Many of them don’t survive their ordeals and those who do are often either too afraid or too ashamed to speak. If I Live to Tell is unique in that respect. It’s a real, first-person look at the world from the perspective of a woman who has endured tragedy, heartbreak, abuse and betrayal at almost every point in her life.Set on three continents, If I Live to Tell is a rare glimpse into the world and heart of the largely invisible victimized woman. Following one woman’s struggle to discover purpose and identity, If I Live to Tell shows how tragedy can become triumph and how pain can turn to purpose. This is a true story like you’ve never heard before.

    The Reverend Jim Jones, the darling of the San Francisco political establishment, orchestrates the murders and suicides of 918 people at a remote jungle outpost in South America. Days later, Harvey Milk, one of America’s first openly gay elected officials—and one of Jim Jones’s most vocal supporters—is assassinated in San Francisco’s City Hall. This horrifying sequence of events shocked the world. Almost immediately, the lives and deaths of Jim Jones and Harvey Milk became shrouded in myth. The distortions and omissions have piled up since. Now, forty years later, this book corrects the record. The product of a decade of research, including extensive archival work and ­dozens of exclusive interviews, Cult City reveals just how confused our understanding has become. In life, Jim Jones enjoyed the support of prominent politicians and Hollywood stars even as he preached atheism and communism from the pulpit; in death, he transforms into a fringe figure, a “fundamentalist Christian,” and a “fascist.” In life, Harvey Milk outed friends, faked hate crimes, and falsely claimed that the U.S. Navy dishonorably discharged him over his homosexuality; in death, he is honored in an Oscar-winning movie, with a California state holiday, and with a U.S. Navy ship named for him. His assassin, a blue-collar Democrat who often voted with Milk in support of gay issues, is remembered as a right-winger and a homophobe. But the story extends far beyond Jones and Milk. Author Daniel J. Flynn vividly portrays the strange intersection of mainstream politics and murderous extremism in 1970s San Francisco—the hangover after the high of the Summer of Love. In recounting the fascinating, intersecting lives of Jim Jones and ­Harvey Milk, Cult City tells the story of a great city gone horribly wrong.

    While the attention of the West has been fixed on the USSR and Eastern Europe, a quieter, cumulative revolution has been taking place in Asia which may have even more profound consequences for world history.

    Anti-government protests, sparked by a government proposal to introduce a controversial extradition law, grew into a pro-democracy movement that engulfed the city for months. Protesters fought street battles with police, and the unrest brought the People’s Liberation Army to the very doorstep of Hong Kong. Driven primarily by students and youth protesters with their ‘Be Water!’ philosophy, borrowed from hometown hero Bruce Lee, this leaderless, technology-driven protest movement defied a global superpower and changed Hong Kong, perhaps forever. But it also changed China, and challenged China’s global standing.Antony Dapiran provides the first detailed account of the protests, reveals the activists’ unique tactics, and explains how the movement fits into the city’s long history of dissent. City on Fire explores what the protests will mean for the future of Hong Kong, China, and China’s place in the world.

    Drawing together horror theory and historical analysis, she outlines how neoliberalism, corruption, and drug trafficking—culminating in the misnamed “war on drugs”—has shaped the political landscape on both sides of the border. Working from and against this context, Rivera Garza posits that collective grief is an act of resistance against state violence, and that writing is a powerful mode of seeking social justice and embodying resilience.She states: “As we write, as we work with language—the humblest and most powerful force available to us—we activate the potential of words, phrases, sentences. Writing as we grieve, grieving as we write: a practice able to create refuge from the open. Writing with others. Grieving like someone who takes refuge from the open. Grieving, which is always a radically different mode of writing.”

    The “angel in the house” rarely expressed an opinion, and certainly not one that challenged the status quo.But not so within the social sphere of the seance–a mysterious, lamplit world dominated by enterprising women whose apparent ability to move between the realms of the dead and the living rewarded them with otherwise unthinkable fame and power. Such talents allowed them to cross rigid boundaries of gender and class, and to summon unique political voices–voices capable of reaching some of the era’s most famous personalities, including even Victoria herself.Out of the Shadows, which draws on original diaries, letters, and memoirs, tells the stories of six such visionary Victorians. The clairvoyance of Kate, Leah, and Maggie Fox, three sisters from upstate New York, inspired some of the era’s best-known female suffrage activists and set off an international séance craze. British performer Emma Hardinge Britten left behind a career on Broadway for the life of a “trance lecturer,” whose oration on the death of Abraham Lincoln was celebrated by tens of thousands. The meteoric rise of Victoria Woodhull, born into poverty in Ohio, took her from childhood medium to Wall Street broker to America’s first female presidential candidate. And Georgina Weldon, whose interest in spiritualism nearly saw her confined to an asylum, went on to become a favorite of the press and a successful campaigner against Britain’s archaic lunacy laws.

    With insight and thoughtful analysis, Felix explores the tenacity that makes Sotomayor a sharp, fearless judge; the sense of compassion that drives her to seek justice for the underprivileged; and her strong community ties, which never let her forget where she came from. Drawing on candid interviews with figures from Sotomayor's personal and professional life as well as speeches, interviews with Sotomayor, and published papers-Felix paints a revealing portrait of the woman who would come to meet President Obama's rigorous criteria for a Supreme Court justice and whose appointment would make history.

