We all have choices to make every day, yet many of us struggle to know if we are doing the right thing. Are we really hearing from God and walking in His will? We want to be obedient to Christ, but we struggle with relationships, finances, a job we don't like, a child with special needs, aging parents, and the list goes on. The truth is we need direction for every decision--where to go to college, whom to marry, where to go to church, which job to take, what ministries to be involved in, how to handle our finances, how to handle broken relationships, and so many other things. Seek Him First has been written to show you exactly how you can seek God and find the direction you need for the journey. This book is for those who know God has a plan for their lives but don't know how to make it a reality from day to day. In the pages of this book, I will show you how I learned to spend time with God every day. You will be able to commit (and stay committed) to a daily quiet time that will stir up a hunger inside of you for more of God. You will begin to know when He is speaking to you and follow His plan for your life. And you will be so filled with excitement and zeal when you begin to hear God's voice, that you will no longer be satisfied with just sitting in a pew. You will have a desire to be on mission with the God of the universe, and that, my friend, will change your world. I don't want you to miss out on all that God has in store for you. He has great plans for your life--bigger and better than you could ever think or imagine--but you will miss His will for you if you don't learn to seek Him first. You can learn how to hear God's voice and walk in God's will for yourself. So what are you waiting for? Read this book and learn to Seek Him First!

    It is considered a pioneering essay for both feminist art history and feminist art theory.In this essay, Nochlin explores the institutional – as opposed to the individual – obstacles that have prevented women in the West from succeeding in the arts. She divides her argument into several sections, the first of which takes on the assumptions implicit in the essay's title, followed by "The Question of the Nude," "The Lady's Accomplishment," "Successes," and "Rosa Bonheur." In her introduction, she acknowledges "the recent upsurge of feminist activity" in America as a condition for her interrogation of the ideological foundations of art history, while also invoking John Stuart Mill's suggestion that "we tend to accept whatever is as natural". In her conclusion, she states: "I have tried to deal with one of the perennial questions used to challenge women's demand for true, rather than token, equality by examining the whole erroneous intellectual substructure upon which the question "Why have there been no great women artists?" is based; by questioning the validity of the formulation of so-called problems in general and the "problem" of women specifically; and then, by probing some of the limitations of the discipline of art history itself."

    But on the inside, you’ll feel your brain throbbing as it swells to accommodate some hilarious, absurd and radical new strategies on how to live in our ridiculous world."-- Washington Post "Svenonius' new book is Censorship Now!!, and the title alone shows just how provocative the author can be. A collection of essays previously published by Vice, Jacobin, and others, it sets up numerous enemies--both real and straw--for Svenonius to knock down....It's all couched in a style that’s part anarchist tirade, part postmodern critique, and part punk-rock snottiness--yet it's addictively ridiculous."--NPR"Censor it all. Film, TV, music, politics, books, news, art--censor all of it. That’s the guiding principle of local radical punk Ian Svenonius’ latest essay collection, Censorship Now!!"-- Washington City Paper , Critics' PickNamed a Favorite Book of 2015 by Jason Diamond at Vol. 1 Brooklyn"Gonzo ecstasy for those who have come to know Svenonius's self-aware political meditations....And though the essays Svenonius writes are not themselves unclear, the process of talking about what he's written involves discussions that some might find uncomfortable. His books make more sense the more you dissect them. So keep them in your back pocket and read them, one word at a time."-- Los Angeles Review of Books "A new collection of essays by everyone's favorite supercilious rock theorist...Svenonius has always been the smartest kid in the room....In print, Svenonius is like that curmudgeonly pal that you adore because, even while his insight quivers between humor, paranoia, and antisocial ire, he never dispels your fascination in how he gets there."-- SF Weekly "Ian Svenonius is best known as the frontman of bands like the Make-Up and Nation of Ulysses, but he's also a brilliant cultural critic with a talent for coming up with the hottest takes you'll ever read. In this collection, Svenonius makes compelling arguments in favor of censorship and hoarding books and records, amid polemics against Apple and Ikea, the yuppification of indie rock, and the shaving of pubic hair."--Buzzfeed"The essays in Censorship Now!! are equally packed with modest proposals and mock-revolutionary rhetoric, but there are grains of truth in pieces like 'The Historic Role Of Sugar In Empire Building' and 'Heathers Revisited: The Nerd's Fight For Niceness'--they're just buried somewhere between tongue and cheek."--The A.V. Club"Censorship Now!! simultaneously deals in the heated rhetoric of insurgent calls to action, the seductive broad strokes of propaganda, and the clever winking of surrealist humor. Often when I'm really convinced Svenonius has gone off a paranoid deep end, the next sentence hits back with knowingly-hilarious exaggeration or profoundly spot-on analysis, realigning my perspective and making me wonder again....It's fitting that a book whose intentions are ambiguous begins with a call to censor art and ends by letting art do the talking."-- Pitchfork Ian F. Svenonius's new collection of sixteen essays and stories, entitled Censorship Now!!, is reorganizing people's ideas about censorship, Ikea, documentary filmmaking, the Berlin Wall, the film Heathers, the twist, the frug, the mashed potato, shaving one's body, Apple, Inc., Nordic functionalism, the supposed benevolence of the Wikipedia, hoarding, college rock, the origins of the Internet, and more. It's an underground smash which has been met with a horrified gasp in all respectable quarters and gog-eyed enthusiasm in artist garrets the world over.

