Narayan. Whether his people are young or adult, female or male, gay or straight, there is always a struggle and a revelation. Sometimes there is no resolution. Cyril writes with insight and sympathy about people in a Singapore spectrum that readers can identify with.” —Robert Yeo, playwright and author of The Adventures of Holden HengA woman learns of a friend’s illness and wonders if she ever truly knew him. A boy who sees ghosts heeds the advice of a fortune-teller, with surprising consequences. A girl wakes up and realises everybody in her Bedok neighbourhood has vanished. This collection brings together, for the first time, both new and previously published stories by Cyril Wong, the award-winning author of The Last Lesson of Mrs de Souza. Ranging from the commonplace to the surreal, these short narratives feature characters in crisis, with two stories crossing intriguingly into creative autobiography.

    Jennani Durai is an exciting new voice in literature, a writer to watch!” –Tayari Jones, multi-award-winning author of An American MarriageA teenager discovers his grandfather's secret identity only after his death. A young immigrant to 1940s Singapore is convinced the end-times are nigh. A man is tasked with bringing the corpse of his estranged brother home from Phuket. A reporter is torn between doing her a job and respecting her friend’s privacy.From obituaries and job ads to crime reports and horoscopes, Regrettable Things That Happened Yesterday is a collection of ten short stories connected by the motif of newspapers, and the unexpected ways they end up affecting our lives.

    Although her absence is brief, she returns as a different person.Over two decades, as Singapore’s political, social and cultural landscapes change, the family’s attempts to cope with the shifts—those coming from outside and from within—lead to some disastrous consequences. With the traditional expectations of their country on the one hand, and their own volition on the other, Amrit’s family must avoid imploding. How do we confront our legacies, and, when necessary, how do we accept change? Inheritance is a universal story of family, identity and belonging.

    I do what is necessary to get what I want.”Born on the night of the nation’s independence, Gimme Lao is cheated of the honour of being Singapore’s firstborn son by a vindictive nurse. This forms the first of three things Gimme never knows about himself, the second being the circumstances surrounding his parents’ marriage, and the third being the profound (but often unintentional) impact he has on other people’s lives.Talented, determined and focused, young Gimme is confident he can sail the seven seas, but he does not anticipate his vessel would have to carry his mother’s ambition, his wife’s guilt and his son’s secret. Tracing social, economic and political issues over the past 50 years, this humorous novel uses Gimme as a hapless centre to expose all of Singapore’s ambitions, dirty linen and secret moments of tender humanity.

    As she accepts her fate and marries, religious upheaval is splitting the country and forcing her family to find a new home.In 2014, her granddaughter, molecular biologist Nimita Sachdev, escapes India to run away from the prospect of an arranged marriage. Staking out a future in Singapore, she faces rising anger against immigrants and uncertainty about her new home.Two generations apart, these two women walk divergent paths but face the same quandaries: who are we, and what is home?

    It appears to be suicide, by a cocktail of morphine, alcohol and Valium. But upon investigation by a CID inspector, who might not be what he seems, the family discover there may be far more sinister circumstances behind his death, reaching the uppermost echelons of government. Death of a Perm Sec exposes the dark heart of power politics, from the country’s tumultuous post-independence days to the socio-political landscape of the 1980s.

    A band of swordsmen on a failed mission. The forbidden love of Zheng He, the great Chinese Admiral. A young daughter forming a strange bond with her deceased father’s cat. Presenting ten stories in his fifth collection, O Thiam Chin plumbs the joy and despair, hopes and fears of men and women caught up by their past and confounded by lost loves. Taut, dark and visceral, these stories reveal, once again, the mysteries that lie in the heart of man.

