She shows us that this most intellectual of poets is in fact the most personal of poets; that his words are not devoted to epistemological questions alone but are also "words chosen out of desire."

    Moved by the presence and withdrawal of light, these internal clocks influence rhythms of sleeping and waking: the opening and closing of flowers, the speed at which the heart pumps blood, the migratory cycles of birds. With love poems and wintry prayers, Joanna Klink offers us patterns of glowing alertness and shared life, patterns that speak to the flickering circuit between inner and outer landscapes, that bind each beating heart to the pull of the tides.

    Visual Poetry. Long-cherished in out-of-print editions, anthologies and text books, and more recently celebrated on the internet, Aram Saroyan's groundbreaking concrete and minimalist poems of the 1960s are gathered together here in a single, much-needed volume. COMPLETE MINIMAL POEMS includes the entire contents of Aram Saroyan (Random House, 1968), Pages (Random House, 1969), The Rest (Telegraph, 1971), as well as Saroyan's contribution, "Electric Poems," to the anthology All Stars (Goliard-Grossman, 1972), and a sequence, "Short Poems," which hasn't appeared previously. With ties to the work of such writers and artists as e.e. cummings, Andy Warhol, Gertrude Stein, Donald Judd, Ian Hamilton Finlay and Steve Reich, COMPLETE MINIMAL POEMS confirms Aram Saroyan's place among the most daring and engaging figures in modern poetry.

    She taught at many universities, finally settling at SUNY Binghamton. Today she lives in Vermont.

    It contains, besides the long title poem, Homage to Mistress Bradstreet, the major portion of Short Poems; a selection from The Dispossessed, which drew on two earlier collections; some poems from His Thought Made Pockets & The Plane Buckt; and one poem from Sonnets.

    Emerging out oa a life in shich, the poet's words, "each day was the only day", Menasches work has a mysterious simplicity, a religious intensity, and a lingering emotional force.

    Her voice came back, whispering at first, then screaming. Ceremony for the Choking Ghost contains the sound of that voice returning, bringing poems about grief and its effect on the body, the body politic, memory and, of course, poems about love. From the intensely personal, "How My Family Grieved," to the political, "What Lot's Wife Would Have Said (If She Wasn't a Pillar of Salt)," Finneyfrock engages the reader with the chiseled images of a precise storyteller.

    Sexy and tart, low-down and high-hearted poems such as Suture, Slash, Vamp, and Bride of Reanimator articulate the dark desires, fears, and traumas out of which pop culture is made. Author Daphne Gottlieb is the winner of the 2002 Firecracker Award and a 2002 Lambda Finalist.

    What the Living Do reflects "a new form of confessional poetry, one shared to some degree by other women poets such as Sharon Olds and Jane Kenyon. Unlike the earlier confessional poetry of Plath, Lowell, Sexton et al., Howe's writing is not so much a moan or a shriek as a song. It is a genuinely feminine form . . . a poetry of intimacy, witness, honesty, and relation" (Boston Globe).

    Dubbed Billionaire Bachelor Cove because of the resident's single status and income portfolios, The Cove is the perfect place to hide away from the world. But, as the residents soon find out, they can't hide from love. A Princess and Her Billionaire Scoundrel at Sea Paris James is a high-seas playboy.  He throws lavish parties on his yacht to entertain clients for a multi-billion-dollar business that specializes in luxury water toys. He’s as free as a pirate … until he wins the royal Tyndarian bracelet in a game of chance—with that bracelet, comes a very special girl. Laney Moon is a first grade teacher who lives a fairly normal life--that is, until her cousin loses her heirloom bracelet in a rigged poker game. The grandmother who raised her will lose her house if Laney can't cash in on the bracelet. Desperate, Laney stows aboard Paris’s yacht, determined to take what’s hers from the scoundrel, and she is shocked to find a gentleman with stormy blue eyes and a mischievous grin. In one last outrageous wager, Paris agrees to return the bracelet if Laney can convince the other yacht guests that she is the princess who once owned it. Paris is in way over his head–he’d gladly return the bracelet if black market assassins weren’t after it, but now he must act like the uncaring pirate to keep her safe. As his feelings for Laney build, so do the threats against her. Paris must decide between rescuing Laney from her past or making her a part of his future. Because, princess or not, Laney Moon has already sailed away with his heart.

