In the centerpiece story, an eighteenth-century Eno Indian tells of the fiery fate of his adopted father, English explorer John Lawson. In the surrounding stories, the age-old conflicts between newcomer and old-timer play out as twenty-first century retirees, carnies, runaways, heartbroken women, and farmers stumble into new lives and new insights in Ambler County, North Carolina. "Hudson's prose is pure as birdsong," says novelist Doris Betts. "These fine stories of change and discovery are a field guide to the human species in transition."

    When the nameless narrator botches an assignment for the clandestine organization that employs him, everyone in his life—including his new girlfriend—is revealed to be either true-blue, double operative, or both.With the literary coyness of Paul Auster and the dark absurdity of Kafka, Hunt's debut is a daring, memory-driven narrative that is as fittingly spare as a bare ceiling light—and just as pendulous. On the surface, the narrator is a simple man, fixing his washer and dryer, strolling through city parks, falling in love at an office supply store. But in The Impossibly, the mundane gives way to outrageous misconduct, and with each unexpected visitor or cryptic note, the tension reaches tantalizing heights. As the narrator frugally doles out clues about his dangerous work in an unnamed European city, the reader inevitably becomes confidante and fellow gumshoe. The narrator's final assignment—to identify his own assassin—dismantles the reader's own analysis of the evidence.

    Parveen Shamsa, a college senior in search of a calling, feels pulled between her charismatic and mercurial anthropology professor and the comfortable but predictable Afghan-American community in her Northern California hometown. When she discovers a bestselling book called Mother Afghanistan, a memoir by humanitarian Gideon Crane that has become a bible for American engagement in the country, she is inspired. Galvanized by Crane's experience, Parveen travels to a remote village in the land of her birth to join the work of his charitable foundation.When she arrives, however, Crane's maternity clinic, while grandly equipped, is mostly unstaffed. The villagers do not exhibit the gratitude she expected to receive. And Crane's memoir appears to be littered with mistakes, or outright fabrications. As the reasons for Parveen's pilgrimage crumble beneath her, the U.S. military, also drawn by Crane's book, turns up to pave the solde road to the village, bringing the war in their wake. When a fatal ambush occurs, Parveen must decide whether her loyalties lie with the villagers or the soldiers - and she must determine her own relationship to the truth.Amy Waldman, who reported from Afghanistan for the New York Times after 9/11, has created a taut, propulsive novel about power, perspective, and idealism, brushing aside the dust of America's longest-standing war to reveal the complicated truths beneath. A Door in the Earth is the rarest of books, one that helps us understand living history through poignant characters and unforgettable storytelling.

    Discworld is a flat planet, supported on the backs of four elephants, who in turn stand on the back of the great turtle A'Tuin as it swims majestically through space.

    Now, a familiar posse runs the town called Marigold and its mining community with their sharp and newly deputized claws. After finding out that this shot of evil has infected her life again and now rules everyone still left on the mountain, she quickly begins to search for the root source of its existence, before it poisons the people and the land itself forever.

    Her men and women still miscommunicate, still remain separate in different rooms, different houses, or even different worlds. With brilliant flashes of fantasy, humor, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror and laughter, compassion and recognition--and dramatically demonstrate why Margaret Atwood is one of the most important writers in English today.

    Shortly before Dee dies, she tells her son, Thomas, that she thinks her death is a punishment. Thomas, whose own emotional life is complicated, tries to piece together his parents' lives in order to make sense of his mother's words.

    

    With school behind him and a summer job at a brick works, Tom had his whole life before him. Years later, alone in a rented flat in Edinburgh and lost in memories, Tom recalls the intellectual and sexual awakening of his youth. In looking back, Tom discovers that only by understanding where he comes from can he make sense of his life as it is now.

    Based on the story of the third-century saint who lived on an isolated mountaintop in the Egyptian desert, it is a fantastical rendering of one night during which Anthony is besieged by carnal temptations and philosophical doubt.

    Beautiful and pampered, she has never worked and has never wanted to. She lives only to appreciate the finer things and to be adored. But after four years of marriage, she finds herself unable to move, to dress in the morning, or to take the elevator outside.Lately, she finds her days drifting by in a haze. She'd like to leave Cameron, but the effort seems too great. Instead, she visits her mother, once her closest confidante, now indifferent and distant. As Francesca prays for rescue, change makes a surprise appearance, and suddenly she is faced with the choice between an awkward life and a slow, comfortable death. . . ."Deceptively subtle: it would be easy to skim right over all the deep things the author is saying and read her book as a well-written surface story of a beautiful woman who makes an abortive bid for freedom....I have been crying out for contemporary woman's new consciousness to express or define itself in a good novel....Here it is: Glass People by Gail Godwin."--Anatole Broyard The New York Times"POWERFUL. . .GODWIN IS BRILLIANT. . .DEFTLY PLOTTED AND IMAGINED. . . [It] deepened my long-cherished belief about certain forms of art: that in exploring extremities of human behavior, in forcing us to wade through real or metaphorical blood, such art saves us from these experiences and is cathartic in the best sense of the term."--Joyce Carol OatesThe Washington Post

    A Start in Life is Sillitoe's ninth novel and follows the fortunes of Michael Cullen, who describes himself as ''a bastard'' at the start of the novel and soon confirms another meaning of the term when he leaves Nottingham and his pregnant girlfriend behind to flee to London, where he becomes involved in a smuggling ring. Sillitoe has adopted the picaresque form for this novel, yet it is full of his trademark humour.

    His wife away for the first time, Jack is at home coping with domestic crises and two adolescents while immobilized by self-doubt and questioning his worth as a historian.This is the husband's story now found in Happenstance: Two Novels in One About a Marriage in Transition, originally published on its own in 1980 as Happenstance.

    With his conditioning removed, M sends Bond on a deadly mission; to track down Francisco Scaramanga, "The Man with the Golden Gun". But with a KGB agent & the usual quota of beautiful, treacherous girls in his path, will Bond survive? Also features "The Living Daylights" plus background on Ian Fleming & a foreword by his niece, Lucy Fleming.

    A group of storytellers banded together to chronicle the tsunami of evil that ensued. Their scribblings depicted events so horrific, the manuscript was hidden away.Now, dear reader, you seem to have stumbled upon it.And you have opened it.You must reap what you have sown.Come, step into the pages. See firsthand what hell is capable of.Of course, just know, you won’t last long enough to scream.