    Attempting to come to terms with it, he creates the Soundloft, a device that turns dreams into music. Helping him out are three of his best friends - Cantona, a promising Bangladeshi artist on the run from a construction company; Tights, a Chinese illegal immigrant with a pop culture fascination; and Shanti, a gifted lab technician hiding from her abusive husband. But when a powerful metaphysical entity begins haunting them, looking to find her way in the world of the living, he and his friends find themselves embroiled in a supernatural showdown that will result in either cartharsis, or the end of the world.

    With unsentimental clarity and heartbreaking honesty, Alfian Sa'at writes about HDB dwellers — students, housewives and factory workers, whose lives begin to unravel once they discover that happiness is a fragile thing in a country obsessed with progress and success.The characters in each story find themselves in situations that offer them a ticket to hope and change: A video camera transforms the way a resentful daughter sees her widowed mother. A married couple receives free holiday tickets just when their luck seems to have run out. A girl encounters a transvestite on an MRT train ride who tells her that she looks like a famous singer. And a man enters a discotheque after a bitter divorce and re-learns the terror of falling in love all over again.Rich in authentic detail, with a sensitive ear for the vernacular, Corridor paints an elegiac, revealing portrait of contemporary Singaporeans who exist along the city's corridors — haunted by lost loves, irrevocable childhoods, and a deep longing to be free.Corridor won the Singapore Literature Prize Commendation Award in 1998.

    His life consists of reading, working and visiting his parents' house to rearrange his piles of "collectibles". He has only one friend, another teacher who has managed to force Sukhin into a friendship by sheer doggedness.While on an errand one afternoon in Chinatown, he encounters a homeless person who recognises him. This chance reunion turns Sukhin's well-planned life upside down, and the pair learns about love and sacrifice over their shared fondness for cake.

    This is the man who picks his nose on the bus, who will fight for his country and fight you to do it his way. He will shout you into submission while astounding you with his tenderness towards his wife. His standard answer to all you questions is "nothing." Singaporean to the core, this volume of short stories narrated in a mixture of colloquial Singlish and standard English reinvents classic prose forms from the ghost story to the university admissions essay through the figure of Uncle.

    As the city roils around them, they find solace in love, marriage, and then parenthood. But when their two-year-old daughter Alba is kidnapped, Del must confront the terrible secret of a city where babies are sold and girls trafficked.By turns heart-breaking and suspenseful, Once We Were There is a debut novel of profound insight. It is Bernice Chauly at her very best.

    Surrounded by family, Gretchen struggles with the tension between personal ambition and filial duty, but still finds time to explore a new romance with the son of a client, an attractive man of few words. When an old American friend comes to town, the two of them are pulled into the controversy surrounding Gretchen’s cousin, the only male grandchild and the heir apparent to Lin’s Soy Sauce. In the midst of increasing pressure from her father to remain permanently in Singapore—and pressure from her mother to do just the opposite—Gretchen must decide whether she will return to her marriage and her graduate studies at the San Francisco Conservatory, or sacrifice everything and join her family’s crusade to spread artisanal soy sauce to the world.Soy Sauce for Beginners reveals the triumphs and sacrifices that shape one woman’s search for a place to call home, and the unexpected art and tradition behind the brewing of a much-used but unsung condiment. The result is a foodie love story that will give readers a hearty appreciation for family loyalty and fresh starts.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    You play the part of Emily's friend to whom she confides the story of her life and gradually exposes the secrets of her mind.The play is a journey through human consciousness, and through time. As Emily tells you about her life, we are introduced to a host of striking characters. We see sharp vignettes of a period in Singapore which is no longer familiar. And when we have heard her story, we ask: Who is Emily? Is she a nurturer or a destroyer, a domestic tyrant or a frightened child? Is she a traditional Asian wife, or Singapore's first truly liberated lady? Can we really understand her? Does she understand herself?The play leaves us fascinated. It enlarges our experience of life.Since its award-winning appearance in 1985, Emily of Emerald Hill has become an icon of the English-language theatre in Singapore and Malaysia. Many different actresses have played the role, and it has been seen by more people than any other locally-written play.