He encounters enterprising owners, dedicated managers, die-hard fans, Hall of Fame instructors, and hopeful players. 8-page insert.

    He argues that those who run baseball have missed the crucial difference between mere change and real progress. And he presents a withering critique of the positions of both the owners and players while providing insights on the wild-card system, the designated-hitter rule, and interleague play. Costas answers each problem he cites with an often innovative, always achievable strategy for restoring genuine competition and rescuing fans from the forces that have diluted the sheer joy of the game.Balanced by Costas's unbridled appreciation for what he calls the "moments of authenticity" that can still make baseball inspiring, Fair Ball offers a vision of our national pastime as it can be, a game that retains its traditional appeal while initiating thoughtful changes that will allow it to thrive into the next century.

    During one at-bat this talented slugger lined a ball so hard that the rightfielder was able to play it off the top of the fence and throw Christobel Torrienti out at first base. The scout liked what he saw, but was disappointed in the player's appearance. "He was a light brown," recalled one of Torrienti's teammates, "and would have gone up to the major leagues, but he had real rough hair." Such was life behind the color line, the unofficial boundary that prevented hundreds of star-quality athletes from playing big-league baseball. When Only the Ball Was White was first published in 1970, Satchel Paige had not yet been inducted into the Hall of Fame and there was a general ignorance even among sports enthusiasts of the rich tradition of the Negro Leagues. Few knew that during the 1930s and '40s outstanding black teams were playing regularly in Yankee Stadium and Brooklyn's Ebbets Field. And names like Cool Papa Bell, Rube Foster, Judy Johnson, Biz Mackey, and Buck Leonard would bring no flash of smiling recognition to the fan's face, even though many of these men could easily have played alongside Ty Cobb, Walter Johnson, Hack Wilson, Lou Gehrig--and shattered their records in the process. Many baseball pundits now believe, for example, that had Josh Gibson played in the major leagues, he would have surpassed Babe Ruth's 714 home runs before Hank Aaron had even hit his first. And the great Dizzy Dean acknowledged that the best pitcher he had ever seen was not Lefty Grove or Carl Hubbell, but rather "old Satchel Paige, that big lanky colored boy." In Only the Ball Was White, Robert Peterson tells the forgotten story of these excluded ballplayers, and gives them the recognition they were so long denied. Reconstructing the old Negro Leagues from contemporary sports publications, accounts of games in the black press, and through interviews with the men who actually played the game, Peterson brings to life the fascinating period that stretched from shortly after the Civil War to the signing of Jackie Robinson in 1947. We watch as the New York Black Yankees and the Philadelphia Crawfords take the field, look on as the East-West All-Star lineups are announced, and listen as the players themselves tell of the struggle and glory that was black baseball. In addition to these vivid accounts, Peterson includes yearly Negro League standings and an all-time register of players and officials, making the book a treasure trove of baseball information and lore. A monumental and poignant book, Only the Ball Was White reminds us that what was often considered the "Golden Age" of baseball was also the era of Jim Crow. It is a book that must be read by anyone hoping not only to understand the story of baseball, but the story of America.

    O'Neill epitomized the team's motto of hard work and good sportsmanship, traits instilled in him by his friend, confidant, lifelong model, and biggest fan: his dad, Chick O'Neill.In Me and My Dad, O'Neill writes from the heart about the man who inspired in him a love for the game and a determination to always play his best. O'Neill remembers the highlights of his own amazing career: the Cincinnati Reds calling him up to the majors, his first World Series, being traded to the Yankees -- and taking part in their recent championship wins. He also reflects on his father's untimely death during the 1999 World Series and on the farewell tribute his fans gave him during his last game in Yankee Stadium.

    He also speaks candidly about overcoming his lifelong addiction to alcohol, and the friends, family and thousands of fans who helped him do it.

    Cub, to Sammy Sosa, today's record-setting sensation, Cubs Nation traces the history of a team that often had everything going for it and yet was so hampered by losses that it came to define the term lovable losers.

