Little did he know, as he kissed her good-bye, that he would spend the next three months in Iran’s most notorious prison, enduring brutal interrogation sessions at the hands of a man he knew only by his smell: Rosewater.For the Bahari family, wars, coups, and revolutions are not distant concepts but intimate realities they have suffered for generations: Maziar’s father was imprisoned by the shah in the 1950s, and his sister by Ayatollah Khomeini in the 1980s. Alone in his cell at Evin Prison, fearing the worst, Maziar draws strength from his memories of the courage of his father and sister in the face of torture, and hears their voices speaking to him across the years. He dreams of being with Paola in London, and imagines all that she and his rambunctious, resilient eighty-four-year-old mother must be doing to campaign for his release. During the worst of his encounters with Rosewater, he silently repeats the names of his loved ones, calling on their strength and love to protect him and praying he will be released in time for the birth of his first child. A riveting, heart-wrenching memoir, Rosewater offers insight into the past seventy years of regime change in Iran, as well as the future of a country where the democratic impulses of the youth continually clash with a government that becomes more totalitarian with each passing day. An intimate and fascinating account of contemporary Iran, it is also the moving and wonderfully written story of one family’s extraordinary courage in the face of repression.Now a major motion picture directed by Jon Stewart - Previously published as Then They Came for Me.

    They give a crucial new impetus to the story of the Grail by establishing a provenance for the sacred vessel - and for the Round Table itself - in the Biblical past; and through the controlling figure of Merlin they link the story of Joseph of Arimathea with the mythical British history of Vortigern and Utherpendragon, the birth of Arthur, and the sword in the stone, and then with the knightly adventures of Perceval's Grail quest and the betrayal and death of Arthur, creating the very first Arthurian cycle. Ambitious, original and complete in its conception, this trilogy - translated here for the first time - is a finely paced, vigorous piece of storytelling that provides an outstanding example of the essentially oral nature of early prose. NIGEL BRYANT is head of drama at Marlborough College. He has also provided editions in English of the anonymous thirteenth-century romance Perlesvaus, published as The High Book of the Grail, and Chretien's Perceval: The Story of the Grail.

    It was basic to the education of generations of Romans, and has stirred the imaginations of such writers and artists as St. Augustine, Dante, Milton, and countless others. The Aeneid represents both Virgil's tribute to Homer and his attempt to re-imagine and surpass the Homeric model. With Professor Vandiver's help and instruction, you enter fully into the gripping tale that Virgil tells.You join Aeneas on his long journey west from ruined Troy to the founding of a new nation in Italy, and see how he weaves a rich network of compelling human themes. His poem is an examination of leadership, a study of the conflict between duty and desire, a meditation on the relationship of the individual to society and of art to life, and a Roman's reflection on the dangers—and the allure—of Hellenistic culture.

    In this poignant, eye-opening and emotionally vivid novel, Mahbod Seraji lays bare the beauty and brutality of the centuries-old Persian culture, while reaffirming the human experiences we all share. In a middle-class neighborhood of Iran's sprawling capital city, 17-year-old Pasha Shahed spends the summer of 1973 on his rooftop with his best friend Ahmed, joking around one minute and asking burning questions about life the next. He also hides a secret love for his beautiful neighbor Zari, who has been betrothed since birth to another man. But the bliss of Pasha and Zari's stolen time together is shattered when Pasha unwittingly acts as a beacon for the Shah's secret police. The violent consequences awaken him to the reality of living under a powerful despot, and lead Zari to make a shocking choice...

    He was arrested, interrogated and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.' to 'This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details—a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today’s Afghanistan.'

    “Your life at every instant up for— / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books).Logue’s account of Homer’s Iliad is a radical reimagining and reconfiguration of Homer’s tale of warfare, human folly, and the power of the gods in language and verse that is emphatically modern and “possessed of a very terrible beauty” (Slate). Illness prevented him from bringing his version of the Iliad to completion, but enough survives in notebooks and letters to assemble a compilation that includes the previously published volumes War Music, Kings, The Husbands, All Day Permanent Red, and Cold Calls, along with previously unpublished material, in one final illuminating volume arranged by his friend and fellow poet Christopher Reid. The result, War Music, comes as near as possible to representing the poet’s complete vision and confirms what his admirers have long known: that “Logue’s Homer is likely to endure as one of the great long poems of the twentieth century” (The Times Literary Supplement).

