Barry Sullivan is a sordid dentist who resorts to blackmail to keep his string of married women compliant. But now Cullen has toothache - and a very different interpretation of the dental code of practice. The Tartan Hiaasen strikes again with another tale which roars along - and which will have you roaring along with it. This laugh-out-loud novella is a prequel to the highly entertaining CULLEN series of full-length novels.

    But not everyone is chuffed for Charlie. The tea rooms are cursed, locals say. For Pansy was cruelly jilted by her lover, and walked out into the Atlantic Ocean, never to return. Charlie dismisses the 'curse' as superstitious nonsense, of course. But by the end of the first day, her world is in tatters, and she's not even sure the tea rooms can open for a second day of trading. Then in walks a rugged, taciturn man with a sexy smile and everything he owns on his back, looking for a summer job … Is Gideon Petherick an angel in disguise? Or is history about to repeat itself? Beth Good's latest novella in her quirky and popular 'Oddest Little Shop' romcom series. Warning: contains jokes!

    a landmark debut' Guardian'Oh my God, he's just stirring me. Destroying me' Michaela Coel'A poet of truth and rage, heartbreak and joy' Max Porter'Takes us into new literary territory ... impressive' Bernardine Evaristo, New Statesman (Books of the Year)'It's simply stunning. Every image is a revelation' Terrance HayesWhat is it like to grow up in a place where the same police officer who told your primary school class they were special stops and searches you at 13 because 'you fit the description of a man' - and where it is possible to walk two and a half miles through an estate of 1,444 homes without ever touching the ground?In Poor, Caleb Femi combines poetry and original photography to explore the trials, tribulations, dreams and joys of young Black boys in twenty-first century Peckham. He contemplates the ways in which they are informed by the built environment of concrete walls and gentrifying neighbourhoods that form their stage, writes a coded, near-mythical history of the personalities and sagas of his South London youth, and pays tribute to the rappers and artists who spoke to their lives.Above all, this is a tribute to the world that shaped a poet, and to the people forging difficult lives and finding magic within it. As Femi writes in one of the final poems of this book: 'I have never loved anything the way I love the endz.'

    Synthesizing literature of the previous two decades on the process of social development and the formation of American culture, he challenges the central assumptions that have traditionally been used to analyze colonial British American history.Greene argues that the New England declension model traditionally employed by historians is inappropriate for describing social change in all the other early modern British colonies. The settler societies established in Ireland, the Atlantic island colonies of Bermuda and the Bahamas, the West Indies, the Middle Colonies, and the Lower South followed instead a pattern first exhibited in America in the Chesapeake. That pattern involved a process in which these new societies slowly developed into more elaborate cultural entities, each of which had its own distinctive features.Greene also stresses the social and cultural convergence between New England and the other regions of colonial British America after 1710 and argues that by the eve of the American Revolution Britain's North American colonies were both more alike and more like the parent society than ever before. He contends as well that the salient features of an emerging American culture during these years are to be found not primarily in New England puritanism but in widely manifest configurations of sociocultural behavior exhibited throughout British North America, including New England, and he emphasized the centrality of slavery to that culture.

    Dorothy Sheridan has plundered its astonishingly rich archives to put together this anthology of women's experience in the Second World War. What was this experience? How far did it go to liberate women? Was it the opportunity that so many expected or was it simply six years of deprivation, hard work and pain?WARTIME WOMEN allows us to explore these questions through the writings of women living through the war years. Dorothy Sheridan has chosen extracts from the whole range of Mass-Observation material including research reports, letters, dairies and detailed questionnaires. The range of contributors is enormous from a fish and chip shop worker in Birmingham to Irish immigrant munitions factory workers, young women welders in Yorkshire and a seventeen-year-old schoolgirl in Essex.'My horror of all this war business is qualified by an eagerness to be a unit of it. I feel as if I have been waiting for this all my life and I have just realised it' A young woman writing in her diary in September, 1939.

    Ridgway has much to say, through showing not telling, about male violence, crowd psychology, the borders between play and abuse, and the motivations of policemen and criminals. But this is no humdrum crime novel. Ridgway is writing about people whose understanding of their own situations is only partial and fuzzy, who are consumed by emotions and motivations and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures to whom things happen, and happen confusingly, and his fictional strategies reflect this focus, so that his fictions themselves have an air of incompleteness and frustration about them. It's a high-wire act for a novelist but one that commands attention and provokes the dropping of jaws.

    Crime was everywhere, from pickpockets and prostitutes to murderous highwaymen, as London bulged with riches from its overseas colonies. The Thieves' Opera is the story of the city, and of its two greatest criminals, Jonathan Wild and Jack Sheppard. Wild, whose excesses led to his being known as "Thief-taker General," dominated London's criminal world. And Sheppard spent his time drinking, gambling, housebreaking, and whoring. When Sheppard refused to bow to Wild's authority, Wild had him arrested. But Sheppard's extraordinary ability to escape from prison-repeatedly-made him a celebrated folk hero. Eventually the rivalry spiraled to a dramatic climax involving the entire city. An eminently readable blend of popular history and scholarship, this book is a fascinating window into a world that confounds the modern imagination.

