And when she’s crying in the bridal room of the church, trying to figure out where it all went wrong, she has an epiphany. Ashley realizes that she’s been the consummate pushover her entire life, and now she’s living a life for everyone but herself. Jessie, Ashley’s carefree friend from college, tells Ashley that she can have any life she wants. All she has to do is manifest it. Ridiculous, Ashley thinks, and not understanding the power of manifestation, she blurts out her dream life to a couple of strangers in an elevator. Thinking nothing of it, Ashley carries on with the life she doesn’t want. But soon her checklist of wishes begins to come true, starting with her dream guy. Could manifestation really work? Could she have the life she’s always dreamed of having? Ashley begins to believe that she can, giving her the courage to take control of her life, but just as she does, her ex shows up and tries to ruin it all. Will she give up and remain the consummate pushover forever or will she stay strong and fight for her dreams and desires?

    He's got a choice. Stay or leave. Go back to where it all went wrong, or simply get out of the county. Disappear. Start again as someone else.But it's not as simple as that.There's the matter of the man he killed. It wasn't murder, but even so. You tell that to the family. Especially when that family is the Mintons, who own half that's profitable and two-thirds of what's crooked between the Wolds and the coast. And who could have got to Matlock as easy as you like in prison, but who haven't touched him. Not yet.And like Matlock found out in prison, there's no getting away from yourself, so what would the point be in not facing up to other people?It's time to go home.East of England blends a rural take on the noir thriller with a fascination with the British industrialised countryside that lies east of the Wolds, between the Humber and the Wash. Unlit byways rather than the neon-bright and rain-slicked city. A world of caravan parks, slot machines, and low-rise battery farms.The flatlands of the east coast; decaying market towns and run-down resorts, and the distant throb of offshore windfarms. Where the smell you're trying to get out of your clothes is the cigarette taint of old phone boxes and bus shelters, and where redemption, like life, is either hard-earned or fought for, one way or another.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    Now, on the anniversary of that ominous night, a girl-child ripens into the heritage of lost power. But before she can even comprehend her terrible new gift, the Dark Lord dispatches his winged monsters to capture her and bring him the embryonic magic she embodies.Fleeing the minions of darkness, Elena is swept toward certain doom-and into the company of unexpected allies. Aided by a one-armed warrior and a strange seer, she forms a band of the hunted and the cursed, the outcasts and the outlaws, to battle the unstoppable forces of evil and rescue a once-glorious empire...

    She listens but never talks about herself. She’s friendly but doesn’t have many real friends. She’s become good at keeping people at a distance ever since she left home at eighteen and never looked back.But when Violet is forced to return home to care for her estranged mother Glenys, she quickly finds out that life as a carer isn’t easy. Feeling overwhelmed, she’s forced to turn to the other local carers, including childhood friend Adam, for help. Although returning home still feels like a mistake, maybe it will help Violet right some wrongs. After all, she can’t keep running from her past forever, and in learning to look after others, perhaps Violet can start to finally love herself.

    While he's generous with his money, he also makes the community work for it. He's the same with his family. No free handouts. What he gives has strings attached. Dax decides it's time for his fiercely independent, almost-thirty year old granddaughters to settle down. He wants them to find love and give him great-grandchildren before his lights go out. And he knows how to make it happen. Prompted by love, guilt and a desire to own their own business, the Dawson triplets -- Joy, Noelle and Christi -- enter into a Christmas contract that will change their lives forever. Finding true love is a unique adventure, so each girl has their own story. The outcome for all three, however, funnels into one giant happily-ever-after.

    But as she and her daughter, Penelope, eagerly pursue their genealogical interests, they are also being pursued - by Callum MacGregor, an English police inspector who thinks he is cornering two art thieves, and by a pair of mysterious characters with more sinister motives. Who are the real thieves? Is anyone who she seems? Set among the ancient ruins, bustling city streets, and wild beauty of 1920s Scotland, Who Goes There? is full of intrigue and surprises. Best-selling author Susan Evans McCloud delivers again in a thriller that will keep readers entranced until the final page.

    His former identity as a successful investment banker and eligible bachelor has disappeared. A beleaguered graduate student, she's got no money, no man, and no Ph.D., yet. A year of predoctoral research in Haiti leaves Noire drained. And a trip home to Côte d'Ivoire offers Innocent little more than intermittent sexual gratification. In the aftermath of 9/11, Innocent and Noire are back in New York City and find solace in each other's bed. But even that arrangement collapses under the weight of Innocent's revelation that he has unfinished business in Africa. For Innocent and Noire, patching together their unraveling lives becomes an exercise in hope and humility. With Hunger, Turnipseed lives up to the promise of A Love Noire and has matured into a writer who fearlessly explores the intersection of sex, love, identity, and loss in a cross-cultural context.