They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.They were the bohemians.Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

    The Parisian episode is fascinating for its expose of the kitchens of posh French restaurants, where the narrator works at the bottom of the culinary echelon as dishwasher, or plongeur. In London, while waiting for a job, he experiences the world of tramps, street people, and free lodging houses. In the tales of both cities we learn some sobering Orwellian truths about poverty and of society.

    An engaging mixture of biography and photographic study provides a glimpse into the houses and scenery that formed the "stage set" where her stories unfolded, from the author's own home and those of her friends to the countryside, seaside, castles, abbeys, and churches, and famed houses like Chatsworth and Chawton, considered the models for Pemberley and Rosings in Pride and Prejudice.

    Includes genealogical tables, coats of arms, and royal heraldry.

    Misremembered as the ‘Nine Days Queen’, she has been mythologized as a child-woman destroyed on the altar of political expediency. Behind the legend, however, was an opinionated and often rebellious adolescent who died a passionate leader, not merely a victim. Growing up in Jane’s shadow, her sisters Katherine and Mary would have to tread carefully to survive.The dramatic lives of the younger Grey sisters remain little known, but under English law they were the heirs – and rivals – to the Tudor monarchs Mary and Elizabeth I. The beautiful Katherine ignored Jane’s dying request that she remain faithful to her beliefs, changing her religion to retain Queen Mary’s favour only to then risk life and freedom in a secret marriage that threatened Queen Elizabeth’s throne.While Elizabeth’s closest adviser fought to save Katherine, her younger sister Mary remained at court as the queen’s Maid of Honour. Too plain to be considered significant, it seemed that Lady Mary Grey, at least, would escape the burden of her royal blood. But then she too fell in love, and incurred the queen’s fury.Exploding the many myths of Lady Jane’s life and casting fresh light onto Elizabeth’s reign, acclaimed historian Leanda de Lisle brings the tumultuous world of the Grey sisters to life, at a time when a royal marriage could gain you a kingdom or cost you everything.

    Their dramatic lives are here unfolded in a rich historical biography certain to appeal to fans of Downton Abbey, ‘Georgiana’ and Stella Tillyard’s ‘Aristocrats’.Mary, Madeline and Pamela – the three Wyndham sisters – were painted by John Singer Sargent in 1899. For The Times it was, quite simply, ‘the greatest picture of modern times’. But these beautiful, fin de siecle gentlewomen came to epitomize a vanished world. The languor of their pose reflects the leisured, gilded, existence of the late Victorian aristocracy that was to be dealt a deathblow by the First World War.Yet the lives of these three Wyndham sisters were far more turbulent than their air of calm suggests. Brought up in artistic circles, their childhood was liberal and romantic. Their parents were intimate friends with the Pre-Raphaelites and the girls grew to become leaders of the aesthetic movement. Bowing to convention, they made excellent marriages but found emotional support from others – Mary with Arthur Balfour and the poet Wilfrid Scawen Blunt; Pamela with Liberal statesman and ornithologist Edward Grey. Their liaisons shocked society, while the First World War devastated their way of life.‘Those Wild Wyndhams’ is their first ever biography, and is based on the many letters they have left behind – compelling, humorous and brilliantly illuminating. This sparkling debut by Claudia Renton captures them and their age in an unforgettable piece of historical and political biography.

    A peasant girl who hears voices from God. A warrior leading an army to victory, in an age that believes women cannot fight. The Maid of Orleans, and the saviour of France. Burned at the stake as a heretic at the age of just nineteen. Five hundred years later, a saint. Her case was heard in court twice over. One trial, in 1431, condemned her; the other, twenty-five years after her death, cleared her name. In the transcripts, we hear first-hand testimony from Joan, her family and her friends: a rare survival from the medieval world. What could be more revealing?

    This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and looks at his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics.

    This intriguing novel delves into the Austen's lives and suggests a new and shocking possibility.

