Young heroes and heroines battle evils with the help of supernatural or super-technological powers, each individual story perfectly balancing historical and fantastical elements. Throw in epic romances that transcend time, and this trendy, engrossing anthology is sure to become another hit for the fast-growing Steampunk genre!This collection features some of the hottest writers in the teen genre, including: Ann Aguirre, Jaclyn Dolamore, Tessa Gratton, Frewin Jones, Caitlin Kittredge, Adrienne Kress, Lesley Livingston, Dru Pagliassotti, Dia Reeves, Michael Scott, Maria V. Snyder, Tiffany Trent, and Kiersten White.

    Equal parts brilliant and charming, neurotic and manipulative, Harry has devoted his life to exposing the truth behind England’s many ‘false hauntings’, and never has he left a case unsolved, nor a fraud unexposed.So when Harry and Sarah are invited to Borley Rectory – a house so haunted that objects frequently fly through the air unbidden, and locals avoid the grounds for fear of facing the spectral nun that walks there – they’re sure that this case will be just like any other. But when night falls and still no artifice can be found, the ghost hunters are forced to confront an uncomfortable possibility: the ghost of Borley Rectory may be real. And, if so, they’re about to make its most intimate acquaintance.

    But they don’t die, and we do. Equilibrium.The unnamed and morally questionable narrator is an exorcist with great follow-through and few doubts. His methods aren’t delicate but they’re undeniably effective: he’ll get the demon out — he just doesn’t particularly care what happens to the person.Prosper of Schanz is a man of science, determined to raise the world’s first philosopher-king, reared according to the purest principles. Too bad he’s demonically possessed.

    Behind a dusty Georgia carny show... In a mausoleum in Baton Rouge, or in an alley in Calcutta... Here wanderers come to rest, the lost and lonely press their bodies up against each other, the heat rises, flesh yields, bones are bared, blood spills. This is the landscape of today's most brilliant young horror writer, Poppy Z. Brite.Now, in a collection that sings like cutting edge rock 'n' roll and shows the deft touch of a master storyteller, Poppy Z. Brite weaves her unique spell of the sensual, the frightening, and the forbidden....

    This reprint anthology showcases the best Holmes short fiction from the last 25 years, featuring stories by such visionaries as Stephen King, Neil Gaimen, Laura King, and many others.

    'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

    Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's "The Oval Portrait" and Sheridan Le Fanu's "Carmilla" to Guy de Maupassant's "The Horla" and Mary Elizabeth Braddon's "Good Lady Ducayne." Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and rounds out the collection with Stoker's own "Dracula's Guest"-a chapter omitted from his landmark novel.Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as "dead labor, which, vampire-like, lives only by sucking living labor"; while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers young, old, and in between of why the undead won't let go of our imagination.

    In the words of Isaac Bashevis Singer, "What he did in his short life was enough to make him one of the most remarkable writers who ever lived." Weaving myth, fantasy, and reality, Sanatorium Under the Sign of the Hourglass, is, to quote Schulz, "an attempt at eliciting the history of a certain family . . . by a search for the mythical sense, the essential core of that history."

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    This is a place where a boy with keys for fingers is a hero, a woman's children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

    In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and plot that could unravel time itself.

    A red, spiderwebbed haze covers the sun. Temperatures drop, fields flood and freeze, grain rots on the stem. The people are starving, and even the wealthy and titled are affected by shortages. Sickness spreads as a red fungus overtakes fields, seals over windows, and infiltrates cellars.On the way back from the Napoleonic Wars in France, Marcus, the younger son of the Earl of Penderbrook, returns to find his brother dead, the estate covered in fungus, and his father sinking into madness.The last thing Marcus wants to do is be responsible for Penderbook; he wants only to spend the rest of his life playing cards, drinking, and seducing other men’s wives. But even the responsible life of an heir escapes from his grasp, as his brother’s body disappears, his father turns violent, and pale monsters horrify the countryside.As Marcus pieces together the truth, he discovers a past more tainted with evil than he could have suspected.From the family wine cellar to the folly behind the house—from the pond where he played as a child to the new cotton mill built along the stream—None of what happens at Penderbrook is innocent.And the monstrosities that have been committed may still be carried in Marcus’s blood…A tale of transformation and terror, set in the year Mary Shelley wrote Frankenstein.

    In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire. But alongside the black magic and disturbing disappearances, these stories are fueled by compassion for the frightened and the lost, ultimately bringing these characters—mothers and daughters, husbands and wives—into a surprisingly familiar reality. Written in hypnotic prose that gives grace to the grotesque, Things We Lost in the Fire is a powerful exploration of what happens when our darkest desires are left to roam unchecked, and signals the arrival of an astonishing and necessary voice in contemporary fiction.

    Nathan Garlan hears and sees the dead. Using his uncanny aptitudes to assist society and its specters, he has become the most acclaimed medium in Boston. But not all esteem him. Nathan Garlan’s own mother craves her boy butchered—and she’s not the only one…Misery! Lust! Murder!New Haven. Sarah Winchester is the heiress to the Winchester Rifle fortune and a haunted woman. She has searched for release from familial phantoms for two decades, yet found no respite. However, she has heard of a medium in Boston who regularly administers miracles…Wit! Wonders! Outrage!Who is the Reverend Doctor Enton Blake? Why does the lawless Hennet C. Daniels search for him? What form of profane curio is a trick box—and what, precisely, does one inter within it? Will Sarah Winchester find serenity through Nathan Garlan’s services? Or will Hester Garlan find her son first?

    She was hoping the girl would not ask.Spells and stories, urban legends and immigrant tales: the magic in Isabel Yap’s debut collection jumps right off the page, from the joy in her new novella, 'A Spell for Foolish Hearts' to the terrifying tension of the urban legend 'Have You Heard the One About Anamaria Marquez'.