    His lifetime batting average is still the highest of all time, and when he retired in 1928, after twenty-one years with the Detroit Tigers and two with the Philadelphia Athletics, he held more than ninety records. But the numbers don't tell half of Cobb's tale. The Georgia Peach was by far the most thrilling player of the era: "Ty Cobb could cause more excitement with a base on balls than Babe Ruth could with a grand slam," one columnist wrote. When the Hall of Fame began in 1936, he was the first player voted in.But Cobb was also one of the game's most controversial characters. He got in a lot of fights, on and off the field, and was often accused of being overly aggressive. In his day, even his supporters acknowledged that he was a fierce and fiery competitor. Because his philosophy was to "create a mental hazard for the other man,"; he had his enemies, but he was also widely admired. After his death in 1961, however, something strange happened: his reputation morphed into that of a monster - a virulent racist who also hated children and women, and was in turn hated by his peers. How did this happen? Who is the real Ty Cobb? Setting the record straight, Charles Leerhsen pushed aside the myths, traveled to Georgia and Detroit, and re-traced Cobb's journey, from the shy son of a professor and state senator who was progressive on race for his time, to America's first true sports celebrity. In the process, he tells of a life overflowing with incident and a man who cut his own path through his times - a man we thought we knew but really didn't.

    But the world has also left its mark on him. "Hammering Hank" Aaron's story is one that tells us much about baseball, naturally, but also about our times. His unique, poignant life has made him a symbol for much of the social history of twentieth-century America.Raised during the Depression in the Deep South enclave of Mobile, Alabama, Aaron broke into professional baseball as a cross-handed slugger and shortstop for the Indianapolis Clowns of the Negro American League. A year later, he and a few others had the unforgettable mission of integrating the South Atlantic League. A year after that, he was a timid rookie leftfielder for the Milwaukee Braves, for whom he became a World Series hero in 1957 as well as the MostValuable Player of the National League.Aaron found himself back in the South when the Braves moved to Atlanta in 1965. Nine years later, in the heat of hatred and controversy, he hit his 715th home run to break Ruth's and baseball's most cherished record--a feat that was recently voted the greatest moment in baseball history. That year, Aaron received over 900,000 pieces of mail, many of them vicious and racially charged.In a career that may be the most consistent baseball has ever seen. Aaron also set all-time records for total bases and RBIs. He ended his playing days by spending two nostalgic seasons back in Milwaukee with the Brewers, then embarked on a new career as an executive with the Atlanta Braves. He was for a long time the highest-ranking black in baseball. In this position, Aaron has become an unofficial spokesman in racial matters pertaining to the national pastime.Because of the depth and pertinence of Aaron's dramatic experiences, I Had A Hammer is more than a baseball autobiography. Henry Aaron's candor and insights have produced a revealing book about his extraordinary life and time.

    Stuck in a rut, baseball was dying. Then Steinbrenner bought the Yankees, a second-division club with wife-swapping pitchers, leaving the House That Ruth Built not with a slam but a simper. He vowed not to interfere—before soon changing his mind. Across town, Tom Seaver led the Mets’ stellar pitching line-up, and iconic outfielder Willie Mays was preparing to say goodbye. For months, the Mets, under Yogi Berra, couldn’t get it right. Meanwhile, the A’s were breaking a ban on facial hair while maverick owner Charlie Finley was fighting to keep them underpaid. But beneath the muttonchops and mayhem, lay another world. Elvis commanded a larger audience than the Apollo landings. A Dodge Dart cost $2,800, gas was a quarter per gallon. A fiscal crisis loomed; Vietnam had ended, the vice president resigned, and Watergate had taken over. It was one of the most exciting years in the game’s history, the first with the designated hitter and the last before arbitration and free agency. The two World Series opponents went head-to-head above the baby steps of a dynasty that soon dwarfed both league champions. It was a turbulent time for the country and the game, neither of which would ever be the same again.

