Known for years as an actor, writer, comedian, and sexual pioneer, he's gained a new following as a cultural commentator and frequent guest on political shows. Now, in Spoiled Rotten America, he fixes his gaze on what's funny about our daily lives—which includes, roughly speaking, everything. From middle-aged drinking ("When you're in your twenties, you can drink all night and bungee-jump off a bridge the next day. If I drank all night, I'd want to go off that bridge without the cord") to the excesses of our eating habits ("This is why the world hates us: the size of the portions we order. Thank God they've never shown us eating on Al Jazeera—that would be the end of it"), Miller finds the silver lining of absurdity within every black cloud.Ultimately, though, Spoiled Rotten America is more than just the average yukfest. It's an insightful, and surprisingly heartfelt, plea for us to notice what's best and worst about ourselves. "The American pendulum only swings to extremes," he writes. "The news is on all day, but we know less and less; there's music in every mall, but we don't hear it; everyone has a phone but nothing to say. The chubbiest of us have the strictest diets, because we can't learn to modulate and moderate. It's all or nothing. One bite of a cookie, and suddenly you're on a plane to Vegas with a hooker. To the Cranky Nitpickers of America—a club I'd join in a second if I weren't already its president—it's long been understood that the world is going to Hell in a handbasket."What better time for a collection of seventeen comic essays?"What better time indeed.

    Rowling's popular character, Severus Snape, and the roles he played in the Harry Potter series.

    Every crisis carries with it some kind of a gift that will make you feel more whole.” From beloved advice-columnist Heather Havrilesky comes a new collection of treasured questions and answers for those of us who have a crisis looming, who are still looking to find our joy, and who are hiding from injustice and doubt. Why doesn’t anything feel fun? Am I too anxious to ever find love? Why won’t my former friends forgive me? And, why should I keep going? To all of these questions and more, Havrilesky offers her customary wit, grace, candor, and wisdom. These are the pep talks we all need to hear to lay our egos aside and draw on the strengths we didn’t know we had.

    Lynskey delves into how Orwell's harrowing Spanish Civil War experiences shaped his concern with political disinformation by exposing him to the deceptiveness of people he'd once regarded as allies against fascism: the Soviets and their Western apologists.

    This expansive, like-hearted community transcends race, orientation, gender, religious tradition, political affiliation, and nation of origin--and finds its affinity in the deeper place of our shared humanity, which is the True North of his writing. This collection lovingly pulls together some of John's most widely-read and most beloved essays on faith, politics, grief, and the elemental parts of being human. It is an encouraging, inspiring, challenging storehouse of "stuff that needs to be said."

    Our societies are saturated with images of unreal, idealised female beauty whilst real female bodies and the women who inhabit them are alienated from their own personal and political potential. Under modern capitalism, women are both consumers and consumed: Meat Market offers strategies for resisting this gory cycle of consumption, exposing how the trade in female flesh extends into every part of women's political selfhood.

    What one does with this desire is what we call gender." So begins Andrea Long Chu's investigation into gender and desire, females and bodies, radical dreams and philosophical pessimism, and feminism as a form of political suicide. Feminism, Chu argues, is an untenable claim, and "when you make an untenable claim, your desire is showing, like a shy tattoo peeking out from a sleeve." Written in a series of linked theses, this is a provocative and searching text from our most exciting new public intellectual, a self described "sad trans girl in Brooklyn." Chu wears her heart on her sleeve with wit, style, and a manic searching grace.

    The letters are addressed mainly to her mother, with whom she had an extremely close and confiding relationship, but there are also some to her brother Warren and her benefactress Mrs Prouty. Plath's energy, enthusiasm and her passionate tackling of life burst onto these pages, providing us with a vivid and intimate portrait of a woman who has come to be regarded as one of the greatest of twentieth-century poets. In addition to her capacity for domestic and writerly happiness, however, these letters also hint at Plath's potential for deep despair, which reached its crisis when she holed up in a London flat for the terrible winter of 1963.

    Total student debt has surpassed $1.3 trillion. Nearly two thirds of all college students must borrow to study, and the average student graduates with more than $30,000 in debt. Many college graduates under twenty-five years old are unemployed or underemployed. And professors—remember them?—rarely teach undergraduates at many major universities, instead handing off their lecture halls to cheaper teaching assistants.So, is it worth it? That’s the question Charles J. Sykes attempts to answer in Fail U., exploring the staggering costs of a college education, the sharp decline in tenured faculty and teaching loads, the explosion of administrative jobs, the grandiose building plans, and the utter lack of preparedness for the real world that many now graduates face. Fail U. offers a different vision of higher education; one that is affordable, more productive, and better-suited to meet the needs of a diverse range of students—and one that will actually be useful in their future careers and lives.

     "When I say that I was a feminist in kindergarten, I am not exaggerating," begins Isabel Allende. As a child, she watched her mother, abandoned by her husband, provide for her three small children without "resources or voice." Isabel became a fierce and defiant little girl, determined to fight for the life her mother couldn't have.As a young woman coming of age in the late 1960s, she rode the first wave of feminism. Among a tribe of like-minded female journalists, she for the first time felt comfortable in her own skin, as they wrote "with a knife between their teeth" about women's issues. She has seen what has been accomplished by the movement in the course of her lifetime. And over the course of three passionate marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality.So what do women want? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over their bodies and lives, and above all, to be loved. On all these fronts, there is much work to be done, and this book, Allende hopes, will "light the torch of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished."

    If there was a sport to play, a party to throw, a celebrity to amaze, a fireworks display to ignite, Plimpton was front and center hurling the pitch, popping the corks, lighting the fuse. And then, of course, writing about it with incomparable zest and style. His books made him a legend. The Paris Review, the magazine he founded and edited, won him a throne in literary heaven. Somehow, in the midst of his self-generated cyclones, Plimpton managed to toss off dazzling essays, profiles, and New Yorker “Talk of the Town” pieces. This delightful volume collects the very best of Plimpton’s inspired brief “excursions.”Whether he was escorting Hunter Thompson to the Fear and Loathing movie premiere in New York or tracking down the California man who launched himself into the upper atmosphere with nothing but a lawn chair and a bunch of weather balloons, Plimpton had a rare knack for finding stories where no one else thought to look. Who but Plimpton would turn up in Las Vegas, notebook in hand, for the annual porn movie awards gala?Among the many gems collected here are accounts of helping Jackie Kennedy plan an unforgettable children’s birthday party, the time he improvised his way through amateur night at Harlem’s famed Apollo Theater, and how he managed to get himself kicked out of Exeter just weeks before graduation.The grand master of what he called “participatory journalism,” George Plimpton followed his bent and his genius down the most unbelievable rabbit holes–but he always came up smiling. This exemplary, utterly captivating volume is a fitting tribute to one of the great literary lives of our time.From the Hardcover edition.

    Augustine to alcoholism, Thomas Aquinas to Thomas Mann, Shakespeare to the Holocaust, Eagleton investigates the frightful plight of those doomed souls who apparently destroy for no reason.  In the process, he poses a set of intriguing questions.  Is evil really a kind of nothingness?  Why should it appear so glamorous and seductive?  Why does goodness seem so boring?  Is it really possible for human beings to delight in destruction for no reason at all?

    

    To show how this transformation came about--and why it remained incomplete--The Factory of Facts  combines family anecdote and ancestral legend; detailed forays into Belgian history, language, and religion; and deft synopses of the American character.