The Nobel Prize-winning writer's masterwork is the engrossing story of a Muslim family in Cairo during Britain's occupation of Egypt in the early decades of the twentieth century.The novels of The Cairo Trilogy trace three generations of the family of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons–the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. Al-Sayyid Ahmad’s rebellious children struggle to move beyond his domination in Palace of Desire, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s. Sugar Street brings Mahfouz’s vivid tapestry of an evolving Egypt to a dramatic climax as the aging patriarch sees one grandson become a Communist, one a Muslim fundamentalist, and one the lover of a powerful politician.Throughout the trilogy, the family's trials mirror those of their turbulent country during the years spanning the two World Wars, as change comes to a society that has resisted it for centuries. Filled with compelling drama, earthy humor, and remarkable insight, The Cairo Trilogy is the achievement of a master storyteller.

    That Chris Abani is able to find humanity, mercy, and even, yes, forgiveness, amid such devastation is something of a miracle.”—Rebecca Brown, author of The End of Youth"The moment you enter these pages, you step into a beautiful and terrifying dream. You are in the hands of a master, a literary shaman. Abani casts his spell so completely—so devastatingly—you emerge cleansed, redeemed, and utterly haunted."—Brad Kessler, author of Birds in FallPart Inferno, part Paradise Lost, and part Sunjiata epic, Song for Night is the story of a West African boy soldier’s lyrical, terrifying, yet beautiful journey through the nightmare landscape of a brutal war in search of his lost platoon. The reader is led by the voiceless protagonist who, as part of a land mine-clearing platoon, had his vocal chords cut, a move to keep these children from screaming when blown up, and thereby distracting the other minesweepers. The book is written in a ghostly voice, with each chapter headed by a line of the unique sign language these children invented. This book is unlike anything else ever written about an African war.Chris Abani is a Nigerian poet and novelist and the author of The Virgin of Flames, Becoming Abigail (a New York Times Editor’s Choice), and GraceLand (a selection of the Today Show Book Club and winner of the 2005 PEN/Hemingway Prize and the Hurston/Wright Legacy Award). His other prizes include a PEN Freedom to Write Award, a Prince Claus Award, and a Lannan Literary Fellowship. He lives and teaches in California.

    

    Award-winning Japanese author Shion Miura’s novel is a reminder that a life dedicated to passion is a life well lived.Inspired as a boy by the multiple meanings to be found for a single word in the dictionary, Kohei Araki is devoted to the notion that a dictionary is a boat to carry us across the sea of words. But after thirty-seven years creating them at Gembu Books, it’s time for him to retire and find his replacement.He discovers a kindred spirit in Mitsuya Majime—a young, disheveled square peg with a penchant for collecting antiquarian books and a background in linguistics—whom he swipes from his company’s sales department.Led by his new mentor and joined by an energetic, if reluctant, new recruit and an elder linguistics scholar, Majime is tasked with a career-defining accomplishment: completing The Great Passage, a comprehensive 2,900-page tome of the Japanese language. On his journey, Majime discovers friendship, romance, and an incredible dedication to his work, inspired by the bond that connects us all: words.

    His only friends are his neighbour,Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle,also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers – two versions of the same person, twoversions of the same life, both grappling with existential questions.In this final instalment of Jon Fosse’s Septology, the major prose work by ‘the Beckett of the twenty-first century’ (LeMonde), Christmas is approaching. Tradition has it that Åsleik and Asle eat lutefisk together, but this year Asle has agreedfor the first time to celebrate Christmas with Åsleik and his sister, Guro. On Christmas Eve, Åsleik, Asle, and the dog Bragitake Åsleik’s boat out on the Sygnefjord. Meanwhile, we follow the lives of the two Asles as younger adults in flashbacks:the narrator meets his lifelong love, Ales; joins the Catholic Church; starts exhibiting with Beyer; and can make a living bytrying to paint away all the pictures stuck in his mind. After a while, Asle and Ales leave the city and move to the house inDylgja. The other Asle gets married too, but his wedding ends with a sobbing bride and is followed soon after by a painfulbreakup.Written in melodious and hypnotic ‘slow prose’, A New Name: Septology VI-VII is a transcendent exploration of thehuman condition by Jon Fosse, and a radically other reading experience – incantatory, hypnotic, and utterly unique.

    In an old ruined city, emptied of most of its inhabitants, Ustad Ramzi, a famous wrestler past his prime, and Gohar Jan, a well-known courtesan whose kotha once attracted the wealthy and the eminent, contemplate the former splendour of their lives and the ruthless currents of time and history that have swept them into oblivion.

    The story recounts the love between his new sister-in-law Jamilia and a local crippled young man, Daniyar, while Jamilia's husband, Sadyk, is away at the front during World War II.Based on clues in the story, it takes place in northwestern Kyrgyzstan, presumably Talas Province. The story is backdropped against the collective farming culture which was early in its peak in that period.Chingiz Aïtmatov was born in Kyrgyzstan in 1928. His work appeared in over one hundred languages, and received numerous awards, including the Lenin Prize. He was the Kyrgyz ambassador to the European Union, NATO, UNESCO and the Benelux countries.Translated by James Riordan.

    It weaves together Albanian folktale, stories of Kosovan experience of the war in 1999 and a look into the lives of modern-day Kosovan women.The dark undercurrent of Albanian blood feuds underpins a story about the impact of war and the way that new life can emerge from darkness.It is characterised by striking imagery and daring form.