    This stirring speech has been broadcast nationally on radio and television and published in Quarterly Essay 44. At a moment when the ferment of Tahrir Square has spread around the world to unsettle the status quo, Flanagan’s provocative ideas resonate with a new mood and a new questioning. Above all, Flanagan says, we need to take our compass more from ourselves and less from the powerful if we are to find hope. "We need to look the disease of Australia in the eye, the disease of conformity that is ill preparing us for the future. Does Australia still have the courage and largeness it once had when it pioneered the secret ballot and universal suffrage? Or will it simply become the United Arab Emirates of the West, content to roll on for a decade or two more glossing over its fundamental problems while brown coal and fracked gas keep the country afloat?" – Richard Flanagan

    It ultimately challenges the cultural assumptions of both conservatives and traditional liberals. 47 photographs.

    Fifteen years later, his Minnesota company had created over 500 American jobs and developed more than 50 new medical devices that saved and improved lives. But in 2011, the federal government threatened to destroy his company and put Howard behind bars for years. Why? Federal prosecutors had been sold a bill of goods – a tall tale peddled by a money-hungry ex-employee out for revenge. All over one device. A device that never harmed a single patient and made up less than 1% of the company s sales. The investigation revealed the charges to be baseless, but the scalp-hunting prosecutors didn't back off. Instead they dug in – threatening witnesses, misleading grand juries, and strategically leaking secret documents. Whatever it took to pressure a headline-grabbing settlement. Howard Root stood up to the shakedown. Five years, 121 attorneys and $25 million in legal fees later, his life's work and freedom rested in the hands of 12 strangers in a San Antonio jury room. Would Howard and his company be vindicated by the verdict, or had he made the biggest mistake of his life by challenging the federal government? Cardiac Arrest is the eye-opening true story of life on the Feds' hit-list, told from the desk of a CEO who decided to fight back. Follow Howard from the boardroom to the courtroom, as he tells the inside story of the case that sparked outrage in the pages of The Wall Street Journal and triggered a congressional investigation.

    Drawing from his unique cultural vision, Žižek brings new light to the Paris riots of 2005; he questions the permissiveness of violence in philanthropy; in daring terms, he reflects on the powerful image and determination of contemporary terrorists.Violence, Žižek states, takes three forms--subjective (crime, terror), objective (racism, hate-speech, discrimination), and systemic (the catastrophic effects of economic and political systems)--and often one form of violence blunts our ability to see the others, raising complicated questions.Does the advent of capitalism and, indeed, civilization cause more violence than it prevents? Is there violence in the simple idea of "the neighbour"? And could the appropriate form of action against violence today simply be to contemplate, to think?Beginning with these and other equally contemplative questions, Žižek discusses the inherent violence of globalization, capitalism, fundamentalism, and language, in a work that will confirm his standing as one of our most erudite and incendiary modern thinkers.

    The sense of private mystery that fills these photographs--mostly taken during Koudelka's many years of wandering through Europe and Great Britain since leaving his native Czechoslovakia in 1968--speaks of passion and reserve, of his rage to see. Solitary, moving, deeply felt and strangely disturbing, the images in Exiles suggest alienation, disconnection and love. Exiles evokes some of the most compelling and troubling themes of the twentieth century, while resonating with equal force in this current moment of profound migrations and transience.Josef Koudelka (born 1938) has published ten books of photographs, many of which focus on the relationship between man and the landscape, including Gypsies (1975; revised and enlarged edition in 2011), Exiles (1988), Black Triangle (1994), Invasion 68: Prague (2008) and Wall (2013). Significant exhibitions of his work have been held at The Museum of Modern Art and the International Center of Photography, both in New York; Hayward Gallery, London; and Palais de Tokyo, Paris. Koudelka is the recipient of the Medal of Merit awarded by the Czech Republic (2002) and numerous other awards. In 2012, he was named Commandeur de l'Ordre des Arts et des Lettres by the French Ministry of Culture. He is based in Paris and Prague.

    The Bible identifies this personality as the Antichrist. But now things were making sense to Thomas world affairs, changes to U.S. domestic and foreign policy, a renewed focus on the Middle East, Israel, Iran, Iraq, Babylon and he found it astonishing. The words, deeds, gestures and coded language of the worlds most powerful men were clearly pointing to an ancient, prophetic, cryptic and even terrifying reality. What even the best researchers of the Illuminati and veiled fraternities such as the Freemasons were never able to fully decipher is spelled out herein for the first time. The power at work behind global affairs and why current planetary powers are hurriedly aligning for a New Order from Chaos is exposed. Perhaps most incredibly, one learns how ancient prophets actually foresaw and forewarned of this time. Thomas believes this New World Order is very near.

