This one took 1/250th of a second. The photograph strikes us with visceral force, even years after the instant it captured. A white man, rage written on his face, lunges to spear a black man who is being held by another white. The assailant's weapon is the American flag. Boston, April 5, 1976: As the city simmered with racial tension over forced school busing, newsman Stanley Forman hurried to City Hall to photograph that day's protest, arriving just in time to snap the image that his editor would title The Soiling of Old Glory. The photo made headlines across the U.S. and won Forman his second Pulitzer Prize. It shocked Boston, and America: Racial strife had not only not ended with the 1960s, it was alive and well in the cradle of liberty.Louis P. Masur's evocative biography of a photograph unpacks this arresting image in a tour de force of historical writing. He examines the power of photography and the meaning of the flag, asking why this one picture had so much impact. Most poignantly, Masur recreates the moment and its aftermath, drawing on extensive interviews with Forman and the figures in the photo to reveal not just how the incident happened, but how it changed the lives of the men in it. The Soiling of Old Glory, like the photograph it is named for, offers a dramatic window onto the turbulence of the 1970s and race relations in America.

    Today's mudlarks unearth relics of the past, from Roman tiles to elegant Georgian pottery.Here are Edward Sandling's most evocative finds, gorgeously photographed. Together they create a mosaic of everyday London life through the centuries. There are two themes behind the account: celebrating the beauty of small things, and making sense of the intangible connection that found objects give us to the individuals who lost them.An evocative and detailed text will place the fragments in the objects they came from, and place the objects in the flow of London's history. The book concludes with advice on how to start mudlarking.

    With inspiring candor, Kordale Lewis describes his struggles with childhood sexual abuse, a drug-addicted mother, suicide, the trials of teen fatherhood, and much more. His story provides a bold challenge for readers to redefine their own meaning of a perfect family.

    Ashvin leaps, unable to bear the reality of his own life—his activist parents murdered in Somalia; his brutal rape at the hands of Ethiopian soldiers; the constant harassment by London police and his schoolmates; the endless battles he will face as a black man in England. He leaves behind Meina, the beloved older sister he had always tried to protect. James, a lonely, studious teen, the baby of the drug-dealing Morrison clan, whose brothers are dehumanized, violent criminals, desperately wants to escape the family business, but he can't imagine a way out. When James jumps, but survives, Meina seeks James out, and they try to find shelter in one another. Akinti, himself a product of London's council estates (public housing), captures in gracious and resonant prose the fear, anger, and sadness of life in the violent and poverty-stricken slums of London's East End.

    The exuberant, uninhibited, disparate world she found in the tired old streets and under the railway arches is recaptured in these closely linked sketches; and the result is pure alchemy. In the space of 120 perfect pages, we witness clip-joint hustles, petty thieving, candid sexual encounters, casual birth and casual death. She has a superb gift for capturing colloquial speech and the characters observed in these pages convey that caustic, ironic, and compassionate feeling for life, in which a turn of phrase frequently contains startling flashes of poetry. Battersea, that teeming wasteland of brick south of the Thames, has found its poet in Nell Dunn and Up the Junction is her touchingly truthful and timeless testimonial to it.

    Mingle with the most extravagant handlebar moustaches in Britain, pay your respects at the dog cemetery in Hyde Park, visit a Masonic temple, take trapeze lessons in a former power station, pray in a floating church, sail on a disused reservoir, discover the stone from which Arthur drew Excalibur, admire the sacred penis of a pharaoh, take aim on the City’s last bowling green, go stargazing at Greenwich Observatory, examine a rare cucumber straightener, a stuffed mermaid or a cow’s heart... Far from the crowds and the usual clichés, London still holds hidden treasures for those who know how to wander off the beaten track. An indispensable guide for those who thought they knew London well, or who would like to discover the hidden face of the city.

    Edward IV is on the throne but his position is unstable & he finds himself challenged by a man who would become Henry VII. But one woman, a silkweaver to the court & mistress to Richard III, can cut through the turmoil with her clever ways & pretty smile.

    *Shortlisted for the Forward Prize for Best First Collection 2019*Jay Bernard’s extraordinary debut is a fearlessly original exploration of the black British archive: an enquiry into the New Cross Fire of 1981, a house fire at a birthday party in south London in which thirteen young black people were killed.Dubbed the ‘New Cross Massacre’, the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.Tracing a line from New Cross to the ‘towers of blood’ of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice.A ground-breaking work of excavation, memory and activism – both political and personal, witness and documentary – Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment.

