Many writers of all backgrounds see the imagination as ahistorical, as a generative place where race doesn't and shouldn't enter, a place of bodies that transcend the legislative, the economic—in other words, transcend the stuff that doesn't lend itself much poetry. In this view the imagination is postracial, a posthistorical and postpolitical utopia. . . . To bring up race for these writers is to inch close to the anxious space of affirmative action, the scarring qualifieds."So everyone is here."—Claudia Rankine and Beth Loffreda, from the introductionIn 2011, a poem published in a national magazine by a popular white male poet made use of a black female body. A conversation ensued, and ended. Claudia Rankine subsequently created Open Letter, a web forum for writers to relate the effects and affects of racial difference and to explore art's failure, thus far, to adequately imagine.Born in Kingston, Jamaica, Claudia Rankine is author and editor of more than six collections of poetry and poetics. She is a chancellor of the Academy of American Poets and a professor of English at Pomona College.Beth Loffreda is author of Losing Matt Shepard: Life and Politics in the Aftermath of Anti-gay Murder. She directs the MFA program in creative writing at the University of Wyoming.

    This contentious mix of home-grown radicals, labor activists, newspaper editors, black workers, and intellectuals employed every strategy imaginable to take Dixie down, from a ludicrous attempt to organize black workers with a stage production of Pushkin—in Russian—to the courageous fight of striking workers against police and corporate violence in Gastonia in 1929. In a dramatic narrative Glenda Elizabeth Gilmore deftly shows how the movement unfolded against national and global developments, gaining focus and finally arriving at a narrow but effective legal strategy for securing desegregation and political rights. Little-known heroes abound in a book that will recast our understanding of the most important social movement in twentieth-century America.

    Based on selective breeding of human beings, eugenics began in laboratories on Long Island but ended in the concentration camps of Nazi Germany. Cruel and racist laws were enacted in 27 U.S. states, while the supporters of eugenics included progressive thinkers like Woodrow Wilson, Margaret Sanger and Oliver Wendell Holmes. Ultimately, over 60,000 "unfit" Americans were coercively sterilized, a third of them after Nuremberg had declared such practices crimes against humanity. This is a timely and shocking chronicle of bad science at its worst—with many important lessons for the genetic age in which an interest in eugenics has been dangerously revived.

    The full extent of the violence was known only to the relatives of the victims. Monica Muñoz Martinez turns to the keepers of this history to tell this riveting and disturbing untold story.Operating in remote rural areas enabled the perpetrators to do their worst: hanging, shooting, burning, and beating victims to death without scrutiny. Families scoured the brush to retrieve the bodies of loved ones. Survivors suffered segregation and fierce intimidation, and yet fought back. They confronted assailants in court, worked with Mexican diplomats to investigate the crimes, pressured local police to arrest the perpetrators, spoke to journalists, and petitioned politicians for change.Martinez reconstructs this history from institutional and private archives and oral histories, to show how the horror of anti-Mexican violence lingered within communities for generations, compounding injustice by inflicting further pain and loss. Yet its memorialization provided victims with an important means of redress, undermining official narratives that sought to whitewash these atrocities. The Injustice Never Leaves You offers an invaluable account of why these incidents happened, what they meant at the time, and how a determined community ensured that the victims were not forgotten.

    Whether living in a labor camp, a boxcar settlement, or an urban barrio, Mexican women nurtured families, worked for wages, built extended networks, and participated in community associations--efforts that solidified the community and helped Mexican Americans find their own place in America. Now, in From Out of the Shadows, historian Vicki L. Ruiz provides the first full study of Mexican-American women in the 20th century, in a narrative enhanced by interviews and personal stories that capture a vivid sense of the Mexicana experience in the United States. Beginning with the first wave of women crossing the border early this century, Ruiz reveals the struggles they have faced, the communities they have built, and also highlights the various forms of political protest they have initiated. What emerges from the book is a portrait of a distinctive culture in America that has slowly gathered strength in the last 95 years. From Out of the Shadows is an important addition to the largely undocumented history of Mexican-American women in our century.