    Not just a special day in a historic rivalry but a unique one in the long tradition of baseball writing. For on this day award-winning sportswriter Steve Kettmann worked with a team of top reporters to chronicle everything that happened, from the point of view of everyone involved. With One Day at Fenway, Kettmann goes beyond the ballpark to bring you interviews and anecdotes involving all the major players—from Red Sox owner John Henry and CEO Larry Lucchino, privately second-guessing Grady Little's managing moves during the game; to Yankee skipper Joe Torre, worrying on the bench about Mariano Rivera, who can't find home plate; to Sox slugger Manny Ramirez, who missed the game with a throat infection. And there's more: the famous and infamous players in the field and in the boardrooms, rabid fans on both sides, the not-so-innocent bystanders—all here in this brilliant re-creation of a day in the life of America's favorite pastime.

    The resulting collision produced a dazzling explosion and a struggle of mythic magnitude. At stake was not just baseball dominance, but eternal glory and the very soul of a sport. For much of fourteen seasons, the Cobb-Ruth rivalry occupied both men and enthralled a generation of fans. Even their retirement from the ball diamond didn’t extinguish it.On the cusp of America’s entry into World War II, a quarter century after they first met at Navin Field, Cobb and Ruth rekindled their long-simmering feud—this time on the golf course. Ty and Babe battled on the fairways of Long Island, New York; Newton, Massachusetts; and Grosse Ile, Michigan; in a series of charity matches that spawned national headlines and catapulted them once more into the spotlight.Ty and The Babe is the story of their remarkable relationship. It is a tale of grand gestures and petty jealousies, superstition and egotism, spectacular feats and dirty tricks, mind games and athleticism, confrontations, conflagrations, good humor, growth, redemption, and, ultimately, friendship. Spanning several decades, Ty and The Babe conjures the rollicking cities of New York, Boston, and Detroit and the raucous world of baseball from 1915 to 1928, as it moved from the Deadball days of Cobb to the Lively Ball era of Ruth. It also visits the spring and summer of 1941, starting with the Masters Tournament at Augusta National, where Cobb formally challenged Ruth, and continuing with the golf showdown that saw both men employ secret weapons.On these pages, author Tom Stanton challenges the stereotypes that have cast Cobb forever as a Satan and Ruth as a Santa Claus. Along the way, he brings to life a parade of memorable characters: Bobby Jones, Walter Hagen, Grantland Rice, Tris Speaker, Lou Gehrig, Will Rogers, Joe DiMaggio, a trick shot–shooting former fugitive, and a fifteen-year-old caddy with an impeccable golf lineage.No other ball players dominated their time as formidably as Ty Cobb and Babe Ruth. Even today, many decades since either man walked this earth, they tower over the sport. Who was better? Who was the greatest? Those questions followed them throughout their baseball careers, into retirement, and onto the putting greens. That they linger yet is a testament to their talents and personalities. Praise for the Writing of Tom Stanton: "Ruth and Cobb come together as never before in this charming story of rivalry and friendship. Stanton, a keen storyteller, has written a book that surprises and delights."-Jonathan Eig, author of Luckiest Man: The Life and Death of Lou Gehrig "The wardrobe mistress of baseball history seems to have assigned the white hat to Babe Ruth and the black hat to Ty Cobb for all time. The Babe, the legendary Sultan of Swat, has become the patron saint of the sport, flamboyant and loud, larger than life, hail fellow well met, a character who hit mammoth home runs and wiped the runny noses of neighborhood urchins. Cobb has become the villain, foul mouthed and cantankerous, unliked and unloved by even his teammates. . . . Now Tom Stanton comes along to rearrange the roles in his terrific new book, Ty and The Babe, which chronicles the relationship between the two baseball icons. He takes off the hats and tells us about the real people. And it all is great fun."-Leigh Montville, author of The Big Bam "Wonderful! Ty and The Babe is rich, elegant, and powerful. Tom Stanton vividly brings back to life two rival sports icons in a rollicking tale filled with tension, humor, and warmth. It's fantastic."-Ernie Harwell, Hall of Fame broadcaster "Frankly, Ty and The Babe had me hooked from the opening page, a thoroughly absorbing tale that has all the charm and elements of an unforgettable film-the two greatest players from baseball's Golden Era, blood feuds, dueling rivals, brawling fans, mythologizing sportswriters and the consequences of a rapidly changing game . . . all capped off by a poignant golf match between a pair of fading titans. Tom Stanton has beautifully re-created the most romantic period of American sports, provided new and powerful insights into a pair of greatly misunderstood figures in Cobb and Ruth, and given baseball and golf fans everywhere something to cheer lustily about."-James Dodson, author of Final Rounds and Ben Hogan: An American Life

