So when a passenger from the same plane disappears into the crowds of Manhattan, it’s up to Fisk and his partner Krina Gersten to find him before the celebrations begin... And time is running out.

    Anyone who tries to get up, or even moves, will be shot. There will be no further warning. If you move you will be killed…” Four men, armed with submachine guns, have seized a New York City subway train, holding all seventeen passengers—and the entire city—hostage. The identities of the hijackers are unknown. Their demands seem impossible. Their threats are real. Their escape seems inconceivable.Only one thing is certain: they aren’t stopping for anything.

    That's all it takes.She stabbed little Robbie Harris. To change a life -She's living under a new name.For ever.She's reformed. So they say . . . Joanna is going to regret the day she ever said a word.

    DO YOU LIKE WHAT YOU SEE?He's looking for the perfect woman. Someone who won't disappoint him, like so many have before. Someone who'll love him ... someone who won't have to die for her mistakes.GIVE UP, LITTLE DARLING....FBI agent Mary Cantrell has been called to Minneapolis to hunt down a killer. Her reluctant return home is shaking her to the core, reviving dreadful memories. Years ago, her best friend was murdered. Now the man convicted of the crime, Gavin Hitchcock, is free--and Mary's own sister, Gillian, a local cop, has befriended him.NO ONE CAN HEAR YOU SCREAM BUT ME.As each clue to the new killings leads them closer to Hitchcock, Mary and Gillian put their differences aside and set themselves up as the perfect target--and the perfect trap. Unless Mary's own past has blinded her to an unimaginable truth ... and will plunge them into a waking nightmare....

    She knows what's expected of her. She knows what to do to please her elders, and how to make sure life in the community remains happy and calm. That is, until a new young girl joins the group. She isn't fitting in; she doesn't want to stay. What happens next will turn life as Amy knows it on its head. Freya has gone to great lengths to feel like a 'normal person'. In fact, if you saw her go about her day with her young son, you'd think she was an everyday mum. That is, until a young girl goes missing and someone from her past, someone she hasn't seen for a very long time, arrives in town. As Amy and Freya's story intertwines the secrets of the past bubble up to the surface. This rural Aussie town's dark underbelly is about to be exposed and lives will be destroyed.

    They seem made for each other, but the truth is ugly. Consumed by professional and personal betrayals and financial woes, the two both love and hate each other. As tensions mount, Sutton disappears, leaving behind a note saying not to look for her.Ethan finds himself the target of vicious gossip as friends, family and the media speculate on what really happened to Sutton Montclair. As the police investigate, the lies the couple have been spinning for years quickly unravel. Is Ethan a killer? Is he being set up? Did Sutton hate him enough to kill the child she never wanted and then herself? The path to the answers is full of twists that will leave the reader breathless.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    From the gritty streets of Los Angeles to its most protected enclaves of prestige and power to the ruthless glamour of Hollywood, a killer stalks his prey. A killer so merciless no one in his way is safe—not even the innocent.At the end of a long day battling street traffic, bike messenger Jace Damon has one last drop to make. But en route to delivering a package for one of L.A.'s sleaziest defense attorneys, he's nearly run down by a car, chased through back alleys, and shot at. Only the instincts acquired while growing up on the streets of L.A. allow him to escape with his life—and with the package someone wants badly enough to kill for. Jace returns to Lenny Lowell's office only to find the cops there, the lawyer dead, and Jace himself considered the prime suspect in the savage murder. Suddenly he's on the run from both the cops and a killer, and the key to saving himself and his ten-year-old brother is the envelope he still has—which holds a message no one wants delivered: the truth.In a city fueled by money, celebrity, and sensationalism, the murder of a bottom-feeding mouthpiece like Lenny Lowell won't make the headlines. So when detectives from the LAPD's elite robbery/homicide division show up, homicide detective Kev Parker wants to know why. Parker is on the downhill slide of a once-promising career, and he doesn't want to be reminded that he used to be one of the hotshots, working cases that made instant celebrities of everyone involved. Like the case of fading retty-boy actor Rob Cole, accused of the brutal murder of his wife, Tricia Crowne-Cole, daughter of one of the most powerful men in the city, L.A.'s latest "crime of the century."Robbery/Homicide has no reason to be looking at a dead small-time scumbag lawyer or chasing a bike messenger...unless there's something in it for them. Maybe Lenny Lowell had a connection to something big enough to be killed for. Parker begins a search for answers that will lead him to a killer—or the end of his career. Because if there's one lesson he's learned over the years, it's that in a town built on fantasy and fame, delivering the truth can be deadly.

