A high-energy romp, the poet's prose memoir recounts his military service in World War I, when a comedy of errors led to his unjust arrest and imprisonment for treason.

    But no one knows about the early life of the Son of God, the missing years—except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more—except maybe "Maggie," Mary of Magdala—and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.

    Some were people of rank and influence. Some were ordinary folk. Some were even his friends. Four centuries later, these deeply moving accounts of faith and courage mark a path for modern Christians to measure the depth of their commitment.

    The story of an adolescent whose life has been changed forever by his mother's suicide when he was twelve years old. The story of a man who leaves the constraints of his family and its community of dreamers, scholars, and failed businessmen to join a kibbutz, change his name, marry, have children. The story of a writer who becomes an active participant in the political life of his nation.(back cover)

    In 1895, he was ordained a priest in the Church of England by his father who was then Archbishop of Canterbury. After many years of questioning and soul-searching he was received into the Roman Catholic Church in 1903. He was ordained a Catholic priest in 1904 and named a Monsignor in 1911.This book, written in 1907, is Benson's dystopic vision of a near future world in which religion has, by and large, been rejected or simply fallen by the wayside. The Catholic Church has retreated to Italy and Ireland, while the majority of the rest of the world is either Humanistic or Pantheistic. There is a 'one world' government, and euthanasia is widely available. The plot follows the tale of a priest, Percy Franklin, who becomes Pope Silvester III, and a mysterious man named Julian Felsenburgh, who is identical in looks to the priest and who becomes "Lord of the World"."The one condition of progress...on the planet that happened to be men's dwelling place, was peace, not the sword which Christ brought or that which Mahomet wielded; but peace that arose from, not passed, understanding; the peace that sprang from a knowledge that man was all and was able to develop himself only by sympathy with his fellows..."

    Through the dramatic characterization of the famous physicist, Brecht examines the issues of scientific morality and the difficult relationship between the intellectual and authority. This version of the play is the famous one that was brought to completion by Brecht himself, working with Charles Laughton, who played Galileo in the first two American productions (Hollywood and New York, 1947). Since then the play has become a classic in the world repertoire. "The play which most strongly stamped on my mind a sense of Brecht's great stature as an artist of the modern theatre was Galileo." - Harold Clurman; "Thoughtful and profoundly sensitive." - Newsweek.

    In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows--gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

    The reader is swept into the whirlpool of pageantry, passion, splendor, chaos and earth-shattering upheaval that was ancient Rome. Here is the story of Marius, wealthy but lowborn, and Sulla, aristocratic but penniless and debauched -- extraordinary men of vision whose ruthless ambition will lay the foundations of the most awesome and enduring empire known to humankind.A towering saga of great events and mortal frailties, it is peopled with a vast, and vivid cast of unforgettable men and women -- soldiers and senators, mistresses and wives, kings and commoners -- combined in a richly embroidered human tapestry to bring a remarkable era to bold and breathtaking life.

    Yet in this Eden of such natural beauty and richness, the old culture of totems and potlaches is under attack - slowly being replaced by a new culture of prefab houses and alcoholism. Into this world, where an entire generation of young people has become disenchanted and alienated from their heritage, Craven introduces Mark Brian, a young vicar sent to the small isolated parish by his church.This is Mark's journey of discovery - a journey that will teach him about life, death, and the transforming power of love. It is a journey that will resonate in the mind of readers long after the book is done.

    He escapes and becomes the most feared pirate captain on the Spanish Main, but all the glory of his adventures cannot help him, for the woman he loves cannot love a thief and pirate. Even when he destroys England's enemies, even at his most triumphant...but wait! What's that... Long Description: Peter Blood, an Irish physician and former soldier is happily settled, in the 1680's, as the doctor in an English town, when the rebellion of the Duke of Monmouth catches him by accident. He saves a man's life, as a doctor must try to do, but the man is a rebel and the hanging Judge Jeffreys sentences him to ten years as an indentured slave in the Caribbean colonies. Once there, his knowledge as a physician is recognized, and thus he meets and falls in love with the daughter of the man who own his servitude; not likely to be a successful love story! A Spanish ship attacks the town, and while the Spaniards celebrate their victory he boldly steals their ship, and he and his fellow convicts sail off to become the boldest and most fearless of pirates among the islands and on the Spanish Main. But all the glory of his adventures cannot help him, for the woman he loves cannot love a thief and pirate. Even when he destroys England's enemies, even at his most triumphant...but wait! Is that... The classic novel of adventure and romance, and one of Sabatini's best.

    Ashworth is helped to recovery, and to realise the source of his problems by Fr Jonathan Darrow, the Abbot of the Granchester Abbey of the Fordite Monks.An outstanding storyteller, Susan Howatch has created a novel of spirituality and morality where the loyalties and passions of four people are played out against their dedication to religion and the path of right. "Passionately eloquent...[A] tale of God, sex, love, self-analysis and forgiveness."THE PHILADELPHIA INQUIRER

    She's no nightingale with the gorgeous tones, tender and passionate, peaking and plummeting as dramatically as her moods. Yet in the rough world she's chosen, Lucia's words may truly change lives.In 1904, fourteen-year-old Lucia and her young mother Teresa are servants in a count's lush villa on the Bay of Naples. Between scrubbing floors and polishing silver, Teresa soothes the unhappy countess with song until one morning's calamity hurls mother and daughter to America, exchanging their gilded cage for icy winds off Lake Erie and Cleveland's taut immigrant neighborhoods. Lucia blossoms and Teresa wins fleeting fame on the tawdry stage of vaudeville until old demons threaten their new life. In factories and workhouses, Lucia finds her own stage, giving voice to those who have given her a home. As roles reverse, mother and daughter reshape their fierce and primal bond.

    "Her Jesus can bring tears to your eyes. You will be deeply moved--a powerful experience".--Sheldon Vanauken, A Severe Mercy.

    He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

    Painting a richly detailed backdrop, Undset immerses readers in the day-to-day life, social conventions, and political and religious undercurrents of the period. Now in one volume, Tiina Nunnally's award-winning definitive translation brings this remarkable work to life with clarity and lyrical beauty. As a young girl, Kristin is deeply devoted to her father, a kind and courageous man. But when as a student in a convent school she meets the charming and impetuous Erlend Nikulaussøn, she defies her parents in pursuit of her own desires. Her saga continues through her marriage to Erlend, their tumultuous life together raising seven sons as Erlend seeks to strengthen his political influence, and finally their estrangement as the world around them tumbles into uncertainty. With its captivating heroine and emotional potency, Kristin Lavransdatter is the masterwork of Norway's most beloved author, one of the twentieth century's most prodigious and engaged literary minds and, in Nunnally's exquisite translation, a story that continues to enthrall.