    The game was the crowning achievement in an unlikely success story, unseen in the annals of professional sports. In Imperfect, the one-time big league ace retraces his remarkable journey.  Born without a right hand, Jim Abbott as a boy dreamed of being a great athlete. Raised in Flint, Michigan, by parents who saw in his condition not a disability but an extraordinary opportunity, Jim became a two-sport standout in high school, then an ace pitcher for the University of Michigan.   But his journey was only beginning.   As a nineteen-year-old, Jim beat the vaunted Cuban National Team. By twenty-one, he’d won the gold medal game at the 1988 Olympics and—without spending a day in the minor leagues—cracked the starting rotation of the California Angels. In 1991, he would finish third in the voting for the Cy Young Award. Two years later, he would don Yankee pinstripes and deliver a one-of-a-kind no-hitter.   It wouldn’t always be so good. After a season full of difficult losses—some of them by football scores—Jim was released, cut off from the game he loved. Unable to say good-bye so soon, Jim tried to come back, pushing himself to the limit—and through one of the loneliest experiences an athlete can have.   But always, even then, there were children and their parents waiting for him outside the clubhouse doors, many of them with disabilities like his, seeking consolation and advice. These obligations became Jim’s greatest honor.   In this honest and insightful memoir, Jim Abbott reveals the insecurities of a life spent as the different one, how he habitually hid his disability in his right front pocket, and why he chose an occupation in which the uniform provided no front pockets. With a riveting pitch-by-pitch account of his no-hitter providing the ideal frame for his story, this unique athlete offers readers an extraordinary and unforgettable memoir.

    He won over fans nationwide with his wildly endearing antics such as talking to the ball---and throwing back the ones that "had hits in them"; getting down on his knees to "manicure" the mound of any cleat marks; and shaking hands with just about everyone from teammates to groundskeepers to cops during and after games. Female fans tried to obtain locks of his hair from his barber and even named babies after him.But The Bird was no mere sideshow. The non-roster invitee to spring training that year quickly emerged as one of the best pitchers in the game. Meanwhile, his boyish enthusiasm, his famously modest lifestyle, and his refusal to sign with an agent during the days of labor disputes and free agency made him such a breath of fresh air for fans that not only did attendance in Detroit increase---by tens of thousands---for games he pitched, opposing teams would specifically ask the Tigers to shuffle their rotation so Fidrych would pitch in their cities, too. A rare player who transcended pop culture, Fidrych was named starting pitcher in the All-Star Game as a rookie (the first of his two All-Star nods) and became the first athlete to appear on the cover of Rolling Stone magazine.Baseball researcher Doug Wilson delivers the first biography of this once-in-a-lifetime player. Through extensive interviews and meticulous research, the author recounts Fidrych's meteoric rise from Northborough, Massachusetts, to the big leagues, his heartbreaking fall after a torn knee ligament and then rotator cuff, his comeback attempts with the Tigers and in the Red Sox system, and one unforgettable night when The Bird pitched a swan song for the Pawtucket Red Sox against future star Dave Righetti in a game that remains part of local folklore. Finally, Wilson captures Fidrych's post-baseball life and his roles in the community, tragically culminating with his death in a freak accident in 2009.The Bird gives readers a long-overdue look into the life of a player whom baseball had never seen before---and has never seen since.