    The stories began as part of her project she was a masters student at Lancaster University in 1993, inspired by her homesickness, and her longing for the 'Terengganu air'. She explores themes of love, grief, loss and longing, and the magic in our lives. A young boy, grieving for his late father, meets a ghost who tells him that he is the king of the sea. Alia, a missing child, comes back as a chicken to bewildered parents. A daughter witnesses an affair by her unfaithful mother, but she is not sure if she was hallucinating. A young man arrives on an island, and marries a jungle spirit, a bunian. Hell breaks lose in a small village when a brash modern city woman decides to live there. A teacher who longs for a more glamorous life, literally, disappears into a movie screen.Dina Zaman, a survivor from the I Am Muslim tsunami, has been writing in the Malaysian media for over 17 years. Her first book, a collection of short stories, night & day, which was part of the Black & White series, was published by Rhino Press in 1997. She has had her works of fiction, and non-fiction, published in many journals and periodicals, locally and regionally. She is currently studying saints, and other holy men and women, and their impact on Malaysia for her next book Holy Men, Holy Women under the API Fellowship 2012-2013 programme that she has just been awarded.

    They are bons vivants. They are three young Pakistani men in New York City at the turn of the millennium: AC, a gangsta-rap-spouting academic; Jimbo, a hulking Pushtun DJ from the streets of Jersey City; and Chuck, a wideeyed kid, fresh off the boat from the homeland, just trying to get by. Things start coming together for Chuck when he unexpectedly secures a Wall Street gig and begins rolling with socialites and scenesters flanked by his pals, who routinely bring down the house at hush-hush downtown haunts. In a city where origins matter less than the talent for self-invention, the three Metrostanis have the guts to claim the place as their own. But when they embark on a road trip to the hinterland weeks after 9/11 in search of the Shaman, a Gatsbyesque compatriot who seemingly disappears into thin air, things go horribly wrong. Suddenly, they find themselves in a changed, charged America.Rollicking, bittersweet, and sharply observed, Home Boy is at once an immigrant’s tale, a mystery, and a story of love and loss, as well as a unique meditation on Americana and notions of collective identity. It announces the debut of an original, electrifying voice in contemporary fiction.

    South Asia Studies. Translated from the Tamil by Pritham K. Chakravarthy and Rakesh Khanna. With its mad patchwork of phone sex conversations, nightmarish torture scenes, tender love poems, numerology, mythology, and compulsive name-dropping of Latin American intellectuals, Charu Nivedita's novel ZERO DEGREE stands out as a groundbreaking work of Tamil transgressive fiction that unflinchingly probes the deepest psychic wounds of humanity. "Hide it in the deep recesses of your clothes cupboard or in the general chaos of your office desk, if you must, but read it"--Asha S. Menon, New Sunday Express.

    After Stalin's death, she and her family were allowed to return to Latvia in 1957. Kalniete went on to study art history, but has devoted her life more to politics and diplomacy than to art. She was an early fighter for Latvian independence in the 1980s and early 1990s, and served as Latvian Ambassador to the United Nations in Geneva (1993-1997), to France (1997-2002), and to UNESCO (2000-2002). In 2002 she became Latvia's Minister of Foreign Affairs. In 2004, she was appointed the first Latvian Commissioner of the European Union.

    It’s essential reading.” —Joann Sfar, cartoonist of The Rabbi’s Cat Ivory Coast, 1978. It’s a golden time, and the nation, too—an oasis of affluence and stability in West Africa—seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet’s youth in Yop City. It is the story of the studious and clear-sighted nineteen-year-old Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It’s a wryly funny, breezy account of the simple pleasures and private troubles of everyday life in Yop City. Clément Oubrerie’s warm colors and energetic, playful line connect expressively with Marguerite Abouet’s vibrant writing. This reworked edition offers readers the chance to immerse themselves in Abouet’s Yop City, bringing together the first three volumes of the series in Book One. Drawn & Quarterly will release volumes four through six of the original French series (as yet unpublished in English) in Book Two. Aya is the winner of the Best First Album award at the Angoulême International Comics Festival, the Children’s Africana Book Award, and the Glyph Award; was nominated for the Quill Award, the YALSA’s Great Graphic Novels list, and the Eisner Award; and was included on “best of” lists from The Washington Post, Booklist, Publishers Weekly, and School Library Journal.

    The Sand Child tells the story of a Moroccan father's effort to thwart the consequences of Islam's inheritance laws regarding female offspring. Already the father of seven daughters, Hajji Ahmed determines that his eighth child will be a male. Accordingly, the infant, a girl, is named Mohammed Ahmed and raised as a young man with all the privileges granted exclusively to men in traditional Arab-Islamic societies. As she matures, however, Ahmed's desire to have children marks the beginning of her sexual evolution, and as a woman named Zahra, Ahmed begins to explore her true sexual identity. Drawing on the rich Arabic oral tradition, Ben Jelloun relates the extraordinary events of Ahmed's life through a professional storyteller and the listeners who have gathered in a Marrakesh market square in the 1950s to hear his tale. A poetic vision of power, colonialism, and gender in North Africa, The Sand Child has been justifiably celebrated around the world as a daring and significant work of international fiction.

    Ivan Kulik has just become Headmaster of school number 7 in Hlaby, a rural village in the Pinsk Marshes. Through his eyes we witness the tragedy of Stalinist domination where people are randomly deported to labour camps or tortured in Zovty Prison in Pinsk. The author's individual gift that sets him apart from his contemporaries is the range of his sympathies and his unromantic, unsentimental approach to the sensual lives of females. His debt to Chekhov is obvious in his ability to capture the internal drama of his characters with psychological concision.