    In this, we are rich. We begin with abundance. But while much is written about our city these hard days, it is typically meant to explain Detroit to those who live elsewhere. Much of this writing is brilliant, but our anthology, this anthology, is different: it is a collection of Detroit stories for Detroiters. Through essays, photographs, poetry, and art, this anthology collects the stories we tell each other over late nights at the pub and long afternoons on the porch. We share them in coffee shops, at church social hours, in living rooms, and while waiting for the bus. These are stories addressed to the rhetorical “you”—with the ratcheted up language that comes with it—and these are stories that took real legwork to investigate. We may be lifelong residents, newcomers, or former Detroiters; we may be activists, workers, teachers, artists, healers, or students. But a common undercurrent alights our work that is collected here: we are a city moving through the fire of transformation. We are afire.Featuring essays, photographs, poetry, and art by Terry Blackhawk, Grace Lee Boggs, John Carlisle, Desiree Cooper, dream hampton, francine j. harris, Steve Hughes, Jamaal May, Tracie McMillan, Ken Mikolowski, Marsha Music, Shaka Senghor, Thomas J. Sugrue, and many others.

    It is NOT about Nazism, or Neo-Nazism, and definitely not about politics; it is the story of how the ebullience of youth can be corrupted and misinterpreted by propaganda and the media. Warning This story contains a lot of strong language, British slang and outspoken opinions that may be offensive to some; it is nevertheless the truth.

    It was not only extremely popular but also brought about pragmatic results, inspiring the movement for the eight-hour day and equal pay for men and women who perform equal work. It survives as one of the very few pieces of writing to come out of the international socialist movement of the nineteenth century that is not only readable-even enjoyable-but pertinent. This new translation by Len Bracken, fuller than previous versions in English, is supplemented by Lafargue's little-known talk on The Intellectuals.

    Focusing on this American period, Conversations with Mies van der Rohe, the latest addition to our Conversations series, gives fresh credence to this claim by presenting the architect's most important design concerns in his own words. In this collectionof interviews Mies talks freely about his relationship with clients, the common language he aimed for in his architecturalprojects, the influences on his work, and the synthesis of architecture and technology that he advanced in his designs and built works.Conversations with Mies van der Rohe makes an important contribution to the corpus of Mies scholarship. It presents a vivid picture of a master of modernism, bringing his artistic biography to a close while completing the scope of his style in terms of techniques, scale, use of materials, and typology. An essay by Iaki balos provides a context for these interviews and looks at Mies's legacy from a contemporary perspective.

    Strangling economies with their austerity policies, they assure us that they have no choice. In a world where “there is no alternative”, how do you dissent? Once upon a time, graphic designers would have made political posters and typeset manifestos. Today, protest has new strategies. Enter the internet meme. With its Darwinian survival skills and its viral potential, the meme is a way of scaling up protest. Hackers and activists have learned to unleash the destructive force of a Rick Astley video. They have let slip the Lolcats of war. Pranks have become a resistance strategy. As the rise of Beppe Grillo in Italy testifies, this may be the hour to fight nonsense with nonsense. Jokes are an open-source weapon of politics, and it is time to tap their power.

    It’s enough to frustrate the serious Bible student. What if you found out most of it is simply mistaken? What if you found out that the ancient Jewish writers were using Old Testament imagery of the past, not a crystal ball gaze into our modern future? What if you found out that everything that modern prophecy pundits are looking for--the Antichrist, The Beast, the Tribulation, the Rapture--was not what they told you it was, but something different? The Truth About Bible Prophecy Respected biblical author Brian Godawa draws from Evangelical theological scholarship and deconstructs the popular “Left Behind” interpretation to uncover a far more fascinating and far more Biblical view of End Times Bible prophecy. One that rescues the original ancient Jewish context of prophecies from being hostage to modern prophecy speculators. Don’t worry, what Godawa unveils is controversial, but it’s not new. It’s not his own personal theory. He’s not a cult leader with a bizarre vision from God. What he reveals has a long tradition of godly Bible scholarship behind it. It’s just not what you’ve been taught. And it’s rooted in interpreting the Bible through the Bible, NOT through newspaper exegesis. What Jesus Himself Said About the End of the Age Here are a few of the things you’ll be astounded to read about in this book: You’ll hear Godawa’s own personal journey in changing his understanding of the End Times. You’ll find out how hyperliteralism corrupts Bible Prophecy interpretation. Godawa focuses on Jesus’ own predictions about the End of the Age in Matthew 24. You’ll discover the dirty little secret behind the so-called Rapture. The truth about the Last Days. It’s not what they told you. Just what is the Great Tribulation and when did it happen? What the heck are those cosmic catastrophes in the heavens? The shocking truth about Antichrist and the Abomination of Desolation You’ll be amazed when you see how the coming of Christ on the clouds has been completely misunderstood by well-meaning but misinformed prophecy pundits. This is not newspaper exegesis, but intense Bible study. Guaranteed to inspire your love for God’s Word and His promises to His people.