In order to get at the truth, this meticulously researched work covers the lives of both these men, from their youth right up to their ultimate collision. The Man Who Killed Rasputin is a superb retelling of a major historical event and is based on new revelations from the St. Petersburg police files. The book features many previously unpublished photographs, including the recently released Rasputin death pictures.At the time of the murder, Prince Youssoupov owned palaces throughout Russia. Just two years later, he and his wife were reduced to selling their possessions to survive. And wherever he went, he was always pointed out as the man who killed Rasputin.

    With record-collector zeal, Cook analyzes everything from Sidney Bechet's 78s to Norah Jones' recent chart-topper.

    Now General Yeager is back in the cockpit in a book that exemplifies his special brand of living--full out and straight ahead.Like Yeager, his record-breaking best-selling autobiography, Press On! is chock-full of the general's own brand of rugged individualism. In Press On! you'll roam the world with Chuck Yeager in search of adventure: from a close brush with death in a remote corner of New Zealand to backpacking at 14,000 feet in the high sierras and flycasting in Scotland to deer hunting in Texas and catching a 267-pound Alaskan halibut--on a forty-pound test line! And you'll travel back with him to his roots among the rough-hewn, honest mountain folk of West Virginia and the remarkable people and experiences that influence him to this day.Here is life as only Chuck Yeager can live it, with anecdotes and insights from his best friends, flying buddies, family, and his wife of more than forty years. Here is the real Chuck Yeager, a man in his sixties who still lives life on the edge, facing new challenges and risks with an indefatigable spirit of adventure that can be summed up in one simple phrase: Press on!

    As he explodes many accepted myths (i.e. walking the plank is pure fiction), Cordingly replaces them with a truth that is more complex & often bloodier. 16 pages of photos. Maps.

    David Stafford has written a riveting account of ten of those ordinary men and women -- including an American paratrooper, a German soldier, a nineteen-year-old English woman working on secret codes, a Parisian Jew in hiding, and a daring French resistance cell -- as they lived through ten very extraordinary days. Drawing on previously unpublished diaries and letters, Stafford gives readers a fresh point of entry into one of the most significant battles ever fought.Ten Days to D-Day buzzes with the pace of a novel, as Stafford moves from country to country, from character to character, including some of D-Day's leaders: Hitler, Rommel, Eisenhower, and Churchill. Stafford compellingly brings to life the final days before the invasion through the eyes of its participants, the citizens and soldiers that made history on June 6, 1944.

    While their stories range from heroic failures to great hoaxes, one thing unites them - they all carved their own path through life. Each protagonist exemplifies the human spirit through their dogged determination, willingness to take risks, their unflinching obsession and, often, a good dollop of eccentricity.Learn about Reginald Bray (1879-1939), a Victorian accountant who sent over 30,000 singular objects through the mail, including himself; Cyril Hoskin (1910-1981), a Cornish plumber who reinvented himself as a Tibetan lama and went on to sell over a million books; and Elaine Morgan (1920-2013), a journalist who battled a tirade of prejudice to pursue an aquatic-based theory of human evolution, which is today being championed by David Attenborough.Elsewhere, we uncover the lesser-known obsessions of such historical giants as Sir Isaac Newton (1642-1726), whose beloved alchemy led to a lifetime's search for the philosopher's stone and elixir of life; and philosopher René Descartes (1596-1650), whose obsession with cross-eyed ladies led him to seek a 'cure' through the first recorded case of CBT.While many of us are content to lead a conventional life, with all of its comfort and security, The Odditorium reminds us of the characters who felt compelled to carve their own path, despite risking ostracism, failure, ridicule and madness. While history wouldn't be the same without the likes of Shakespeare, Caesar and Einstein, it is when curiosity and compulsion meet that conventions are challenged, culture is re-invigorated and we find new ways to understand ourselves and the world around us.

    Here are Alexander von Humboldt, whose epic explorations of South America surpassed the Lewis and Clark expedition; Harriet Beecher Stowe, “the little woman who made the big war”; Frederic Remington; the extraordinary Louis Agassiz of Harvard; Charles and Anne Lindbergh, and their fellow long-distance pilots Antoine de Saint-Exupéry and Beryl Markham; Harry Caudill, the Kentucky lawyer who awakened the nation to the tragedy of Appalachia; and David Plowden, a present-day photographer of vanishing America. Different as they are from each other, McCullough’s subjects have in common a rare vitality and sense of purpose. These are brave companions: to each other, to David McCullough, and to the reader, for with rare storytelling ability McCullough brings us into the times they knew and their very uncommon lives.

    By the end of the trials, beyond the twenty who were executed and the five who perished in prison, 207 individuals had been accused, 74 had been "afflicted", 32 had officially accused their fellow neighbors, and 255 ordinary people had been inexorably drawn into that ruinous and murderous vortex, and this doesn’t include the religious, judicial, and governmental leaders. All this adds up to what the Rev. Cotton Mather called "a desolation of names."The individuals involved are too often reduced to stock characters and stereotypes when accuracy is sacrificed to indignation. And although the flood of names and detail in the history of an extraordinary event like the Salem witch trials can swamp the individual lives involved, individuals still deserve to be remembered and, in remembering specific lives, modern readers can benefit from such historical intimacy. By examining the lives of six specific women, Marilynne Roach shows readers what it was like to be present throughout this horrific time and how it was impossible to live through it unchanged.