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    Lucy is a Chelsea girl, brought up off the King's Road in the seventies when punk was in full bloom. Her family comes in the wonderful tradition of English eccentrics. In Heads and Straights , she creates a funny, moving account of a family eager to escape the confines of class. Through interlocking tales of their extravagant and often self-destructive journeys away from the Circle line stops of Sloane Square, South Kensington and Gloucester Road, Lucy evokes the collision between conformism and bohemian excess and the complicated class antipathies that flourished in that particular time and place. In the end we are left wondering - is it ever possible to escape, or do we, in our travels, simply loop back on ourselves?

    She has traveled farther than all her predecessors put together and lived longer than any of them. She has known more historic figures than anyone alive—from Churchill to Mandela, de Gaulle to Obama.Now, the distinguished royal writer Robert Hardman has been granted special access to the world of Queen Elizabeth II to produce this enthralling new portrait of one of the most popular pubic figures on earth.Not only has Elizabeth II reigned through Britain’s transformation from an imperial power to a multi-cultural nation, but she has also steered the monarchy through more reforms in the last twenty-five years than in the previous century.Queen Elizabeth II sits at the head of an ancient institution that remains simultaneously popular, regal, inclusive, and relevant in a twenty-first-century world. It is down to neither luck nor longevity: it is down to the shrewd judgment of a thoroughly modern monarchy—with no small assistance from the longest-serving consort in history. Here is the inside story.

    With exclusive insights from their friends, families, teammates and managers – including interviews with managers Luiz Felipe Scolari and Vicente del Bosque – Caioli presents a unique insight into what makes a modern player not just successful, but truly great.

    Crowds gathered – At ground level and above. People climbed onto roofs and postboxes, skipped lunch to gather and listen: For the first time in more than two years, The Beatles were playing live.Ringing from the rooftops, disturbing the well-to-do ears of the tailors below, they upset the establishment and bewildered the police. It was filmed by director Michael Lindsay-Hogg, who hoped the footage would act as the finale to a celebratory TV special. When it finally surfaced, it was in the bleak, tumultuous documentary Let It Be. And The Beatles would never play live again.Tony Barrell examines the concert within the context of its time. He speaks to those who were there: the fans, film-makers, roadies, Apple Corps staff and police. He explores the politics of 1968, when peace gave way to protest, and how music promotion began to collide with cinéma vérité and reality TV. The Beatles on the Roof makes essential reading for anyone interested in the band’s reinventions and relationships, revealing why the rooftop concert happened at all, why it happened the way that it did, and why it would never happen again.

    Thieving ninjas, racist fast-food patrons, road traffic accidents, mischievous shoplifters, sudden deaths, car chases, and domestic violence – it’s all in a day’s work for London-based PC Matt Delito.Working at the front-line on the streets of London can be thrilling, frightening, rewarding, infuriating, and sometimes plain hilarious.In this eye-opening account of on-the-beat policing, Delito narrates some of his most interesting cases – from working undercover in a city club to being ambushed in the London riots – as well as taking us through the gadgets, procedures, and lingo that go with life at the other end of a 999 call.From the team that brought you the bestselling CONFESSIONS OF A GP and CONFESSIONS OF A MALE NURSE comes CONFESSIONS OF A POLICE CONSTABLE: a book that will shine a light on the gripping, touching and shocking realities of life as a city police constable.What did you do at work today?

    Many of those privileged enough to be distanced from racism are now having to come to terms with the fact that they continue to prosper at the detriment of others. Having spent the last four years researching, writing, and speaking about the benefits of diversity for society, June Sarpong is no stranger to educating and challenging those that have been enjoying the benefits of a system steeped in systemic racism without realising its true cost.In The Power of Privilege, June will empower those fortunate enough not to be ‘otherised’ by mainstream Western society to become effective allies against racism, both by understanding the roots of their privilege and the systemic societal inequities that perpetuates it. The Power of Privilege offers practical steps and action-driven solutions so that those who have been afforded privilege can begin undoing the limiting beliefs held by society, and help build a fairer future for all.