    After a death row conviction, media frenzy, and the release of an unauthorized biography, her thirty-year-old daughter Edie Beckett is just trying to survive out of the spotlight. She’s a recovering alcoholic with a dead-end city job and an unhealthy codependent relationship with her brother.Edie also has a disturbing secret: a growing obsession with the families of Lilith’s victims. She’s desperate to see how they’ve managed—or failed—to move on. While her escalating fixation is a problem, she’s careful to keep her distance. That is, until she crosses a line and a man is found murdered.Edie quickly becomes the prime suspect—and while she can’t remember everything that happened the night of the murder, she’d surely remember killing someone. With the detective who arrested her mother hot on her trail, Edie goes into hiding. She’s must get to the truth of what happened that night before the police—or the real killer—find her. Unless, of course, she has more in common with her mother than she’s willing to admit…

    Perfect homes. Perfect families. It’s enough to drive some women mad…In a tale inspired by real events, pregnant journalist Joan Harken is cautiously excited to follow her fiancé back to his Minnesota hometown. After spending a childhood on the move and chasing the screams and swirls of news-rich city life, she’s eager to settle down. Lilydale’s motto, “Come Home Forever,” couldn’t be more inviting.And yet, something is off in the picture-perfect village.The friendliness borders on intrusive. Joan can’t shake the feeling that every move she makes is being tracked. An archaic organization still seems to hold the town in thrall. So does the sinister secret of a little boy who vanished decades ago. And unless Joan is imagining things, a frighteningly familiar figure from her past is on watch in the shadows.Her fiancé tells her she’s being paranoid. He might be right. Then again, she might have moved to the deadliest small town on earth.

    But what if it's been hunting her this whole time? From the bestselling and award-winning author of The Marsh King's Daughter comes a startling novel of psychological suspense as two generations of sisters try to unravel their tangled relationships between nature and nurture, guilt and betrayal, love and evil.You have been cut off from society for fifteen years, shut away in a mental hospital in self-imposed exile as punishment for the terrible thing you did when you were a child.But what if nothing about your past is as it seems?And if you didn't accidentally shoot and kill your mother, then whoever did is still out there. Waiting for you.For a decade and a half, Rachel Cunningham has chosen to lock herself away in a psychiatric facility, tortured by gaps in her memory and the certainty that she is responsible for her parents' deaths. But when she learns new details about their murders, Rachel returns, in a quest for answers, to the place where she once felt safest: her family's sprawling log cabin in the remote forests of Michigan's Upper Peninsula.As Rachel begins to uncover what really happened on the day her parents were murdered, she learns—as her mother did years earlier—that home can be a place of unspeakable evil, and that the bond she shares with her sister might be the most poisonous of all.

    She is dressed in strange doll's clothes. Around her neck is an airline tag that says "I'm traveling alone." A special homicide unit in Oslo re-opens with veteran police investigator Holger Munch at the helm. Holger's first step is to persuade the brilliant but haunted investigator Mia Krüger to come back to the squad--she's been living on an isolated island, overcome by memories of her past. When Mia views a photograph of the crime scene and spots the number "1" carved into the dead girl's fingernail, she knows this is only the beginning. She'll soon discover that six years earlier, an infant girl was abducted from a nearby maternity ward. The baby was never found. Could this new killer have something to do with the missing child, or with the reclusive Christian sect hidden in the nearby woods?Mia returns to duty to track down a revenge-driven and ruthlessly intelligent killer. But when Munch's own six-year-old granddaughter goes missing, Mia realizes that the killer's sinister game is personal, and I'm Traveling Alone races to an explosive--and shocking--conclusion.

    But then an invitation to her ten-year reunion arrives in the mail, along with an anonymous note that reads, “We need to talk about what we did that night.” It seems that the secrets of Ambrosia’s past—and the people she thought she’d left there—aren’t as buried as she believed. Amb can’t stop fixating on what she did or who she did it with: larger-than-life Sloane “Sully” Sullivan, Amb’s former best friend, who could make anyone do anything. At the reunion, Amb and Sully receive increasingly menacing messages, and it becomes clear that they’re being pursued by someone who wants more than just the truth of what happened that first semester. This person wants revenge for what they did and the damage they caused—the extent of which Amb is only now fully understanding. And it was all because of the game they played to get a boy who belonged to someone else and the girl who paid the price. Alternating between the reunion and Amb’s freshman year, The Girls Are All So Nice Here is a “chilling and twisty thriller” (Book Riot) about the brutal lengths girls can go to get what they think they’re owed, and what happens when the games we play in college become matters of life and death.

    Thing is, you gotta kill it first.”Kevin Pearce—baseball star, honor student, the pride of Brighton—was fifteen when he left town in the back of his uncle’s cab. He and his buddy, Bobby Scales, just committed a heinous act of violence for what they thought were the best of reasons. Kevin didn’t want a pass, but he was getting it anyway. Bobby would stay and face the music; Kevin’s future would remain as bright as ever. At least that was the way things were supposed to work. Except in Brighton, things never work the way they’re supposed to. Twenty-seven years later, Kevin is a Pulitzer Prize-winning journalist for the Boston Globe. He’s never been back to his old block, having avoided his family and, especially, Bobby Scales. Then he learns his old friend is the prime suspect in a string of local murders. All of the sudden Kevin’s headed home—to protect a friend and the secret they share. To report this story to the end and protect those he loves, he must navigate not only an elusive, slippery killer, but his own corrupted conscience.A powerhouse of a thriller, Brighton is a riveting and elegiac exploration of promises broken, debts owed, and old wrongs made right . . . no matter what the cost.

    This is the story of Olav: an extremely talented “fixer” for one of Oslo’s most powerful crime bosses. But Olav is also an unusually complicated fixer. He has a capacity for love that is as far-reaching as is his gift for murder. He is our straightforward, calm-in-the-face-of-crisis narrator with a storyteller’s hypnotic knack for fantasy. He has an “innate talent for subordination” but running through his veins is a “virus” born of the power over life and death. And while his latest job puts him at the pinnacle of his trade, it may be mutating into his greatest mistake. . . .