    Many of the characters here have a relationship of sorts with the US, be it the refugee children who dream of being adopted by US parents or the mother who writes to her son who has emigrated to the US asking why his Western Union payments to her have dried up.He casts a pitiless eye on Nigeria: brutally artless on the commodification of women and young girls in much of Nigerian society, the wastrel dreams of many of its young men, and the savagery of the police force.

    Williams asks how we might achieve a world where color doesn't matter--where whiteness is not equated with normalcy and blackness with exoticism and danger. Drawing on her own experience, Williams delineates the great divide between the poles of other people's imagination and the nice calm center of oneself where dignity resides, and discusses how it might be bridged as a first step toward resolving racism. Williams offers us a new starting point--a sensible and sustained consideration--from which we might begin to deal honestly with the legacy and current realities of our prejudices.

    FLYOVERS. STREETS IN THE SKY. ONCE, THIS WAS THE FUTURE. Was Britain's postwar rebuilding the height of midcentury chic or the concrete embodiment of Crap Towns? John Grindrod decided to find out how blitzed, slum-ridden and crumbling 'austerity Britain' became, in a few short years, a space-age world of concrete, steel and glass. On his journey he visits the sleepy Norfolk birthplace of Brutalism, the once-Blitzed city centre of Plymouth, the futuristic New Town of Cumbernauld, Sheffield's innovative streets in the sky, the foundations of the BT tower, and the brave 1950s experiments in the Gorbals. Along the way he meets New Town pioneers, tower block builders, Barbican architects, old retainers of Coventry Cathedral, proud prefab dwellers and sixties town planners: people who lived through a time of phenomenal change and excitement. What he finds is a story of dazzling space-age optimism, ingenuity and helipads -- so many helipads -- tempered by protests, deadly collapses and scandals that shook the government. Concretopia is an accessible, warm and revealing social history of an aspect of Britain often ignored, insulted and misunderstood. It will change the way you look at Arndale Centres, tower blocks and concrete forever.

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    They have an impact on all of our lives, whether it’s the fallout from Brexit or the inhumanity of a detention center. In Border Nation, Leah Cowan shows how borders are violent, oppressive, and must be resisted. Looking back, we learn of the elitist, colonial and patriarchal origins of borders, explore the vital history of anti-racist, anti-border organizing and hear stories from people who have crossed partitions. Debunking myths around migration, Leah Cowan unpacks the 'hostile environment' and reveals how healthcare crises, terrorism, unemployment and housing shortages are often manipulated by politicians and the media to vilify migrants. As borders grow, migrants are policed and immigration controls are tightened, this book transforms our understanding of borders, migration and our fight for belonging.

    Time in reverse."While investigating a temporal anomaly in Central London, the Doctor and Jo Grant meet Professor Harold Saunders, a man who possesses an unstable alien artefact, and who is seemingly haunted by the ghosts of dolls.Who is the mysterious Mrs Killebrew? Why is a pack of hounds hunting them in reverse? And can Jo pick up any bargains while backwards shopping on Oxford Street?

    But after a devastating loss, he decides to embark on an adventure in the land of the free—the United States of America. From Dallas to San Francisco, Michael parties with new friends, engages in fleeting romances, splurges on thrilling escapades, all with the intention of ending his life once all his savings run out. As he makes surprising new connections and faces old prejudices in odd but exciting new settings, Michael alone must decide if his life is worth living after all...

    Sarah's a Web designer who's moved back to the village find herself. But their lives are anything but quiet as the two team up to solve Cherringham's criminal mysteries. This compilation contains episodes 31 - 33.TRAIL OF LIESLast year at Cherringham High, and for three girls that means facing the School Summer Challenge, a grueling fifty-mile hike across the Cotswolds, through thick woods, over steep hills, camping each night under the stars. But when one of them disappears in the middle of the night and is found dead in the morning, most believe a terrible accident has taken place. Was it really an accident? Jack and Sarah aren't convinced - and soon discover that secrets and lies can have terrible consequences ... and always leave a trail ...DEATH TRAPWhen Edward Townes - famed writer of novels about knights and maids, and castles and conquering - attends a medieval launch party for his latest book, he arrives ready to do more than celebrate. But party night brings a blizzard, a once-in-a-century storm that sees Townes staggering home, alone ... only to be found dead the next day. With Cherringham cut-off and the blizzard still raging, Jack and Sarah start investigating. Their questions reveal that many of those still stranded in the dark village have secrets. And Townes' killer is still in the village ...CLIFFHANGERWhen a hiker falls from a cliff edge while walking the Cotswolds Way, it seems like no accident. The more Jack and Sarah investigate the walkers on the trail that day, the more likely it seems that danger is still afoot. Is there a potential killer in this Cherringham tour group? And when will he or she strike again?