    For my part i don't care. I don't feel afraid to go. I don't believe there are any Rebel's bullet made for me yet.--Pvt. Lyons Wakeman. Similar sentiments were expressed by tens of thousands of Civil War soldiers in their diaries and in their letters to loved ones at home. What transforms the letters of Pvt. Lyons Wakeman from merely interesting reading into a unique and fascinating addition to Civil War literature is who wrotethem--for Private Wakeman was not what he seemed to be. The five-foot tall soldier's true identity was that of a simple young farm girl from central New York state named Sarah Rosetta Wakeman. Her letters, the only such correspondence known to exist, provide a rare glimpse of what life was likefor a woman fighting as a common soldier in the Civil War under the guise of a man. Written shortly after she left home to pursue her fortune in 1862, Rosetta's letters over the next two years tell of army life in the defences of Washington, D.C. and on the march and in battle during the 1864 Louisiana Red River Campaign. She wrote frequently to her family in Afton, NY, and herletters contain feelings and observations like those expressed by the majority of her fellow soldiers. We read of her determination to perform honorably the duty required of a soldier, the trials of hard marching and combat, her pride in being able to drill just as well as any man in her regiment, and her eventual fatalistic attitude toward military service, and her frequent expressions of faith in God and the afterlife. Although Rosetta did not survive the war, her letters remain as an singular record of female military life in the ranks, a phenomenon largely ignored by historians andresearchers. Private Wakeman was not alone in embarking on her strange adventure. Hundreds of women, from both the North and South, disguised themselves as men and enlisted in the armies of our nation's bloodiest war. The experiences of these women during the Civil War are just beginning to be recognized aselemental to understanding the life of this country during those turbulent times. Little is known about these women precisely because they enlisted and served in constant secrecy, fearful of revealing their true identities. This unique collection of letters offers a firsthand look at the personalityand character of a woman who defied convention to take a man's place in the Union army.

    This interesting volume describes the struggles following the Civil War to decide how to deal with the newly freed slaves, through the years of Reconstruction, Jim Crow, sharecropping, and segregation.

    Best Friends Forever. Stunning, sexy and anything but sensible.Yasmin is a straight-talking game player who's got no-strings sex down to a T. So why is she suddenly craving commitment from the one man she can't have?Nicole is trapped in a passionless marriage but tangled up in a passionate affair. Should she risk the safety of her happy-ever-after for something that's oh so sexy but oh so risky?They both envy Juliet who seems to have it all. She's bagged a gorgeous toyboy of a husband but is she still entertaining naughty thoughts about a dangerous old flame?These girls will go to the ends of the earth for one another . . . and any lengths to get their men. But when everything starts to unravel, will they chose close friendship - or sex?

    Refuting former schools of thought, Stampp challenges the notions that slavery was somehow just a benign aspect of Southern culture, and how the failures during the reconstruction period created a ripple effect that is still seen today.Praise for The Era of Reconstruction" . . . This "brief political history of reconstruction" by a well-known Civil War authority is a thoughtful and detailed study of the reconstruction era and the distorted legends still clinging to it."--Kirkus Reviews"It is to be hoped that this work reaches a large audience, especially among people of influence, and will thus help to dispel some of the myths about Reconstructions that hamper efforts in the civil rights field to this day."--Albert Castel, Western Michigan University

    Black Elk's searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable.Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk's experiences in this powerful and inspirational message for all humankind.

    These evangelicals raise a starkly consequential question for electoral politics: Why do they claim morality while supporting politicians who act immorally by most Christian measures? In this clear-eyed, hard-hitting chronicle of American religion and politics, Anthea Butler answers that racism is at the core of conservative evangelical activism and power.Butler reveals how evangelical racism, propelled by the benefits of whiteness, has since the nation’s founding played a provocative role in severely fracturing the electorate. During the buildup to the Civil War, white evangelicals used scripture to defend slavery and nurture the Confederacy. During Reconstruction, they used it to deny the vote to newly emancipated blacks. In the twentieth century, they sided with segregationists in avidly opposing movements for racial equality and civil rights. Most recently, evangelicals supported the Tea Party, a Muslim ban, and border policies allowing family separation. White evangelicals today, cloaked in a vision of Christian patriarchy and nationhood, form a staunch voting bloc in support of white leadership. Evangelicalism’s racial history festers, splits America, and needs a reckoning now.Anthea Butler is associate professor of religion at the University of Pennsylvania and the author of Women in the Church of God in Christ: Making a Sanctified World. A leading historian and public commentator on religion and politics, Butler has appeared on networks including CNN, BBC, and MSNBC and has published opinion pieces in the New York Times, the Washington Post, and many other media outlets.