    He's set to wrestle and study creative writing at Columbia University in New York. These poems are a look into his early experiences with love and loss, an introspective coming of age tale told in verse.

    In the chaos following World War III, the Patriarch of the Church of the Resurrection rebuilt Earth's society into a collection of over 500 independent city-states. With alien technology that gave him complete control over the Earth's orbital space, the Patriarch outlawed war, and introduced the Constructed Reality MMORPG Primacy Online. He only allowed the city-states to engage in military conflicts with one another inside of the game. City-state leaders that attempted to ignore Church Canon were destroyed, along with their armies, by the Church's orbital particle cannons. For more than a thousand years, there have been no wars fought on the Earth's soil. The release of Primacy Online VI: Legacy of Balor signals the beginning of World War IX. Each city-state will lock 50,000 draftees into cryogenic capsules and upload their minds into a character sheathe in the game. Until the armistice conditions have been reached, they will play Primacy Online in War Mode, with the death of the character sheathes meaning their real deaths, but this time there is a twist to the World War. Every still living perma-banned cheater from Primacy Online will be a special draftee for World War IX. They will be organized into a special contingent in the service of the Church of the Resurrection. Patrick Armagh is terminally ill. Like a large number of other Primacy Online players, he is afflicted with an incurable nervous system disorder. He has less than five years to live and should be exempted from the draft, but five years ago, he was given a permanent ban from Primacy Online for cheating. Along with the other perma-banned cheaters, he will be forced to play Primacy Online VI: Legacy of Balor in War Mode, but Patrick's actual method of cheating was never discovered. Morgan Danan, Speaker of the City of Mann, and the acknowledged number one player of Primacy Online has deal for Patrick. With her help and his undiscovered cheat, he has the chance to become a virtual God within Primacy Online. When you are already as good as dead, there is nothing better than the chance to spend your last days as a living god. What could possibly go wrong?

    Continuing in her tradition of engaging autobiographical work, How to Love the Empty Air explores what happens when the impossible becomes real―for better and for worse. Aptowicz’s journey to find happiness and home in her ever-shifting world sees her struggling in cities throughout America. When her luck changes―in love and in life―she can’t help but “tell the sun / tell the fields / tell the huge Texas sky…. / tell myself again and again until I believe it.” However, the upward trajectory of this new life is rocked by the sudden death of the poet’s mother. In the year that follows, Aptowicz battles the silencing power of grief with intimate poems burnished by loss and a hard-won humor, capturing the dance that all newly grieving must do between everyday living and the desire “to elope with this grief, / who is not your enemy, / this grief who maybe now is your best friend. / This grief, who is your husband, / the thing you curl into every night, / falling asleep in its arms…” As in her award-winning The Year of No Mistakes, Aptowicz counts her losses and her blessings, knowing how despite it all, life “ripples boundless, like electricity, like joy / like... laughter, irresistible and bright, / an impossible thing to contain.”

    What is the difference, he asks, between good and evil, cruelty and instruction, risk and trust? Against the backdrop of the natural world, Phillips pitches the restlessness of what it means to be human, as he at once deepens and extends a meditation on that space where the forces of will and imagination collide with sexual and moral conduct.

    I am not impatient—My skin will wait to greet its old complexions.I'll lie here till the world swims back again. —from "Mummy of a Lady Named Jemutesonekh"Thomas James's Letters to a Stranger—originally published in 1973, shortly before James's suicide—has become one of the underground classics of contemporary poetry. In this new edition, with an introduction by Lucie Brock-Broido and four of James's poems never before published in book form, this fraught and moving masterpiece is at last available.Letters to a Stranger is a new book in the Graywolf Poetry Re/View Series, edited by Mark Doty, dedicated to bringing essential books of contemporary American poetry back into print.