A Winner of the 2016 Alex AwardsNightmarish villains with superhuman enhancements. An all-seeing social network that tracks your every move. Mysterious, smooth-talking power players who lurk behind the scenes. A young woman from the trailer park. And her very smelly cat. Together, they will decide the future of mankind.Get ready for a world in which anyone can have the powers of a god or the fame of a pop star, in which human achievement soars to new heights while its depravity plunges to the blackest depths. A world in which at least one cat smells like a seafood shop's dumpster on a hot summer day. This is the world in which Zoey Ashe finds herself, navigating a futuristic city in which one can find elements of the fantastic, nightmarish and ridiculous on any street corner. Her only trusted advisor is the aforementioned cat, but even in the future, cats cannot give advice. At least not any that you'd want to follow.Will Zoey figure it all out in time? Or maybe the better question is, will you? After all, the future is coming sooner than you think.

    In And Short the Season she muses on mortality: her own and that of the earth. Always deeply personal, always political, these poems blend myth and modernity, fecundity and death, and the violence and tenderness of humankind.

    Since she left home, Sonya has lived on the run, free of any ties, while her soft-spoken sister, Trisha, has created a perfect suburban life, and her ambitious sister, Marin, has built her own successful career. But as these women come together, their various methods of coping with a terrifying history can no longer hold their memories at bay.Buried secrets rise to the surface as their father—the victim of humiliating racism and perpetrator of horrible violence—remains unconscious. As his condition worsens, the daughters and their mother wrestle with private hopes for his survival or death, as well as their own demons and buried secrets. Told with forceful honesty, Trail of Broken Wings reveals the burden of shame and secrets, the toxicity of cruelty and aggression, and the exquisite, liberating power of speaking and owning truth.

    Marina Singh embarks upon an uncertain odyssey into the insect-infested Amazon, she will be forced to surrender herself to the lush but forbidding world that awaits within the jungle. Charged with finding her former mentor Dr. Annick Swenson, a researcher who has disappeared while working on a valuable new drug, she will have to confront her own memories of tragedy and sacrifice as she journeys into the unforgiving heart of darkness. Stirring and luminous, "State of Wonder" is a world unto itself, where unlikely beauty stands beside unimaginable loss beneath the rain forest's jeweled canopy.

    Qais Ahmed is everything she never wants to be: narcissistic, manipulative and arrogant.However, despite her relentless efforts, she is unable to resist his charm and wit and is drawn to him once she gets to know the real him.She soon discovers that he isn't just a part of her professional life but has a deep connection to a past she is trying to forget.Will this disturbing secret tear them apart or bind them together forever?

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    K. Williams by turns ruminative, stalked by "the conscience-beast, who harries me," and "riven by idiot vigor, voracious as the youth I was for whom everything was going too slowly, too slowly." Poems about animals and rural life are set hard by poems about shrapnel in Iraq and sudden desire on the Paris Métro; grateful invocations of Herbert and Hopkins give way to fierce negotiations with the shades of Coleridge, Dostoevsky, and Celan. What the poems share is their setting in the cool, spacious, spotlit, book-lined place that is Williams's consciousness, a place whose workings he has rendered for fifty years with inimitable candor and style.

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]

    He doesn’t want to be hurt again. But their attraction to each other is undeniable. Caroline’s job as personal assistant to billionaire Evelyn Sutton takes her to the family beach house on Palmer Island. She’s looking forward to a few quiet days getting the house ready. She didn’t expect to find her boss’s youngest son swimming in the pool. Pete Sutton plays the spoiled rich guy well. It affords him the privacy to do the charity work that’s important to him. He likes his mother’s PA too much for a quick fling, but dating anyone is out of the question. He’s still licking his wounds from his one and only serious relationship. Neither one of them is looking for love, but can they ignore the chemistry between them when they are stuck together on beautiful Palmar Island? This is a 20,000 word sweet romance novella with no cliff hangers and a HEA. it's the first of the Clean Beach Billionaire series.

    That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    His methods are so at odds with conventional scientific wisdom that for 30 years he has been dismissed and ridiculed as a madman. He has faced bankruptcy and family break-up. But now, on the brink of ecological disaster, leading politicians, international scientists and businessmen are beating a path to his door as they grapple with how best to alleviate the affects of drought on the Australian landscape. Described as a man who reads and understands the Australian landscape better than most scientists, supporters of Peter Andrews claim he has done what no scientist ever thought to do — he has restored streams and wetlands to the way they were before European settlement interfered with them. The startling results of his natural sequence farming are said to have been achieved very cheaply, simply and quickly.

    An Indian scientist on the run. The spy apparatus of three nations after him and the coveted secrets he intends to take to the highest authorities. A girl who has become an unwitting pawn in this deadly game. A mastermind who will stop at nothing. They are up against a man with a troubled past who stands between life and death, victory and defeat. A conspiracy so devious it could forever change the nation. A race against impossible odds and time. Who will get their hands on the secret first? About the Author Abhinav is a columnist, photographer, software professional, Hindi music addict, reader and reviewer, and curator of the Indic Book Club. Abhinav’s writings have been published in DNA, Pioneer, Swarajya, LinkedIn, OpIndia, Medium, and elsewhere. He has worked at technology companies in India, the United States, and Canada. He holds a bachelor’s degree in Computer Engineering from Mumbai University and is a post-graduate from the Indian Institute of Management, Bangalore. He lives in Bangalore with his wife and two daughters.

    Sadness about leaving their single life behind. Confusion when even simple decisions—should we serve chicken cordon bleu or beef Wellington?—bring them to tears. Worst of all, since everyone around them expects them to be happy, few brides feel there’s anyone to turn to with these conflicting feelings.Written by one of Modern Bride’s “25 Trendsetters of 2006”—and targeting the 2.5 million women who get engaged each year—Emotionally Engagedis the only book geared toward helping brides survive their engagements and emerge as stronger, happier, better- adjusted married women. In the book, Allison Moir-Smith shares her threestage, tried-and-true process from her workshops and individual therapy sessions, along with the stories of over a dozen brides-to-be and newlyweds, helping readers transform their bridal blues into bridal bliss.

    Initially conceived as a response to the 'austerity measures' implemented by the coalition government in 2011, the poems quickly began taking on a life in kind: 'cutting' themselves on levels of sentiment, structure and even subject matter. Not content to merely build a series of freethinking poems, these remarkable pieces seem eagerly and mischievously to analyze their moment of creation, then weigh their worth, then consign their excess to the recycling bin thereafter. Experience is speedy, the poems seem to say, so dizzyingly fast that the poetry will inevitably be running to catch up - often arriving at a scene the moment after the moment has gone. The effect is as funny and it is startling, beguiling as it is surprising, and makes 81 Austerities a vivid reminder that deprivation, as Leonard Cohen put it, can be the mother of poetry.