    Sometimes it's murder, sometimes it's by accident, and sometimes it's because they were so ludicrous they didnt deserve to exist in the first place. Occasionally they explode violently. A few slip away almost unnoticed. Often the cause of death is either 'got too greedy' or 'Napoleon turned up'. Now and then they just hold a referendum and vote themselves out of existence.This is an atlas of 48 nations that fell off the map. The polite way of writing an obituary is: dwell on the good bits, gloss over the embarrassing stuff. This book refuses to do so, because these dead nations are so full of schemers, racists, and con men that it's impossible to skip the embarrassing stuff.Because of this - and because treating nation-states with too much reverence is the entire problem with pretty much everything - these accounts are not concerned with adding to the earnest flag saluting in the world, however nice some of the flags might be.

    In the 1st edition, published in 1962, he spoke to that perennial reader he gently called "the troubled layman." His opening paragraph revealed his sympathy: "Why is this supposed to be art?" he quoted rhetorically. "How often have we heard this question asked--or asked it ourselves, perhaps--in front of one of the strange, disquieting works that we are likely to find nowadays in the museum or art exhibition?" Keeping that curious, questioning perspective in mind, he wrote a history of art from cave painting to Picasso that was singularly welcoming, illuminating & exciting. Sojourning thru this book, a reader is offered every amenity for a comfortable trip. Because he never assumes knowledge on the part of the reader, a recent immigrant from Mars could comprehend Western art from this text. The only assumption the Jansons have made is that with a little guidance everyone can come to understand the artifacts that centuries of architecture, sculpture, design & painting have deposited in our paths. Countless readers have proven the Jansons right & found their lives enriched in the process.

    This new Seminar Study gives the background to the system that made Nelson Mandela a household name.

    Extraordinary." —Variety One night in Beirut in September 1982, while Israeli soldiers secured the area, Christian militia members entered the refugee camps of Sabra and Shatila and began to massacre hundreds, if not thousands, of Palestinians. Ari Folman was one of those Israeli soldiers, but for more than twenty years he remembered nothing of that night or of the weeks leading up to it. Then came a friend's disturbing dream, and with it Folman's need to excavate the truth of the war in Lebanon and answer the crucial question: what was he doing during the hours of slaughter? Challenging the collective amnesia of friends and fellow soldiers, Folman painfully, candidly pieces together the war and his place in it. Gradually, the blankness of his mind is filled in by scenes of combat and patrol, misery and carnage, as well as dreams and hallucinations. Soldiers are haunted by inexplicable nightmares and flashbacks - snapping, growling dogs with teeth bared and eyes glowing orange; a recurring image of three young men rising naked out of the sea to drift into the Beirut battlefield. Tanks crush cars and buildings with lethal indifference; snipers pick off men on donkeys, men in cars, men drinking coffee; a soldier waltzes through a storm of bullets; rock songs fill the air, and then yellow flares. The recollections accumulate until Ari Folman arrives at Sabra and Shatila and his investigation reaches its terrible end. The result is a gripping reconstruction, a probing inquiry into the unreliable quality of memory, and, above all, a powerful denunciation of the senselessness of all wars. Profoundly original in form and approach, Waltz with Bashir will take its place as one of the great works of wartime testimony.

    Murphy is a superb storyteller, and her fast-paced narrative captures the intrigue, the scandal, the romantic affairs, and the violence that were commonplace in the Florentine court. She brings to life an extraordinary woman, fluent in five languages, a free-spirited patron of the arts, a daredevil, a practical joker, and a passionate lover. Isabella, in fact, conducted numerous affairs, including a ten-year relationship with the cousin of her violent and possessive husband. Her permissive lifestyle, however, came to an end upon the death of her father, who was succeeded by her disapproving older brother Francesco. Considering Isabella's ways to be licentious and a disgrace upon the family, he permitted her increasingly enraged husband to murder her in a remote Medici villa. To tell this dramatic story, Murphy draws on a vast trove of newly discovered and unpublished documents, ranging from Isabella's own letters, to the loose-tongued dispatches of ambassadors to Florence, to contemporary descriptions of the opulent parties and balls, salons and hunts in which Isabella and her associates participated. Murphy resurrects the exciting atmosphere of Renaissance Florence, weaving Isabella's beloved city into her story, evoking the intellectual and artistic community that thrived during her time. Palaces and gardens in the city become places of creativity and intrigue, sites of seduction, and grounds for betrayal. Here then is a narrative of compelling and epic proportions, magnificent and alluring, decadent and ultimately tragic.

    Originally published: London: Cassell, 1954.

    Her photograph - one of the most unforgettable images of the twentieth century - was seen around the world and helped turn public opinion against the Vietnam War.This book is the story of how that photograph came to be - and the story of what happened to that girl after the camera shutter closed. Award-winning biographer Denise Chong's portrait of Kim Phuc - who eventually defected to Canada and is now a UNESCO spokesperson - is a rare look at the Vietnam War from the Vietnamese point-of-view and one of the only books to describe everyday life in the wake of this war and to probe its lingering effects on all its participants.