In order to rid his land of greedy aristocrats and unearth the truth of his own forgotten past, a young apprentice takes up the famed blade and mask of swashbuckler Zorro.

    And when little Tamala Georgette Jones was born in 1970, she was considered country music's heir apparent. For the first four years of her life, Georgette had two adoring parents who showed her off at every opportunity, and between her parents, grandparents, older sisters, and cheering fans, Georgette's feet seldom hit the ground. But as in every fairy tale, dark forces were just around the corner. Her parents fought, and George drank. George and Tammy divorced when Georgette was four, and it would be years before she understood just what that meant. "The Three of Us "is an honest and heartfelt look into the life of a broken family living in the glare of the public spotlight. Like so many of her generation, Georgette had to make sense of loving two parents who couldn't love each other. With never-before-told stories about George and Tammy, it recounts Tammy's descent into prescription pill addiction, her dependence on her fifth husband, George Richey, and her untimely death at the age of fifty-five. Georgette opens up about her broken relationship with her father and what it took for them to come back together. Lastly, Georgette discusses the ups and downs of her adult life: failed marriages, illness, an arrest, and now, an unexpected but thrilling career as a musician. "The Three of Us "is a story of both extreme privilege and great trials, of larger-than-life people with larger-than-life problems. Rich in country music history, it contains twists and turns, highs and lows, but in the end, it stands as an intensely moving tale of love, loss, heartbreak, and what it means to be a family.

    At age nine, she already has a reputation as a hard slapper, a loud laugher, a liar, and a stay-after-schooler. The other kids call her Stinky. So sometimes when Maureen passes the crumbling (and haunted?) Messerman mansion, she imagines that she is Maureen Messerman–rich, privileged, and powerful. Then she finds a way into the forbidden, boarded-up house. In the hall are portraits of seven young women wearing elaborate gowns and haughty expressions. Maureen has something scathing to say to each one, but then she notices that the figures seem to have shifted in their frames. So she reaches out her finger to touch the paint–just to make sure–and touches . . . silk! These seven daughters of privilege are colder and meaner than Maureen ever thought to be. They are wicked, wicked ladies, and Maureen has something they want. . . .

    But with the help of Jonty - a young misfit who soon became her best friend - she managed to escape, running away with the fairground folk. She became a horserider and acrobat, travelling all around the country. Her friends became the circus people, and her home the caravans and travellers' tents. Meanwhile, in a great house in Yorkshire, old Mrs Winthrop has never given up hope of finding her daughter Madeleine, who eloped with a handsome gypsy and was never seen again. When her young neighbour sets out to find Madeleine, he discovers the colourful world of the fairs. And there, in the midst of it all, Polly Anna - once the waif from the workhouse, now a fully-fledged gypsy girl. Previously published as The Romany Girl.

    To do whatever is the work before her, letting nothing distract her, expecting nothing, fearing nothing -- the way of the Stoics -- this is her ideal. But despite all her stratagems, this ideal constantly eludes her. Life is too unpredictable, her sense of self too fragile and human relationships are too tenuous. She muddles along, a victim of her own anxieties and resentments, her behavior often as mystifying to herself as it is to others. Why though, happily married, does she fly across the country to pursue a man she hardly knows, whom she intuitively mistrusts and does not even much care for? In the aftermath of this calamity, Nona separates from her husband and undergoes a period of intense self-examination. Meanwhile, she struggles to complete a book about her father, a painter, who died when she was a child. Out of both projects -- her work of introspection and her work of memory -- arise thorny questions about love, identity and destiny. Unexpected support appears in the form of one of her father's old lovers, whom Nona now meets for the first time. But while this new friendship thrives, relations between Nona and her husband, and between Nona and her mother, with whom she shares an anguished history, seem to be coming apart. Nona has barely achieved a somewhat surer sense of herself and her way in the world when a series of grave, unforeseeable events threaten her precarious equilibrium.Compelling, emotionally charged and written with the psychological precision and exquisite detail that are among the hallmarks of Nunez's work, "Naked Sleeper" is aboutinescapable and sometimes unendurable complexities of love and the family drama. It is the story of a woman's search for self-knowledge, for understanding of others and for an answer to the imperative question: "How should she live?"

    At Henry's House on Isadora Island, Celia has created a faux-family homestead, a testament to tradition. Personally, however, Celia's unconventional love life has kept Isadora Island entertained for a generation.Married only once and widowed at twenty-two, Celia has spent a lifetime preaching (and practicing) Unfettered Love, preferring unions free of matrimony, free of the ties that bind -- and can just as easily strangle. Despite all the domestic upheaval, she has acquired a large extended family of children, stepchildren, partners, and ex-partners. Generous and spirited, but notoriously stubborn, Celia nonetheless draws people into her arms and her home.When, much to Celia's dismay, her daughter Bethie announces her engagement, Celia reluctantly agrees to throw a lavish celebration. To this party she must invite everyone in her whole overextended family: her steps and exes, their current partners and starchy in-laws, as well as a host of island eccentrics. As the big day approaches, Celia senses impending disaster. But nothing prepares her for the fallout when the nuclear family explodes and she must reconstruct the past in order to transform the future.

