The author discusses, regret, anxiousness, racial issues, craving for love, and much more. Tavon gets deeply personal and introspective, in hopes of helping those who are in need of self-healing too. "Entrapped inside your Heart-shaped box For lonely years You’ve left me here To survive off hope and tears I know your return is unlikely Unlike me, You have a gift Of hurting others with a smile Luring your victims Into the traps of your eyes I enjoy this place Although it’s often cold It has pockets of warmth In your Heart-Shaped Box I’ll forever be stored Waiting for you Love me more Than August loves to storm."

    This book represents a journey towards the center of a concept: what is a person? What are the limits that separate the human individual with rights from the entelechies that certain dehumanized discourses try to reduce? Do we refer to the same thing when we speak of "person" in a poem or a novel?

    Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.

    . . a beautifully wrought hymn of praise to readers and book-lovers in the most sacred of places, the libraries where we find both." --Cassandra King, author of the best-selling novels The Sunday WifeWHEN ADELE COVINGTON becomes an author in her sixties, she goes on a book tour to speak to the Friends of the Library groups in ten small towns in her home state of Mississippi. Chasing her personal demons through the Christ-haunted South of her childhood, Adele befriends an eclectic group of wounded people and decides to tell their stories. From Eupora to Meridian, from a budding artist with an abusive husband to a seven-year-old with a rare form of cancer, each story contains elements of hope and healing and honors the heart, soul, and history of the Magnolia State.

    It is in her poetry, however, where she achieves the full extent of her revelation as artist and human. The poems in this first selection from her whole work were written over a period of forty years. They convey a wonderfully energetic alternation of mood, idea, and experience that are part of her unique creative process.

    In 1931, Spence shocked Arkansas when she avenged her father's murder in a DeWitt courtroom. The state soon discovered that no prison could hold her. For the first time, prison records are unveiled to provide an essential portrait. The legend of Helen Spence refuses to be forgotten--despite her unmarked grave.

    Skinny, outspoken Starr Dukes and her wandering preacher father may not be accepted by polite society in Jackson, Mississippi, but Annie and Starr are too busy sharing secrets and playing elaborate games of Queen for a Day to care. Then, as suddenly as she appeared in Annie's life, Starr disappears.Annie grows up to follow the path ordained for pretty, well-to-do Jackson women--marrying an ambitious lawyer, filling her days with shopping and charity work. She barely recognizes Starr when they meet twenty-seven years after that first fateful summer, but the bond formed so long ago quickly reemerges. Starr, pregnant by a powerful married man who wants her to get out of town, has nowhere to turn. And Annie, determined not to fail her friend this time, agrees to drive Starr to New Orleans to get money she's owed. During the eventful road trip that follows, Annie will confront the gap between friendship and responsibility; between her safe, ordered existence and the dreams she's grown accustomed to denying. Moving, witty, and beautifully told, The Right Thing is a story of love and courage, the powerful impact of friendship, and the small acts that can anchor a life--or, with a little luck, steer it in the right direction at last. "Mix Fannie Flagg, Rebecca Wells, Kathryn Stockett, then add just a dash of Flannery O'Connor, and you'll wind up with the wholly original voice that is Amy Conner's. In this deceptively breezy novel of Southern women and the disaster and triumph of long-term friendships (not to mention racetracks and horses), Ms. Conner has staked a claim to her own Southern turf." --Bret Lott, New York Times bestselling author of Jewel"This riveting debut novel shows how true friendship can span a social gulf and endure even across a chasm of time. The Right Thing is a page-turner that gripped me from the beginning." --Anna Jean Mayhew, author of The Dry Grass of August"Before you read this book, make some coffee, grab the chocolate, sit down in front of the fire, and don't plan on getting up for a long, lovely time." --Cathy Lamb, author of If You Could See What I See"Amy Connor has combined all of the right elements to make The Right Thing a fantastic read. She's written a touching story about a woman's search for herself and the endurance of a childhood friendship, outlined it in humor, and delivered it with beautiful prose. A wonderful debut!" -- Mary Simses, author of The Irresistible Blueberry Bake Shop & Café"Told with natural Southern lyricism, and full of surprises both quirky and heartfelt, The Right Thing is a compassionate reminder about how every choice at every fork in the road has the power to change the rest of our lives-- sometimes far better than we ever could have imagined." -- Kaya McLaren, author of How I Came to Sparkle Again

    We at Zoo are eminently pleased to have such a fine book of verse for our inaugural Kenyon Review Prize volume. Fennelly's poems are well poised in their witty and sometime sassy ruminations, often "maximalist" in their scope (see "From L' HUtel Terminus Notebooks") and the pleasure one takes within them is of the rarest breed: it is the pleasure of unexpected revelation. Open House comes introduced by series judge and Kenyon Review poetry editor, David Baker.

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.

    Focusing on inspiration, Doby's poetry invites its reader to "Come as you are. Your tribe has arrived.  Your breath can rest here."both softand fiercecan coexist and still be powerful

    The title, Regarding Wave,reflects "a half-buried series of word origins dating back through theIndo-European language: intersections of energy, woman, song and 'GoneBeyond Wisdom.'" Central to the work is a cycle of songs for Snyder'swife, Masa, and their first son, Kai. Probing even further than Snyder'sprevious collection of poems, The Back Country, this newvolume freshly explores "the most archaic values on earth… the fertilityof the soil, the magic of animals, the power-vision in solitude, theterrifying initiation and rebirth, the love and ecstasy of the dance,the common work of the tribe…”

    Wright is one of America’s leading poets, an artist of idiosyncratic vision who demands ever more from words and poems. As Dave Eggers wrote in The New York Times, “C.D. Wright has been writing some of the greatest poetry-cum-prose you can find in American literature.”Rising, Falling, Hovering is a work of profound social, political, and cultural consequence, a collection that uses experimental forms to climb within the unrest teeming around the world and inside the individual. “We are running on Aztec time,” she writes, “fifth and final cycle.”In short lyrics and long sequences, Wright’s language is ever-sharpened with political ferocity as she overlays voices from the United States, Oaxaca, Baghdad, and the borderlands between nations, to reveal the human struggle for connection and justice during times of upheaval and grief.If a body makes 1 centavo per chile picked or5 cents for 50 chiles can Wal-Mex get it down to 3 cents. Pass the savings on to US.Will they open a Supercenter in Falluja once it is pacified. Once the corpsesin the garden have decomposed. Once the wild dogs have finished off the bones.Does the war never end. Is this the war of all against all.Who will build the great wall between us, the illegals, the vigilantes, theevangelicals. . .C.D. Wright, author of twelve collections of poetry and prose, is a professor of English at Brown University and received a MacArthur Fellowship in 2005. She lives outside Providence, Rhode Island.

    Edited by Cid Corman. The section headings in this book of poems are all vintage Niedecker, but they stake out the poems in three large masses. The earlier work-apprentice to Zukofsky but finding her voice; the central work--when she discovers her range and depth; the final work--much of it known posthumously--showing how she was probing other voices into a larger plenum. One's first impulse, after awe, on reading THE GRANITE PAIL is a double dose of shame: shame at not being more familiar with her work; shame at ever having complained of the narrowness of one's life--Carolyn Kizer.

    "The book succeeds because the characters are realistic and because Hannah is able to make us care about them".--Houston Post.

    Martin, in the middle of a divorce, is seeking solace. But settles in for some rest and rehabilitation with his soon-to-be ex-sister-in-law.