    I’m gonna hand them this book and say 'No more horror stories, here are some solutions.'" —Kathleen Hanna, Bikini Kill, Le Tigre, and The Julie Ruin"Never underestimate the tenacity and creativity of Shawna Potter. Here's her badly needed how-to book for people who don't feel they have much power to tap into, nurture, and use ... then help others to do the same. Make a public space safe, without retreating from reality's trigger warnings into a walled off fantasy cocoon." —Jello Biafra, Dead Kennedys and Alternative Tentacles Records“Shawna Potter’s work represents the best of punk and DIY values—an insistence that we don’t need to wait for politicians or anyone else to act. We can lead by example.” —Will Potter, author and TED Senior Fellow“Punk made a promise of a freer, fairer, safer, and saner world, but never fulfilled it. Shawna Potter has written a field manual for how, inch by inch and scene by scene, we get there.” —Spencer Ackerman, The Daily Beast"Making Spaces Safer has so many clear tactics for making shows more inclusive and welcoming, and, as a side effect, more fun for everyone. Whether you book bands, tend bar, want to look out for the wellbeing of your fellow music fans, or own the whole damn club. Great tips that will help you make your space rule.” —Sadie Dupuis, Speedy OrtizShawna Potter, singer for the band War On Women, has tackled sexism and harassment in lyrics and on stage for years. Taking the battle to music venues themselves, she has trained night clubs and community spaces in how to create safer environments for marginalized people. Now she’s turned decades of experience into a clear and concise guide for public spaces of all sorts—from art galleries to bagel shops to concert halls—that want to shut down harassers wherever they show up. The steps she outlines are realistic, practical, and actionable. With the addition of personal stories, case studies, sample policies, and no-nonsense advice like “How to Flirt without Being a Creep,” she shows why safer spaces are important, while making it easier to achieve them. Punk passion, candor, and anger get the job done!

    Created in the wake of the greatest tragedy to occur on U.S. soil, the Department of Homeland Security was handed a sweeping mandate: make America safer. It would encompass intelligence and law enforcement agencies, oversee natural disasters, commercial aviation, border security and ICE, cybersecurity, and terrorism, among others. From 2009-2013, Janet Napolitano ran DHS and oversaw 22 federal agencies with 230,000 employees. In How Safe Are We?, Napolitano pulls no punches, reckoning with the critics who call it Frankenstein's Monster of government run amok, and taking a hard look at the challenges we'll be facing in the future. But ultimately, she argues that the huge, multifaceted department is vital to our nation's security. An agency that's part terrorism prevention, part intelligence agency, part law enforcement, public safety, disaster recovery make for an odd combination the protocol-driven, tradition-bound Washington D.C. culture. But, she says, it has made us more safe, secure, and resilient. Napolitano not only answers the titular question, but grapples with how these security efforts have changed our country and society. Where are the failures that leave us vulnerable and what has our 1 trillion dollar investment yielded over the last 15 years? And why haven't we had another massive terrorist attack in the U.S. since September 11th, 2001? In our current political climate, where Donald Trump has politicized nearly every aspect of the department, Napolitano's clarifying, bold vision is needed now more than ever.

    Lead attorney for Terri Schiavo, the author explains how Terri Schiavo's death changed his life, why it should never have happened, and why value of life issues are critical for Christians to understand.

    Mondiant's family fled into the forest, beginning a long and dangerous journey into Rwanda. They made their way to the first of several UN tent cities in which they would spend decades. But their search for a safe haven had only just begun.Hideous violence stalked them in the camps. Even though Rwanda famously has a former refugee for a president in Paul Kagame, refugees in that country face enormous prejudice and acute want. For much of his life, Mondiant and his family ate barely enough to keep themselves from starving. He fled back to Congo in search of the better life that had been lost, but there he was imprisoned and then forced to work as a child soldier.For most refugees, the camp starts as an oasis but soon becomes quicksand, impossible to leave. Yet Mondiant managed to be one of the few refugees he knew to go to college. Though he hid his status from his fellow students out of shame, eventually he would emerge as an advocate for his people.Rarely do refugees get to tell their own stories. We see them only for a moment, if at all, in flight: Syrians winding through the desert; children searching a Greek shore for their parents; families gathered at the southern border of the United States. But through his writing, Mondiant took control of his own story and spoke up for forever refugees everywhere.As Mondiant once wrote in a poem, "Those we throw away are diamonds."

    From the Middle Ages onwards the island of Britain has been shaped by the unique dynamic between Edinburgh and London, exchanging inhabitants, monarchs, money and ideas, sometimes in a spirit of friendship and at others in a spirit of murderous dislike.Tom Devine's seminal new book explores this extraordinary history in all its ambiguity, from the seventeenth century to the present. When not undermining each other with invading armies, both Scotland and England have broadly benefitted from each other's presence - indeed for long periods of time nobody questioned the union which joined them. But as Devine makes clear, it has for the most part been a relationship based on consent, not force, on mutual advantage, rather than antagonism - and it has always held the possibility of a political parting of the ways.With the United Kingdom under a level of scrutiny unmatched since the eighteenth century Independence or Union is the essential guide.

    KhaledHosseini, author of The Kite Runner and AThousand Splendid Suns calls Opium Nation “an insightful andinformative look at the global challenge of Afghan drug trade. Fariba Nawa weaves her personalstory of reconnecting with her homeland after 9/11 with a very engagingnarrative that chronicles Afghanistan’s dangerous descent into opiumtrafficking…and most revealingly, how the drug trade has damaged the lives ofordinary Afghan people.” Readers of Gayle Lemmon Tzemach’sThe Dressmaker of Khair Khanaand Rory Stewart’s The Places Between will find Nawa’spersonal, piercing, journalistic tale to be an indispensable addition to thecultural criticism covering this dire global crisis.

    Brilliant in conception, rich in scope, Blood Rites is a monumental work that will transform our understanding of the greatest single threat to human life.