The author of Castaways (Naufragios), Alvar Núñez Cabeza de Vaca, was a fortune-seeking nobleman and the treasurer of an expedition to claim for Spain a vast area that includes today's Florida, Louisiana, and Texas. A shipwreck forced him and a handful of men to make the long westward journey on foot to meet up with Hernán Cortés.In order to survive, Cabeza de Vaca joined native peoples along the way, learning their languages and practices and serving them as a slave and later as a physician. When after eight years he finally reached the West, he was not recognized by his compatriots.In his writing Cabeza de Vaca displays great interest in the cultures of the native peoples he encountered on his odyssey. As he forged intimate bonds with some of them, sharing their brutal living conditions and curing their sick, he found himself on a voyage of self-discovery that was to make his reunion with his fellow Spaniards less joyful than expected.Cabeza de Vaca's gripping narrative is a trove of ethnographic information, with descriptions and interpretations of native cultures that make it a powerful precursor to modern anthropology. Frances M. López-Morillas's translation beautifully captures the sixteenth-century original. Based as it is on Enrique Pupo-Walker's definitive critical edition, it promises to become the authoritative English translation.

    The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories.In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published "Northwest Coast Indian Art: An Analysis of Form." This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists' styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration.The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field

    Her poems, both sacred and secular, are written with the passions of anger, grief, and love, at once tender and furious. They are rooted in the land; they are one with the deer and the fox, the hawk and the eagle, the sun, moon, and wind, and the seasons – “spring/ was lean and hungry with the hope of children and corn.” There are enemies here, also lovers; there are ghost dancers, ancestors old and new, who rise again “to walk in shoes of fire.”Indeed, fire and its aftermath is a constant image in the burning book. Skies are “incendiary”; the “smoke of dawn” turns enemies into ashes: “I am fire eaten by wind.” “Your fire scorched/ my lips.” “I am lighting the fire that crawls from my spine/ to the gods with a coal from my sister’s flame.”But the spirit of this book is not consumed. It is not limited by mad love or war, and “there is something larger than the memory/ of a dispossessed people.” That something larger is, for example, revolution, freedom, birth.

    "Probably the best account of the battle ever written."-New York Times Book Review.

    Each group of stories is prefaced by a brief factual account of Indian beliefs and of storytelling customs. Indian Legends of the Pacific Northwest is a treasure, still in print after fifty years.

    A vast and powerful alliance of thousands of farming hamlets and nearly 100 spectacular towns integrated the region through economic and religious ties, and the whole system was interconnected with hundreds of miles of roads. It took these Anasazi farmers more than seven centuries to lay the agricultural, organizational, and technological groundwork for the creation of classic Chacoan civilization, which lasted about 200 years--only to collapse spectacularly in a mere 40.Why did such a great society collapse? Who survived? Why? In this lively book anthropologist/archaeologist David Stuart presents answers to these questions that offer useful lessons to modern societies. His account of the rise and fall of the Chaco Anasazi brings to life the people known to us today as the architects of Chaco Canyon, the spectacular national park in New Mexico that thousands of tourists visit every year.

    It’s a world of Indian towns, white roadside cafes, and abandoned roads that swirl with the memories of the Ghost Dance and Sitting Bull. Readers meet vivid characters like Jumbo, a 400-pound mechanic, and Annie, an 80-year-old Lakota woman living in a log cabin. Threading through the book is the story of two men struggling to find a common voice. Neither Wolf nor Dog takes readers to the heart of the Native American experience. As the story unfolds, Dan speaks eloquently on the difference between land and property, the power of silence, and the selling of sacred ceremonies. This edition features a new introduction by the author. “This is a sobering, humbling, cleansing, loving book, one that every American should read.” — Yoga Journal

    Adapted by the poet John Neihardt from a series of interviews, it is one of the most widely read and admired works of American Indian literature. Cryptic and deeply personal, it has been read as a spiritual guide, a philosophical manifesto, and a text to be deconstructed--while the historical Black Elk has faded from view.In this sweeping book, Joe Jackson provides the definitive biographical account of a figure whose dramatic life converged with some of the most momentous events in the history of the American West. Born in an era of rising violence, Black Elk killed his first man at Little Big Horn, witnessed the death of his second cousin Crazy Horse, and traveled to Europe with Buffalo Bill’s Wild West show. Upon his return, he was swept up in the traditionalist Ghost Dance movement and shaken by the massacre at Wounded Knee. But Black Elk was not a warrior and instead choose the path of a healer and holy man, motivated by a powerful prophetic vision that haunted and inspired him, even after he converted to Catholicism in his later years.In Black Elk, Jackson has crafted a true American epic, restoring to Black Elk the richness of his times and gorgeously portraying a life of heroism and tragedy, adaptation and endurance, in an era of permanent crisis on the Great Plains.

    We know of them mostly because Lewis and Clark spent the winter of 1804-1805 with them, but why don't we know more? Who were they really? In this extraordinary book, Elizabeth A. Fenn retrieves their history by piecing together important new discoveries in archaeology, anthropology, geology, climatology, epidemiology, and nutritional science. Her boldly original interpretation of these diverse research findings offers us a new perspective on early American history, a new interpretation of the American past. By 1500, more than twelve thousand Mandans were established on the northern Plains, and their commercial prowess, agricultural skills, and reputation for hospitality became famous. Recent archaeological discoveries show how these Native American people thrived, and then how they collapsed. The damage wrought by imported diseases like smallpox and the havoc caused by the arrival of horses and steamboats were tragic for the Mandans, yet, as Fenn makes clear, their sense of themselves as a people with distinctive traditions endured. A riveting account of Mandan history, landscapes, and people, Fenn's narrative is enriched and enlivened not only by science and research but by her own encounters at the heart of the world.

    This social history of one remote corner of Spain's colonial American empire uses marriage as a window into intimate social relations, examining the Spanish conquest of America and its impact on a group of indigenous peoples, the Pueblo Indians, seen in large part from their point of view.

    But she was murdered by the greed of white men, and the Graycloud family, who cared for her daughter, began dying mysteriously. Letters sent to Washington, D.C. begging for help went unanswered, until at last a Native American government official, Stace Red Hawk, traveled west to investigate. What he found has been documented by history: rampant fraud, intimidation, and murder. But he also found something truly extraordinary--his deepest self and abiding love for his people, and their brave past.

    With April 12, 2011, set to mark the 150th anniversary of the start of the Civil War at Fort Sumter, the time is ripe for a new assessment of the conflict

    A collection of stories focuses on contemporary Native American concerns--white injustice, the fragmenting of the Indian community, and the loss of tribal identity--and recalls Indian legends and tribal stories.

    But as Cherokee chief in the mid-nineteenth century, he would guide the tribe through its most turbulent period. The Cherokees' plight lay at the epicenter of nearly all the key issues facing a young America: western expansion, states' rights, judicial power, and racial discrimination. Clashes between Ross and President Andrew Jackson raged from battlefields to the White House and Supreme Court. As whites settled illegally on the Nation's land, the chief steadfastly refused to sign a removal treaty. Only when a group of renegade Cherokees betrayed their chief and negotiated an agreement with Jackson's men was he forced to begin his journey west. In one of America's great tragedies, thousands died during the Cherokees' migration on the Trail of Tears.Toward the Setting Sun retells the story of expansionism from the native perspective, and takes a critical look at the well-rehearsed story of American progress.

    "Compelling reading—an epic narrative history." —Publishers Weekly