    For nearly 2,000 years, the Christian faith has remained at or near the center of Western moral debate and conceptions of human identity, just action, and ultimate meaning. It has both shaped history and responded to history, showing an extraordinary adaptability within greatly differing cultures. Its practice and influence appears inevery land and every language, and one-third of humanity now affiliates in some way with Christianity.How did this happen? How did a persecuted sect in 1st-century Palestine rise to command such a massive influence on human culture, imagination, and spirit? How did Christianity weather the first critical stages of its historical development and attain its fundamental and enduring cultural role?Discovering the answers to these questions allows you to understand one of the most significant and integral currents of history, and to correct misconceptions about Christianity’s past; gain deep insight into the origins of Western societies, and to understand the relation of faith to politics, economics, and culture; grasp how Christian institutions, theology, and liturgy originated and developed; better comprehend the cultural present, where 7 out of 10 Americans hold Christian beliefs; and deepen your appreciation of the majestic sweep of history that Christianity’s rise represents.Speaking incisively to all of this and more, The History of Christianity: From the Disciples to the Dawn of the Reformation tells the phenomenal story of Christianity’s first 1,500 years, in all its remarkable diversity and complex dimension.In the company of popular Great Courses Professor Luke Timothy Johnson of Emory University, you follow the dramatic trajectory of Christianity from its beginnings as a “cult of Jesus” to its rise as a fervent religious movement; from its emergence as an unstoppable force within the Roman Empire to its critical role as an imperial religion; from its remarkable growth, amid divisive disputes and rivalries, to the ultimate schism between Eastern Orthodoxy and Western Catholicism; and from its spread throughout the Western world to its flowering as a culture that shaped Europe for 800 years. In 36 enthralling lectures, you meet the towering figures of Christian history, such as Paul of Tarsus, Augustine, the emperor Constantine, and Pope Gregory VII, as well as many other pivotal players—kings, popes, saints, monastic figures, scholars, and mystics. And you delve deeply into the rituals, doctrinal issues, and fascinating theological controversies that defined the faith.The History of Christianity: From the Disciples to the Dawn of the Reformation brings to life a truly epic story, giving you a multilayered knowledge of Christianity’s origins, rise, and civilization-shaping presence in our world. The Forging of a Global FaithAcross the arc of the story, you reckon with the historical and theological milestones that formed Christianity, including these seminal moments: The Jesus movement: Investigate the passionate claims of the first believers to an experience of ultimate, transforming power—and the means by which the movement exploded in the decades following Jesus’s death. Critical challenges to the faith: Witness the early Christians’ implacable commitment to the new religion, creating strong institutional and ideological structures even as they answered persecution through martyrdom and “apologetic” literature. Christianity and empire: Learn how the faith, once it was instated as the official religion by Rome, expanded geographically under imperial authority; how Christian culture developed through architecture, art, and ceremony; and how the religion became fatefully enmeshed in politics in the interface of patriarchs, popes, and emperors from Rome to Constantinople. Great controversies of theology: Dig deeply into the Trinitarian and Christological controversies that divided Christians between the 4th and 7th centuries, centering on differing conceptions of the nature of Christ and fiercely contested in the famous Councils of Nicaea, Ephesus, and Chalcedon. The rupture between East and West: Grapple with the overlapping factors of cultural distance, misunderstandings, political rivalries, and doctrinal disputes that led to the final split between Orthodoxy and Catholicism in the 11th century. The flowering of European Christendom: Experience the extraordinary richness of Christian culture in the Middle Ages, including the complex institution of monasticism, the glory of medieval cathedrals, the birth of universities, and the commanding presence of the papacy.The Rich Diversity of Christian ExperienceIn charting the remarkable rise of Christianity, you uncover the specific social and cultural realities that drove the development of the faith.Early in the course, you locate the birth of the religion—and the movement’s powerful appeal—not in the life of Jesus itself, but in the first Christians’ life-altering experience of the Resurrection. You see how early Christianity was not “one thing,” grasping its startling variety of expression through figures such as the preacher Thecla, who dressed as a man and baptized herself, and in the extreme ascetic practices and ideology of the Marcionist movement.You investigate the origins and deep influence of monasticism, its specific practices and ways of life, and you see how monasticism became the dominant formal expression of medieval Catholicism.You travel the geographic expanse of the Christian world, from Persia and Egypt to Byzantium, Rome, and the British Isles, and you glimpse the lives of ordinary Christians in all eras, from the first, embattled Christian communities in Palestine to the sophisticated Catholic culture of the Middle Ages.Faith, Politics, and CivilizationIn the course’s middle section, the formerly countercultural faith becomes the pillar of the world’s greatest military and political power. Here you grapple with the tensions and challenges of this new role, as the Roman Empire “converts” and pagan sacrifice is declared high treason. You track the rivalries of patriarchal centers, as the cities of Antioch, Alexandria, and Constantinople vie for supremacy within the imperial faith. In Byzantium, you witness the increasing intermingling of faith and politics, as the bishop Ambrose of Milan demands public repentance of the brutal emperor Theodosius I, and the emperor Justinian intervenes between factions contesting the true nature of Christ. In the “Carolingian Renaissance” of 9th-century Europe, you see how the emperor Charlemagne responded to papal patronage by sponsoring ecclesiastical reforms and supporting the Latin Mass. And you observe how the papacy—aided by royalty and monk-missionaries—became the central force in bringing the Christian message to all of Europe. Extraordinary Treasures of Christian CultureThroughout the course you observe the profoundly literary quality of this faith, taking note of the diverse Christian writings in Syriac, Coptic, and Armenian, the formulation of Christian orthodoxy in the works of Tertullian and Irenaeus,the philosophical treatises of Clement and Origen, and the scholastic theology of Abelard and Thomas Aquinas.You study the long and colorful development of Christian liturgy in the traditions of ritual, architecture, and public works. You taste the splendor and sensuality of Eastern Orthodox worship, with its ornate vestments, incense, and processions. You learn how the medieval cathedral embodied allegorical symbolism in its form, with its vaulted nave (from navis, “ship”) shaped as an inverted “ship of salvation.” And you observe the role of Christian art in the long conflict in Byzantium over the veneration of religious icons.Finally, you witness the flourishing of contemplative mysticism in the dark era of the Inquisition, and you uncover the misuses of doctrine and forms of corruption that roused the first courageous reformers, boldly anticipating the Protestant Reformation of the 16th century. A Story for the Ages, Masterfully ToldIn recounting the astonishing narrative of Christianity’s unfolding, Professor Johnson draws on his own background as a passionate participant in this tradition, both as a former Benedictine monk and as a world-class scholar. In his powerful and evocative words, this grand tapestry of history comes vibrantly alive as he takes you to the defining moments of Christianity’s past.In The History of Christianity: From the Disciples to the Dawn of the Reformation, you’ll look deeply into the nature and role of faith, the ethos of our civilization, and the core conceptions of identity and ethics that underlie the Western worldview. This is history in the most vivid and meaningful sense of the word: an inquiry into the past that opens a compelling awareness of our present—of our living origins, our ultimate horizons, our deeper selves.

