And yes, there are lots of books about living in France out there already. But a lot of these are the short-term adventures of single people or retired couples or tourists. Moving abroad for good with a family, and without a pension, is a whole new ball game. That’s what makes Heads Above Water different. It’s about us, a family with three children, who stick the hardships out and make things start to work. It’s about actually making a living in a new country. It’s realistic, honest and gritty – but also fun, lively and very entertaining, and, I hope, ultimately inspiring.

    The finger-on-the-button tension that had defined a generation was over, and it seemed that peace was at hand. The next twelve years rolled by in a haze of self-congratulation— what some now call a "holiday from history. "When that complacency shattered on September 11, 2001, setting the U.S. on a new and contentious path, confused Americans asked themselves: How did we get here?In America Between The Wars, Derek Chollet and James Goldgeier examine how the decisions and debates of the years between the fall of the Wall on 11/9 and the collapse of the Twin Towers on 9/11 shaped the events, arguments, and politics of the world we live in today. Reflecting the authors' deep expertise and broad access to key players across the political spectrum, this book tells the story of a generation of leaders grappling with a moment of dramatic transformation—changing how we should think about the recent past, and uncovering important lessons for the future.

    The technology exists, the equipment is much cheaper than it was, the post-production facilities are on a laptop computer, the entire equipment to make a film can go in a couple of cases and be carried as hand luggage on a plane. —Mike FiggisIn this indispensable guide, Academy Award nominee Mike Figgis offers the reader a step-by-step tutorial in how to use digital filmmaking technology so as to get the very best from it. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process—from working with actors to lighting, framing, and camera movement. He dispenses further wisdom on the editing process and the use of sound and music, all while establishing a sound aesthetic basis for the digital format.Offering everything that you could wish to know on the subject, this is a handbook that will become an essential backpocket eference for the digital film enthusiast—whether your goal is to make no-budget movies or simply to put your video camera to more use than just holidays and weddings.

    She’s angry, she wants revenge, and most of all, she wants him back. But when life throws her a curve ball in the form of Miguel, literally The Boy a Few Houses Down, Anna thinks she can be happy again—or is her heart just playing tricks on her?“This book is exactly what teen lit should be—smart, funny, and filled with all the thrilling firsts that shape girls into bright, young women. Readers will love Anna, a refreshingly offbeat heroine, because for all her quirks, she speaks in a voice that’s strong, clear, and true.”-Candy magazine

    She will become a dutiful wife, not the existence of her dreams, but the Chees’ money and influence is essential, for her mother has cancer and they cannot abandon a faithful old servant, Ah Heng Cheh. However, the mapping out of Ling’s future doesn’t proceed smoothly. Almost against her will, and through her poetry, she meets outspoken American professor, Ben Gallagher, who threatens to overturn everything. Ling must make her choice: east or west, head or heart. The birth of a son makes her moral predicament even more agonizing.

    A team of typographers and printers was pulled out of the rows of prisoners on their way to the gas chambers and transferred to the strictly isolated Block 19 in Sachsenhausen concentration camp. There they were presented with the enormous task of producing almost perfect counterfeits to the value of hundreds of millions of pounds sterling. These notes were to be dropped from bombers over London, with the aim of causing financial chaos. When the time came the Luftwaffe's resources were fully committed in other campaigns and theaters but some of the currency was successfully used to fund operations in Germany's secret war.Moritz Nachtstern (1902-1969), was a Norwegian-Jewish typographer deported from Oslo in 1942. This is his story, as told to his wife and written down by her, then edited by journalist Ragnar Arntzen. It was originally published in Norwegian in 1949. It covers the three terrible years from his arrest and transportation to Germany, through the horrors of life in Auschwitz and Sachsenhausen to his escape in the last chaotic and terrifying days as the liberating American forces approached. At the center of this personal tale of courage and endurance is Nachtstern's absorbing description of how, in order to survive, he participated in the creation of exquisite forgeries, while working as slowly as possible, both to frustrate the Nazi plan and to ensure that he and his fellow forgers never became expendable.Nachtstern's daughter Sidsel contributes a moving foreword, "It cannot be erased", and essays by Lawrence Malkin and Bjarte Bruland place this sixty-year old document in its historical context.The translator, Margrit Rosenberg Stenge, was born in Germany but spent five years of her childhood in hiding with her parents in Norway and Sweden during World War II. She has lived in Montreal since 1951 and has translated and published a number of Holocaust memoirs.