The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    A gentle, solitary man, he finds solace and purpose in the sweetness of the apples, apricots, and plums he grows, and in the quiet, beating heart of the land--the valley of yellow grass bordering a deep canyon that has been his home since he was nine years old. Everything he is and has known is tied to this patch of earth. It is where his widowed mother is buried, taken by illness when he was just thirteen, and where his only companion, his beloved teenaged sister Elsbeth, mysteriously disappeared. It is where the horse wranglers--native men, mostly Nez Perce--pass through each spring with their wild herds, setting up camp in the flowering meadows between the trees.One day, while in town to sell his fruit at the market, two girls, barefoot and dirty, steal some apples. Later, they appear on his homestead, cautious yet curious about the man who gave them no chase. Feral, scared, and very pregnant, Jane and her sister Della take up on Talmadage's land and indulge in his deep reservoir of compassion. Yet just as the girls begin to trust him, brutal men with guns arrive in the orchard, and the shattering tragedy that follows sets Talmadge on an irrevocable course not only to save and protect them, putting himself between the girls and the world, but to reconcile the ghosts of his own troubled past.Writing with breathtaking precision and empathy, Amanda Coplin has crafted an astonishing debut novel about a man who disrupts the lonely harmony of an ordered life when he opens his heart and lets the world in. Transcribing America as it once was before railways and roads connected its corners, she weaves a tapestry of solitary souls who come together in the wake of unspeakable cruelty and misfortune, bound by their search to discover the place they belong. At once intimate and epic, evocative and atmospheric, filled with haunting characters both vivid and true to life, and told in a distinctive narrative voice, The Orchardist marks the beginning of a stellar literary career.The National Book Foundation selected Amanda Coplin as one of the authors being honored as "5 Under 35" in 2013.

    Just beyond the tents of the Russian refugee camp she calls home, a young woman speaks her wedding vows. It’s a decision that will alter her destiny…and it’s a lie that will remain buried until the next century.Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now fifteen and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina’s tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears. Where Alina used to measure time between visits from her beloved, now she measures the spaces between hope and despair, waiting for word from Tomasz and avoiding the attentions of the soldiers who patrol her parents’ farm. But for now, even deafening silence is preferable to grief. Slipping between Nazi-occupied Poland and the frenetic pace of modern life, Kelly Rimmer creates an emotional and finely wrought narrative that weaves together two women’s stories into a tapestry of perseverance, loyalty, love and honor. The Things We Cannot Say is an unshakable reminder of the devastation when truth is silenced…and how it can take a lifetime to find our voice before we learn to trust it.

    They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.For more than a century, newspapers have been keen to tell us that ‘the Ripper’ preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, it has prevented the real stories of these fascinating women from being told. Now, in this devastating narrative of five lives, Rubenhold finally sets the record straight, revealing a world not just of Dickens and Queen Victoria, but of poverty, homelessness and rampant misogyny. They died because they were in the wrong place at the wrong time – but their greatest misfortune was to be born a woman.

    But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon’s henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to rescue his wife and to exact revenge on the men who destroyed Ming, aided by a troupe of magic-show performers, some with supernatural powers, whom they meet on the journey. Ming blazes his way across the West, settling old scores with a single-minded devotion that culminates in an explosive and unexpected finale.Written with the violent ardor of Cormac McCarthy and the otherworldly inventiveness of Ted Chiang, The Thousand Crimes of Ming Tsu is at once a thriller, a romance, and a story of one man’s quest for redemption in the face of a distinctly American brutality.

    Sara is not convinced being a maid is better than being a whore, but the chance to escape her grasping ‘madam’ is too good to refuse. Inside the Thorels’ tall house in Spitalfields, where the strange cadence of the looms fills the attic, the two women forge an uneasy relationship. The physical intimacies of washing and dressing belie the reality: Sara despises her mistress’s blindness to the hypocrisy of her household, while Esther is too wrapped up in her own secrets to see Sara as anything more than another charitable cause.It is silk that has Esther so distracted. For years she has painted her own designs, dreaming that one day her husband will weave them into reality. When he laughs at her ambition, she strikes up a relationship with one of the journeyman weavers in her attic who teaches her to weave and unwittingly sets in motion events that will change the fate of the whole Thorel household.

    The virginal Brandy, in turn, awakes in Shay's body to discover herself pregnant. What follows is a fascinating look at how two women—and their families—cope with this strange situation.

    It was the early 1850's and he was a penniless immigrant, an orphan cast on a hostile shore to make a home for himself and his younger brother and infant sister. Some seventy years later, from his deathbed, Joseph Armagh last glimpsed his adopted land from the gleaming windows of a palatial estate. A multi-millionaire, one of the most powerful and feared men, Joseph Armagh had indeed found a home. CAPTAINS AND KINGS is the story of the price that was paid for it in the consuming, single-minded determination of a man clawing his way to the top; in the bitter-sweet bliss of the love of a beautiful woman; in the almost too-late enjoyment of extraordinary children; and in the curse which used the hand of fate to strike in the very face of success itself.Once again, Taylor Caldwell has looked into America's roistering past as a setting for a drama of the consequences of savage ambition - and its meaning then and now.