    The introduction to this work by Eugene Mason gives an excellent account of Wace and the background behind this historical work. Wace begins his history of the Britons as follows. “Constantine came to Totnes, and many a stout knight with him—there was not one but was worthy of the kingship. The host set forth towards London, and sent messages in every part, bidding the Britons to their aid, for as yet they were too fearful to come from their secret places. When the Britons heard these tidings they drew, thick as rain, from the woodlands and the mountain, and came before the host in troops and companies. To make short a long matter, these marched so far and wrought such deeds that in the end they altogether discomfited those evil men who had done such sore mischief to the land. After these things they held a great council at Cirencester, commanding thereto all the lords and barons of the realm. In that place they chose Constantine as their king.”

    Bennison contradicts the common assumption that Islam somehow interrupted the smooth flow of Western civilization from its Graeco-Roman origins to its more recent European and American manifestations. Instead, she places Islamic civilization in the longer trajectory of Mediterranean civilizations and sees the ‘Abbasid Empire (750–1258 CE) as the inheritor and interpreter of Graeco-Roman traditions.At its zenith the ‘Abbasid caliphate stretched over the entire Middle East and part of North Africa, and influenced Islamic regimes as far west as Spain. Bennison’s examination of the politics, society, and culture of the ‘Abbasid period presents a picture of a society that nurtured many of the “civilized” values that Western civilization claims to represent, albeit in different premodern forms: from urban planning and international trade networks to religious pluralism and academic research. Bennison’s argument counters the common Western view of Muslim culture as alien and offers a new perspective on the relationship between Western and Islamic cultures.

    Going beyond the limits of biography, this text covers the origins, spiritual context and teachings of the great founder of the Whirling Dervishes, but also includes a study of Rumi scholarship throughout the ages, bringing this volume right up to date.

