever.

    Someone needs to forgive.‘Charming, quirky, magical’ Joanne HarrisNothing hurts like not knowing who you are.Nobody will tell Cadi anything about her father and her sister. Her mother Violet believes she can only cope with the past by never talking about it. Lili, Cadi’s aunt, is stuck in the middle, bound by a promise she shouldn’t have made. But this summer, Cadi is determined to find out the truth.In a world of hauntings and magic, in a village where it rains throughout August, as Cadi starts on her search, the secrets and the ghosts begin to wake up. None of the Hopkins women will be able to escape them.‘Carol Lovekin’s prose is full of beautifully strange poetry.’Rebecca Mascull, author of The Visitors and Song of the Sea Maid.‘Drawing on nature, witchcraft, age-old fairytales and secrets, Lovekin weaves a powerful, spellbinding tale.’Judith Kinghorn, author of The Last Summer.

    From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings—high and gabled—and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside—in lawns and on playgrounds—wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights. For Willa, the wife of Roger Herot (heir of Herot Hall), life moves at a charmingly slow pace. She flits between mommy groups, playdates, cocktail hour, and dinner parties, always with her son, Dylan, in tow. Meanwhile, in a cave in the mountains just beyond the limits of Herot Hall lives Gren, short for Grendel, as well as his mother, Dana, a former soldier who gave birth as if by chance. Dana didn’t want Gren, didn’t plan Gren, and doesn’t know how she got Gren, but when she returned from war, there he was. When Gren, unaware of the borders erected to keep him at bay, ventures into Herot Hall and runs off with Dylan, Dana’s and Willa’s worlds collide.

    And in their midst travels Madeleine, the dreamer, who is trying to make sense of her own metamorphosis as she leaves home, joins a gypsy circus, and falls into an unexpected triangle of desire and love.

    A year earlier Minou's mother left the house wearing her best shoes and carrying a large black umbrella. She never returned.One morning Minou finds a dead boy washed up on the beach. Her father decides to lay him in the room that once belonged to her mother. Can her mother's disappearance be explained by the boy? Will Boxman be able to help find her? Minou, unwilling to accept her mother's death, attempts to find the truth through Descartes' philosophy. Over the course of her investigation Minou will discover the truth about loss and love, a truth that The Vanishing Act conveys in a voice that is uniquely enchanting.

    Sheila Armstrong's grandson Leo, usually a quiet, well-behaved boy, was found holding a knife. Harriet Kennedy cannot cope with her son's continuing pain; Sheila, who reared Leo, cannot bear the lasting guilt. In a powerful and moving tale of suffering and forgiveness, the two women confront the complex range of emotions that motherhood entails.

    The Glanville clan includes Edwin, a retired bishop who has lost his faith; his wife Marta, a controversial anthropologist and child of the Warsaw Ghetto; their son, Clement, a celebrated gay painter traumatized by the death of his twin; and their daughter, Susannah, a music publicist recovering from an affair with a convicted murderer. Each of them must face down a personal demon--Clement's work and reputation are violently attacked and his privacy is shattered, Susannah's exploration of the kabbalah transports her into the closed world of Chassidic Jews and a seemingly impossible love, and Edwin's illness forces Marta to confront the horrors of her past. These memorable figures are portrayed with wit, wisdom, and shattering emotional power.