    Nobody can think more highly of the matrimonial state than myself. I consider the blessing of a wife as most justly described in those discreet lines of the poet, 'Heaven's last best gift.'"--Henry Crawford to his sisters in Mansfield Park"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife."--From Pride and Prejudice

    Collins in Jane Austen's Pride and Prejudice, she believed herself to be fortunate indeed. Her nuptials gained her a comfortable home and financial security. If she acquired these things at the expense of true love, it did not matter one whit. To Charlotte, love in marriage was nothing more than a pleasant coincidence. As the years of her marriage dragged by, Charlotte began to question her idea of love as she suffered continual embarrassment at her husband's simpering and fawning manners. When Mr. Collins dies, finally relieving everyone of his tedious conversation, she must work feverishly to secure her income and home. She gives no further thought to the possibility of love until her flighty sister Maria begs her to act as her chaperone in place of their ailing parents. Hoping to prevent Maria from also entering an unhappy union, Charlotte agrees, and they are quickly thrust into a world of country dances, dinner parties, and marriageable gentlemen. But when an unprincipled gentleman compromises Charlotte's reputation, her romantic thoughts disappear at the prospect of losing her independence. As she struggles to extricate herself from her slander, her situation reveals both the nature of each gentleman and of true love. Other Works in the Personages of Pride & Prejudice Collection "Maria Lucas" (A Short Story) Caroline Bingley (A Novel) Mary Bennet (A Novella)

    Yet beneath the surface glitter of the Regency lay an underlying malaise, a pervasive hollowness and sense of loss, along with an explosive undercurrent of popular unrest and political radicalism.It was indeed a tempestuous, quicksilver era, haunted by war and the human wreckage of war, and by fears of Luddite violence and risings of the overtaxed, underfed poor. A time of financial uncertainty when fortunes were made and lost amid high risk and the ever-present specter of bankruptcy.And it was, memorably, a time studded with larger-than-life personalities: the aged king in his slow decline into delusion; the flamboyant Prince Regent in his extravagant Brighton Pavilion; the Duke of Wellington, hero of Waterloo; the debauched, tragically fissured Lord Byron, hero to the women of fashionable London. These and many others are brought to vibrant life in this wide-ranging, captivating social history--a history as dramatic as the times themselves.

    In doing so they took control of their lives -- and those of other people -- and made the world do their will.Extremely accomplished, well-educated, and unusually literate, courtesans exerted an incredible influence as leaders of society. They were not received at court, but inhabited their own parallel world -- the demimonde -- complete with its own hierarchies, etiquette, and protocol. They were queens of fashion, linguists, musicians, accomplished at political intrigue, and, of course, possessors of great erotic gifts. Even to be seen in public with one of the great courtesans was a much-envied achievement.

    In 1733, the lovely, intelligent, and married Marquise du Châtelet commenced her romance with one François-Marie Arouet, a philosophe who had made a name for himself as "Voltaire." Mitford deftly and engagingly recounts their exemplary affair, whether in studious exile in the country, on the run from the censor, or in the "thoughtless circles of high society." Her portrayals of the "scamp" philosopher, his mistress who was "excessive in everything," and their "irregular century" are delightful portraits in themselves and as a group, a fascinating fresco of the French Enlightenment.

    You want nothing but patience - or give it a more fascinating name, call it hope.”―Jane Austen, Sense and SensibilityJust a few years after their father’s business scandal shatters their lives, Jane and Celia Woodward find themselves forced out of their San Francisco tea shop. The last thing Jane wants is to leave their beloved shop on Valencia Street, but when Celia insists on a move to Austin, Texas, the sisters pack up their kid sister Margot and Jane’s tea plants, determined to start over yet again.But life in Austin isn’t all sweet tea and breakfast tacos. Their unusual living situation is challenging and unspoken words begin to fester between Jane and Celia. When Jane meets and falls for up-and-coming musician Sean Willis, the chasm grows deeper.While Sean seems to charm everyone in his path, one person is immune – retired Marine Captain Callum Beckett. Callum never meant to leave the military, but the twin losses of his father and his left leg have returned him to the place he least expected—Texas. In this modern spin on the Austen classic, Sense and Sensibility, the Woodward sisters must contend with new ingredients in unfamiliar kitchens, a dash of heartbreak, and the fragile hope that maybe home isn't so far away.