In which a girl who is asked where she's really from turns to her abuelo for the answer.

    Gilman's modern adaptation and lively illustrations turn this favorite Jewish tale into a contemporary classic.

    But taking care of his giant baby brother and brushing his teeth can be real challenges for the mouse-sized George.Ages 3-7

    Spitballs stuck to the ceiling. Paper planes whizzing through the air. They were the worst-behaved class in the whole school.So begins this quirky classic, first published in 1977 and still relevant today as a lighthearted reminder to show our appreciation to those we value. The students don’t proffer a shred of respect for their good-natured teacher Miss Nelson, but when the witchy substitute Miss Viola Swamp appears on the scene, they start to regret their own wicked ways. James Marshall’s scritchy, cartoonish full-color ink and wash illustrations are hilarious. A back-to-school perennial!

    The night she arrives, Mia tries to share her favorite book with Abuela before they go to sleep and discovers that Abuela can’t read the words inside. So while they cook, Mia helps Abuela learn English ("Dough. Masa"), and Mia learns some Spanish too, but it’s still hard for Abuela to learn the words she needs to tell Mia all her stories. Then Mia sees a parrot in the pet-shop window and has the perfect idea for how to help them all communicate a little better. An endearing tale from an award-winning duo that speaks loud and clear about learning new things and the love that bonds family members.

    But he also has many demands, and when his faithful subjects let him down, King Baby himself must take royal action!

    Sure, he may have paws and whiskers. And his quacks might sound more like…well, meows, but he lives among ducks, everyone he knows is a duck, and he’s happy.Then Quackers meets another duck who looks like him (& talks like him, too!)—but he calls himself a cat. So silly!Quackers loves being among his new friends the cats, but he also misses his duck friends, and so he finds a way to combine the best of both worlds. Part cat, part duck, all Quackers!

    But Ruby says, "No, Max. We are going to make Grandma an angel surprise cake, with raspberry-fluff icing." Will Max let his bossy older sister keep him out of the kitchen? Or will they both become bunnies who bake?

    She misses her popo every day, but even if their visits are fleeting, their love is ever true and strong.

    Sometimes our hearts see things our eyes can’t. Lily Jo McGrother, born Timothy McGrother, is a girl. But being a girl is not so easy when you look like a boy. Especially when you’re in the eighth grade. Dunkin Dorfman, birth name Norbert Dorfman, is dealing with bipolar disorder and has just moved from the New Jersey town he’s called home for the past thirteen years. This would be hard enough, but the fact that he is also hiding from a painful secret makes it even worse. One summer morning, Lily Jo McGrother meets Dunkin Dorfman, and their lives forever change.

    One day, he decides to take it to school. First his father, then his friends, and even the crossing guard question him about his strange choice. After all, boys don t carry purses. They point out that they, too, have things they like, but that doesn t mean they go out in public wearing them. But Charlie isn t deterred. Before long, his unselfconscious determination to carry a purse starts to affect those around him. His father puts on his favorite, though unconventional, Hawaiian shirt to go to work; his friend Charlotte paints her face, and the crossing guard wears a pair of sparkly shoes. Thanks to Charlie, everyone around him realizes that it isn t always necessary to conform to societal norms. It s more important to be true to yourself. With its humorous, energetic illustrations, this book is ideal as a read-aloud or as a text for emerging readers. It can also be used as a starting point for a discussion about gender roles."

    It presents clear and direct language for understanding and talking about how we experience gender: our bodies, our expression and our identity. An interactive three-layered wheel included in the book is a simple, yet powerful, tool to clearly demonstrate the difference between our body, how we express ourselves through our clothes and hobbies, and our gender identity. Ideal for use in the classroom or at home, a short page-by-page guide for adults at the back of the book further explains the key concepts and identifies useful discussion points.This is a one-of-a-kind resource for understanding and celebrating the gender diversity that surrounds us.

    A twist on the classic parental struggle of not letting kids sleep in their bed.

    But only the girl who proves she can see him will be his bride. The two beautiful but spoiled daughters of a poor village man try their best to be chosen, but it is their Rough-Face-Girl sister, scarred on her face and arms from tending fires, who sees the Invisible Being in the wonder of the natural world.The dramatic illustrations reflect the vibrant earth colors of the native landscape and the wisdom and sensitivity of the protagonist.

    She saw a queen—one with dynamic self-assurance, regality, beauty, and truth who captured this young girl’s imagination. When a nearby museum-goer snapped a photo of a mesmerized Parker, it became an internet sensation. Inspired by this visit, Parker, and her mother, Jessica Curry, tell the story of a young girl and her family, whose trip to a museum becomes an extraordinary moment, in a moving picture book. Parker Looks Up follows Parker, along with her baby sister and her mother, and her best friend Gia and Gia’s mother, as they walk the halls of a museum, seeing paintings of everyone and everything from George Washington Carver to Frida Kahlo, exotic flowers to graceful ballerinas. Then, Parker walks by Sherald’s portrait of Michelle Obama…and almost passes it. But she stops...and looks up! Parker saw the possibility and promise, the hopes and dreams of herself in this powerful painting of Michelle Obama. An everyday moment became an extraordinary one…that continues to resonate its power, inspiration, and indelible impact. Because, as Jessica Curry said, “anything is possible regardless of race, class, or gender.” **FOREWORD BY ARTIST AMY SHERALD**