    Its ugly record of brutality is widely known. Negroes have experienced grossly unjust treatment in the courts. There have been more unsolved bombings in Negro homes and churches in Birmingham than in any other city in the nation." Martin Luther King, Jr. Letter from a Birmingham Jail 1963Anybody who is familiar with the Civil Rights movement knows that 1964 was a pivotal year. And in Birmingham, Alabama - perhaps the epicenter of racial conflict - the Barons amazingly started their season with an integrated team. Johnny "Blue Moon" Odom, a talented pitcher and Tommie Reynolds, an outfielder - both young black ballplayers with dreams of playing someday in the big leagues, along with Bert Campaneris, a dark-skinned shortstop from Cuba, all found themselves in this simmering cauldron of a minor league town, all playing for Heywood Sullivan, a white former major leaguer who grew up just down the road in Dothan, Alabama. Colton traces the entire season, writing about the extraordinary relationships among these players with Sullivan, and Colton tells their story by capturing the essence of Birmingham and its citizens during this tumultuous year. (The infamous Bull Connor, for example, when not ordering blacks to be blasted by powerful water hoses, is a fervent follower of the Barons and served as a long-time broadcaster of their games.) By all accounts, the racial jeers and taunts that rained down upon these Birmingham players were much worse than anything that Jackie Robinson ever endured.More than a story about baseball, this is a true accounting of life in a different time and clearly a different place. Seventeen years after Jackie Robinson had broken the color line in the major leagues, Birmingham was exploding in race riots....and now, they were going to have their very first integrated sports team. This is a story that has never been told.

    Millions of American baseball fans are wrong. As They See 'Em is an insider's look at the largely unknown world of professional umpires, the small group of men (and the very occasional woman) who make sure America's favorite pastime is conducted in a manner that is clean, crisp, and true. Bruce Weber, a New York Times reporter, not only interviewed dozens of professional umpires but entered their world, trained to become an umpire, and then spent a season working games from Little League to big league spring training. As They See 'Em is Weber's entertaining account of this experience as well as a lively exploration of what amounts to an eccentric secret society, with its own customs, its own rituals, its own colorful vocabulary. (Know what a "whacker" is? A "pole bender"? "Rat cheese"? Think you could "strap it on" or "take the stick"?) He explains the arcane set of rules by which umps work and details the exasperating, tortuous path that allows only a select few to graduate from the minor leagues to the majors. He describes what it's like to work in a ballpark where not only the fans but the players, the managers and coaches, the announcers, the team owners, and even the league presidents, resent them -- and vice versa. And he asks, quite sensibly, why anyone would do a job that offers the chance to earn only blame and never credit. Weber reveals how umps are tutored to work behind the plate, what they learn to watch for on the bases, and how proper positioning for every imaginable situation on the field is drilled into them. He describes how they're counseled to respond -- or not -- to managers who are screaming at them from inches away with purposeful inanity, and tells us exactly which "magic" words result in an automatic ejection. Writing with deep knowledge of and affection for baseball, he delves into such questions as: Why isn't every strike created equal? Is the ump part of the game or outside of it? Why doesn't a tie go to the runner? And what do umps and managers say to each other during an argument, really? In addition to professional umpires, Weber spoke to current and former players including Alex Rodriguez, Barry Bonds, Tom Glavine, Barry Zito, Paul Lo Duca, Kenny Lofton, Ron Darling, and Robin Yount, as well as former baseball commissioner Fay Vincent, Atlanta Braves manager Bobby Cox, Chicago White Sox manager Ozzie Guillen, Detroit Tigers manager Jim Leyland, and many others in the professional game. He attended the 2006 and 2007 World Series, interviewing the umpire crews who called those games and who spoke candidly about the pressure of being scrutinized by millions -- maybe billions! -- of fans around the world, all of them armed with television's slo-mo, hi-def instant replay. As fans know, in 2008, a rash of miscalled home run balls led baseball, for the first time, to use replay to help big league umps make their decisions.Weber discusses these events and the umpires' surprising reaction to them. Packed with fascinating reportage that reveals the game as never before and answers the kinds of questions that fans, exasperated by the clichés of conventional sports commentary, pose to themselves around the television set, Bruce Weber's As They See 'Em is a towering grand slam.