    But having risked everything to write, she refuses to be silenced and leaps at the chance to become a correspondent in war-torn France.Already entrenched in the thoroughly male arena of war reporting is feisty American photojournalist Danni Bradford. Together with her best friend and partner, Andy, she is determined to cover the events unfolding in Normandy. And to discover the whereabouts of Andy’s flighty sister, Vogue model Chloe, who has followed a lover into the French Resistance.When trailblazing efforts turn to tragedy, Danni, Ella and Chloe are drawn together, and soon form a formidable team. Each woman is determined to follow her dreams ‘no matter what’, and to make her voice heard over the noise of war.Europe is a perilous place, with danger at every turn. They’ll need to rely on each other if they are to get their stories back, and themselves out alive. Will the adventure and love they find be worth the journey of their lives?

    The wilderness has now become her home. She can interpret the cries of birds. She has seen vistas that have stolen away her breath. She has learned to live in a new, free way.... Massachusetts Bay Colony, 1676. Even before Mary Rowlandson is captured by Indians on a winter day of violence and terror, she sometimes found herself in conflict with her rigid Puritan community. Now, her home destroyed, her children lost to her, she has been sold into the service of a powerful woman tribal leader, made a pawn in the on-going bloody struggle between English settlers and native people. Battling cold, hunger, and exhaustion, Mary witnesses harrowing brutality but also unexpected kindness. To her confused surprise, she is drawn to her captors’ open and straightforward way of life, a feeling further complicated by her attraction to a generous, protective English-speaking native known as James Printer. All her life, Mary has been taught to fear God, submit to her husband, and abhor Indians. Now, having lived on the other side of the forest, she begins to question the edicts that have guided her, torn between the life she knew and the wisdom the natives have shown her. Based on the compelling true narrative of Mary Rowlandson, Flight of the Sparrow is an evocative tale that transports the reader to a little-known time in early America and explores the real meaning of freedom, faith, and acceptance.READERS GUIDE INCLUDED

    Their mother is all alone, only thirty-one years of age, with three young children and a Labrador. It is no wonder, when you put it like that, that she becomes a menace and a drunk. And a playwright.Worried about the bad playwriting - though more about becoming wards of court and being sent to the infamous Crescent Home for Children - Lizzie and her sister decide to contact, by letter, suitable men in the area. In order to stave off the local social worker they urgently need to find a new Man at the Helm.

    She lives above a small rail station, which she cleans in order to earn her keep. When Noa discovers a boxcar containing dozens of Jewish infants bound for a concentration camp, she is reminded of the child that was taken from her. And in a moment that will change the course of her life, she snatches one of the babies and flees into the snowy night.Noa finds refuge with a German circus, but she must learn the flying trapeze act so she can blend in undetected, spurning the resentment of the lead aerialist, Astrid. At first rivals, Noa and Astrid soon forge a powerful bond. But as the facade that protects them proves increasingly tenuous, Noa and Astrid must decide whether their friendship is enough to save one another - or if the secrets that burn between them will destroy everything.

    While sixteen-year-old Rye yearns for a steady job and a home, his older brother, Gig, dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar and introduces the brothers to a far more dangerous creature: a mining magnate determined to keep his wealth and his hold on Ursula.Dubious of Gig’s idealism, Rye finds himself drawn to a fearless nineteen-year-old activist and feminist named Elizabeth Gurley Flynn. But a storm is coming, threatening to overwhelm them all, and Rye will be forced to decide where he stands. Is it enough to win the occasional battle, even if you cannot win the war?An intimate story of brotherhood, love, sacrifice, and betrayal set against the panoramic backdrop of an early twentieth-century America that eerily echoes our own time, The Cold Millions offers a kaleidoscopic portrait of a nation grappling with the chasm between rich and poor, between harsh realities and simple dreams. Featuring an unforgettable cast of cops and tramps, suffragists and socialists, madams and murderers, it is a tour de force from a “writer who has planted himself firmly in the first rank of American authors” (Boston Globe

    She is a farmer's faithful wife, but she has left her husband to don the uniform of a Union soldier in the Civil War. NEVERHOME tells the harrowing story of Ash Thompson during the battle for the South. Through bloodshed and hysteria and heartbreak, she becomes a hero, a folk legend, a madwoman and a traitor to the American cause.Laird Hunt's dazzling new novel throws a light on the adventurous women who chose to fight instead of stay behind. It is also a mystery story: why did Ash leave and her husband stay? Why can she not return? What will she have to go through to make it back home?In gorgeous prose, Hunt's rebellious young heroine fights her way through history, and back home to her husband, and finally into our hearts.

    She has died many times . . . but her many deaths are not final: They are comas, a waking slumber indistinguishable from death, each lasting days.Only two people know of Carol’s eerie condition. One is her husband, Dwight, who married Carol for her fortune, and—when she lapses into another coma—plots to seize it by proclaiming her dead and quickly burying her . . . alive. The other is her lost love, the infamous outlaw James Moxie. When word of Carol’s dreadful fate reaches him, Moxie rides the Trail again to save his beloved from an early, unnatural grave.And all the while, awake and aware, Carol fights to free herself from the crippling darkness that binds her—summoning her own fierce will to survive. As the players in this drama of life and death fight to decide her fate, Carol must in the end battle to save herself.