    Both had lost their mothers when they were very young. When the car Irene was in drew up outside the Home, seven-year-old Alan was staring out of the window. And when he saw the little girl step out of the car, he knew, in that instant, that she was someone special. Alan dashed outside to meet her, and promised to show her where everything was. Over the next year the children were inseparable. But close friendships weren't encouraged and when it was discovered how close they were Alan was sent away without any explanation and no goodbye. Despite being forcibly parted their bond was never broken and each started an incredible 45-year journey to find the other again. This love story stretches across 50 years--regardless of a series of amazing coincidences and almost insurmountable obstacles, they found each other at last and married in 2007.

    President Roosevelt musters the captains of industry and leading scientists to find a way to turn back the Martian tide

    Originally published to critical acclaim in 1995, The Rain Ascends has been revisited by the author, with substantive additions to the end of the narrative that bring to fruition the heroine's struggle for forgiveness and redemption.As a middle-aged mother, Millicent is confronted with the secrets of her father's past as she recalls certain events in her childhood-a childhood that, on the surface, was a blissful one. Disbelief turns to confusion as she faces up to the sins of her father and wrestles with a legacy of lies, silence and her own embattled conscience.In The Rain Ascends, Joy Kogawa beautifully sifts the truth from the past and the sinner from the perceived saint. The result is a sensitive, poetic, yet searing depiction of the wounds left by abuse and the redemption brought by truth.

    Originally published in the October, 1933 issue of The Spider.

    Please read all the way through.)) Alex is dead. Dead, and apparently with a one way ticket to a place that only the worst of the worst go. All for a simple choice he made about a product his company owned. Damned for all time. Luckily for him, he’s about to be given a chance. Another choice to make. He can instead, return to the land of the living, though his soul would belong to another. Except the world he’s being sent to, isn’t the same one he came from. It’s not even a similar period in time, but from something long past in history. The dark ages. And part of the deal to live again, is to make pacts with others. Pacts that would bind others in secrecy. That they could never speak of what they'd done. Deals for anything, and everything. From things as simple as a meal, to their very lives. How much would you give of yourself to live on in the world is an easy question. The better question, is how much would you take from others? If Alex wants to keep living, to keep his soul from being sent to the darkest corner of hell, he’ll have to ask himself that question. Daily. Warning: This novel explores dark subjects, and what people will give up of themselves, and each other, to get what they want. The main character is written as a real person in a tough situation, and will not make choices that line up with societal and cultural norms. It contains adult themes and moral ambiguities. As with my previous work, explicit scenes are found within. It has violence and a harem relationship. This is the Omnibus edition of the 1st Fostering Faust Trilogy. It contains all three books of the first trilogy. Only the description of the first book has been included to prevent spoilers from occurring. (Product Page for Book 1: https://www.amazon.com/gp/product/B07...) (Product Page for Book 2: https://www.amazon.com/gp/product/B07...) (Product Page for Book 3: https://www.amazon.com/gp/product/B07...)

    Not with his wife, Amy, and especially not with their asshole friend, Scott. Lawyers all three, they were more likely to strip their opponents of pride, not clothing.Not that Ben wasn't intrigued--especially in the company of two attractive couples with a history of flirtation. He'd love to see either woman naked; he just wasn't sure how he felt about the guys ogling his wife. But when the wine begins to flow, inhibitions loosen, and clothes start coming off, he discovers a part of himself that's turned on by the attention Amy commands.Soon, the three couples are caught in the throes of high-stakes poker. Secrets come out, things get wild, and Ben discovers a side of his wife he never knew existed.

    The groom marries the girl his parents chose, but Jeannie cannot forget him, even after she marries Gracie's brother.

    Offers an inside look at the popular crime-busting TV show and discusses a variety of landmark, high-profile cases.

     1914. Growing up on a farm in the country, Annie Cradwell has always dreamt of singing on stage. So when she hears her friend Joyce has a room to spare in London, she sets off with best friend Rose for an adventure beyond anything they could have imagined. In London, Annie and Rose stumble into jobs first at the Lyceum Theatre. Being a dresser to capricious star Kitty Smythe wasn't exactly what Annie had in mind. But then the musical director, Matthew Harris, offers her singing lessons. And Annie starts to wonder – could this be her chance? Or is it all too good to be true? With the threat of war in the air, everything is uncertain. Is there a place for hopes and dreams when so much is at stake? Annie, Rose and Joyce are three girls with very different dreams – but the same great friendship. From the author of the beloved Foyles Bookshop Girls series, The West End Girls is the first in a brand new series full of Elaine Roberts' trademark warmth. Perfect for fans of Daisy Styles and Rosie Hendry.