Lost without his wife's love, Robicheaux's haunted soul mirrors the intensity and dusky mystery of New Orleans' French Quarter -- the place he calls home, and the place that nearly destroys him when he becomes involved in the case of a young prostitute whose body is found in a bayou. Thrust into the world of drug lords and arms smugglers, Robicheaux must face down a subterranean criminal world and come to terms with his own bruised heart in order to survive.

    When they don't pay it back, they get a visit from Joe Hope. — But now Joe's got troubles of his own. His teenage daughter's found dead, an apparent suicide. Then the police arrest him for murder. But for once, Joe's innocent--and with help from Scotland's hardest men (and one of Scotland's hardest women), he sets out to find who's framed him and deliver his own brutal brand of justice.

    After a questionable recovery and a broken relationship, he abandons his new home in the Arizona desert, though not before leaving a man for dead. Slater returns to Michigan in a busted-up Ford to reunite with an old train-hopping pal, but quickly discovers that the Pleasant Peninsula of his youth is none too pleasant. As Slater’s past catches up with his present—a love triangle, a local drug dealer, the damaged residents of a destitute Northern Michigan town—rock bottom keeps slipping farther away.Three years later, Slater sits in a dark video-editing suite, popping speed like penny candy, attempting to reconcile himself with the unfilmed memories that haunt his screens and his conscience.

    Boll weevils have devoured his cotton crop, his chickens have stopped laying eggs, and everything he owns is mortgaged — even his cow. He has no money, no prospects, and nothing to do but hang around filling stations, wondering where his next drink will come from. As far as hooch goes, there's no place like Smut Milligan's, where Breath of Spring moonshine sells for a dollar a pint. A bootlegger with an entrepreneurial spirit, Milligan has plans to open a roadhouse, and he asks Jack to run the till. The music will be hot, the liquor cheap, and the clientele rough. But the only thing stronger than Milligan's hooch is his greed, and Jack is slowly drawn into the middle of Smut's dalliances with a married woman, the machinations of corrupt town officials — and a savage act of murder.

    It plunges the reader into the subculture of addicts, dealers, and corrupt cops as Lonnie Jack's bold and methodical challenge builds to a frightening climax.

    But when two faces from his old gang turn up, he finds himself getting involved in a new scam, and soon he is embroiled in a world he wants to escape and is forced to confront a man who is dangerously unhinged.

    When he was a teenager, his family rented a camper for a few weeks during a summer vacation and traveled to Cape Cod. During that brief stay on a quiet stretch of sandy beach, Alan -- whose adolescent life was characterized by "bewilderment and self-loathing" -- stumbled across a young girl trying to get a kite out of a tree. But instead of helping the girl, he sexually assaulted her. When the girl started screaming, he panicked and silenced her with an act of violence. He ran back to his family's camper, and they eventually returned home as if nothing had happened. Now Alan is assailed by guilt: Did he kill the girl or not? He has to know More than a half century after Shubin's crime fiction classic Anyone's My Name (1953), this novel takes a decidedly restrained look at pulp mystery. The brutal sexual crime -- which is the linchpin for the whole story -- is quickly glossed over in a few paragraphs and hardly ever mentioned again. As a result, the story line loses much of its knuckles-to-jawbone intensity, and instead of developing into an adrenaline-fueled whodunit, Witness to Myself becomes more of a psychological study in guilt, paranoia, and, ultimately, redemption -- a rare bullet-free Hard Case Crime release that is as melancholic as it is disturbing. Paul Goat Allen

    Original.

    Into this cushy world bursts “Dr. Crandall Taylor” —or rather the actor who plays him — the star of a dated American soap opera that is now one of the hottest primetime shows in France. And this newfound fame, as enriching as it is unexpected, is not wasted on Crandall, eager to put his dark and often violent American past behind him and enjoy all the fruits —and the women —that Paris and fame have to offer him.But TV fame isn’t enough. Randall wants a feature film. Every actor wants a feature film, and so Crandall uses his charm and intellect to draw into his narcissistic web four different women: an executive at the network that runs his show; an American porn star reaching new heights on the internet; a bookish university student with a slightly nasty bent; and the beautiful would-be actress wife of an arms dealer. Against his better judgment, Crandall accepts both the arms dealer’s cash and his beautiful wife’s advances. Soon, Crandall is on the run through the alleys and streets of Paris, trying not only to fund a film but simply to stay alive. But this is no ordinary chase —and Crandall is no ordinary mouse — and soon his penchant for violence, sex, and megalomania erupts into full blown war.Rake is the latest noir classic from the author of The Ice Harvest. It features a charming, despicable anti-hero and a funny, satiric take on modern entertainment culture. Phillips turns his gimlet eye on the lush life of an actor who, on his destructive tour through Paris, crosses the line from garden variety narcissism into full-fledged psycopathy.

    The demands and indignities of associate life have been softened by his interest in his mentor, Harmony Piper, granddaughter of the firm’s founder. When Harmony disappears, Jack learns firm secrets and dangers that he could not have imagined – and may not survive. Set in 1990s Seattle, All Good Things reflects a world before smartphones and constant connectivity, where a responsible and hardworking attorney says a cheerful goodbye to her colleague at midnight – and simply vanishes before morning.

    But that was before he caught his wife cheating on him with one of his operatives and took it out on the man with the butt end of a .45.   Now Matt makes his home on the streets of New York and his only companions are the city’s bartenders. But trouble still knows how to find him, and when Johnny Bridges shows up from the old neighborhood, begging for Matt’s help, Cordell finds himself drawn into a case full of beautiful women and bloody murder. It’s just like the old days – only this time, when the beatings come, he may wind up on the receiving end...

    As one sister prepares for the thorniest trial of her career and the other fends off ominous advances from a construction worker laboring on the house next door, both find themselves pushed to the edge, and confronted by discoveries about themselves and their lovers that shock and disturb them.

    As their relationship grows, they cross paths with the Chechen mafia; a man grown dangerous with age and thwarted hopes; two hapless stick-up artists; a very curious cop; and the original owner of the puppy, who wants his dog back. . . .

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    The lost pulp crime novel by great American novelist Gore Vidal! Hired to smuggle an ancient artefact out of Egypt, Pete Wells finds himself the target of killers and femme fatales - and just one step away from triggering a revolution that will set Cairo aflame!