    Mona--a self-described "self-made mouth" goes to temple, loves pickles, is boy-crazy, worries about getting into the right college and keeping up with her over-achieving sister, and wishes her parents were less strict. Her equally Jewish Westchester classmates hardly notice what everyone else finds hard to forget: Mona may be Jewish by choice (and voice) and American by nationality, but her surname is Chang and so she is considered less an expert on seders and schmaltz than China. In Gish Jen's hands, '70s suburbia is a place of buoyant hope and change. While Mona's parents worry about what she'll do next--her mother suggesting at one point that she might even want to be black, Mona ripostes that that's not a religion. She does, however admit to knowing "some kids studying to be Bobby Seale. They call each other brother, and eat soul food instead of subs, and wear their hair in the baddest Afros they can manage." The divide between past conservatism and present bohemia is one of the novel's concerns, but its epigraphs hint at the porous nature of cultural identity, of groups taking what they choose from one another. As for Gish Jen, she turns out to be a descendant of Laurence Sterne. Mona has the buttonholing narrator, the rollicking comedy that modulates into genuine sadness, and the incidental but all-important details that might confuse those intent on the author's ethnicity but will delight everyone else.

    Lynn Dumenil brings a fresh interpretation to a dramatic, important, and misunderstood decade. As her lively work makes clear, changing values brought an end to the repressive Victorian era; urban liberalism emerged; the federal bureaucracy was expanded; pluralism became increasingly important to America's heterogeneous society; and different religious, ethnic, and cultural groups encountered the homogenizing force of a powerful mass-consumer culture. The Modern Temper brings these many developments into sharp focus.

    Conceived in ignorance and falsely presented to the public, it had undreamt of consequences, and this pattern has been rarely deviated from since.Immigration policy in Daniels' skilled hands shows Americans at their best and worst, from the nativist violence that forced Theodore Roosevelt's 1907 gentlemen's agreement with Japan to the generous refugee policies adopted after World War Two and throughout the Cold War. And in a conclusion drawn from today's headlines, Daniels makes clear how far ignorance, partisan politics, and unintended consequences have overtaken immigration policy during the current administration's War on Terror.Irreverent, deeply informed, and authoritative, Guarding the Golden Door presents an unforgettable interpretation of modern American history.

    In the war's aftermath, Americans had to embrace and cast off a traumatic past. David Blight explores the perilous path of remembering and forgetting, and reveals its tragic costs to race relations and America's national reunion. In 1865, confronted with a ravaged landscape and a torn America, the North and South began a slow and painful process of reconciliation. The ensuing decades witnessed the triumph of a culture of reunion, which downplayed sectional division and emphasized the heroics of a battle between noble men of the Blue and the Gray. Nearly lost in national culture were the moral crusades over slavery that ignited the war, the presence and participation of African Americans throughout the war, and the promise of emancipation that emerged from the war. Race and Reunion is a history of how the unity of white America was purchased through the increasing segregation of black and white memory of the Civil War. Blight delves deeply into the shifting meanings of death and sacrifice, Reconstruction, the romanticized South of literature, soldiers' reminiscences of battle, the idea of the Lost Cause, and the ritual of Memorial Day. He resurrects the variety of African-American voices and memories of the war and the efforts to preserve the emancipationist legacy in the midst of a culture built on its denial. Blight's sweeping narrative of triumph and tragedy, romance and realism, is a compelling tale of the politics of memory, of how a nation healed from civil war without justice. By the early twentieth century, the problems of race and reunion were locked in mutual dependence, a painful legacy that continues to haunt us today.