    His fierce jealous mother hates and fears her as does his brother, an Islamist hardliner. A feminist, an idealist, and very much in love, Sarah aims to live with integrity. Can she—dare she— in the kingdom where women are kept veiled and secluded? This love story of cultural collision is also a spiritual quest for Sarah, who is both fascinated and repelled by Islam. Former Middle East journalist Jean Grant takes us behind the locked doors of Saudi Arabian society. She presents a picture of the controversial kingdom on the cusp of change and of the men and women, both expatriates and nationals, who either embrace or courageously confront their destiny.

    It is based primarily on the 538-line Middle English poem Sir Landevale, which in turn was based on Marie de France's lai Lanval, written in a form of French understood in the courts of both England and France in the 12th century. Sir Launfal retains the basic story told by Marie de France and retold in Sir Landevale, augmented with material from an Old French lai Graelent and a lost romance that possibly featured a giant named Sir Valentyne. This is in line with Thomas Chestre's eclectic way of creating his poetry.In the tale, Sir Launfal is propelled from wealth and status – the steward at King Arthur's court – to being a pauper and a social outcast. He is not even invited to a feast in his home town of Caerleon in South Wales when the king visits, although Arthur knows nothing of this. Out in the forest alone, he meets with two damsels who take him to their mistress, the daughter of the King of Faerie. She gives him untold wealth and a magic bag in which money can always be found, on the condition that he becomes her lover. She will visit him whenever he wants and nobody will see her or hear her. But he must tell nobody about her, or her love will vanish at that instant.The story of a powerful (fairy) woman who takes a lover on condition that he obey a particular prohibition is common in medieval poetry: the French lais of Desiré, Graelant, and Guingamor, and Chrétien de Troyes's romance Yvain, the Knight of the Lion, all share similar plot elements. The presence of a Land of Faerie, or an Otherworld, betrays the story's Celtic roots. A final court scene may be intended by Chestre as criticism of the contemporary legal and judicial framework in late-fourteenth century England.[4] The equation of money with worth in the tale may satirize a late-fourteenth century bourgeois mentality.

    Out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran and into Kurdish Turkey, Colin Thubron covers some seven thousand miles in eight months. Making his way by local bus, truck, car, donkey cart and camel, he travels from the tomb of the Yellow Emperor, the mythic progenitor of the Chinese people, to the ancient port of Antioch—in perhaps the most difficult and ambitious journey he has undertaken in forty years of travel.The Silk Road is a huge network of arteries splitting and converging across the breadth of Asia. To travel it is to trace the passage not only of trade and armies but also of ideas, religions and inventions. But alongside this rich and astonishing past, Shadow of the Silk Road is also about Asia today: a continent of upheaval.One of the trademarks of Colin Thubron's travel writing is the beauty of his prose; another is his gift for talking to people and getting them to talk to him. Shadow of the Silk Road encounters Islamic countries in many forms. It is about changes in China, transformed since the Cultural Revolution. It is about false nationalisms and the world's discontented margins, where the true boundaries are not political borders but the frontiers of tribe, ethnicity, language and religion. It is a magnificent and important account of an ancient world in modern ferment.

    They include "The New Babylonian Creation", which was recited at the new year festival in honour of the god Marduk and his conquest of Tiamat, "Inanna's Journey to Hell", in which the goddess of fertility descends into a gloomy wasteland of devils and darkness, and "Adapa: the Man", a story of man's fall from grace, not through disobedience but through blind obedience. N.K. Sanders also translated "The Epic of Gilgamesh".

    He traveled to the mountains of Kurdistan to learn from Sufis, whose version of Islam exhorts nothing but tolerance and love. From the bustle of modern Tehran to the paradise gardens of Shiraz to the spectacular mosques and ancient palaces of Isfahan, Housden met Iranians who were warm, welcoming, generous, intellectually curious, and who would recite the poetry of Hafez or Rumi at the slightest opportunity. Saved By Beauty weaves a richly textured story of many threads. It is a deeply poetic and perceptive appreciation of a culture that has endured for over three thousand years, while it also portrays the creative and spiritual cultures within contemporary Iran that are rarely given any mention in the West. It is a suspense story that reflects on the philosophical and aesthetic questions of good and evil, truth and beauty. And finally, it is the story of a man in his sixties on a personal quest to discover if the Iran of his youthful imagination continued to exist, or whether it had been lost forever under a strict totalitarian regime. In Iran, Roger Housden was brought face to face with the reality that beauty and truth, deceit and violence, are inextricably mingled in the affairs of human life, and was forever changed.