At the height of his career, Sturges had not only won an Academy Award but was also one of the most highly paid executives in the country.The only account of his life in his own words, Preston Sturges by Preston Sturges unveils the source of his extraordinary creativity: a life that was every bit as antic and unconventional as his movies.

    Following its subject from the moody Oklahoma teenager to the Method-trained star to the eccentric recluse of his later years, Marlon Brando offers a penetrating look at the actor's evolving persona: the volcanic Stanley Kowalski in A Streetcar Named Desire, the sensitive rebel in The Wild Ones, the iconic Don Corleone in The Godfather. Bosworth probes Brando's alcoholic parents' influence on his acting, his decades of psychoanalysis, and his tumultuous personal relationships. Here, from rebellious unknown to reluctant idol to falling star, is the complex charismatic genius who changed the face of acting.

    Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood’s major studios—United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the only person to witness the film’s evolution from beginning to end. Combining wit, extraordinary anecdotes, and historical perspective, he has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud.

    It is a refreshingly offbeat comedy about young Max Fish, a precocious pupil at a conservative private school. He is a live wire, a teenager full of madcap entrepreneurial schemes that usually in failure. His personal life becomes similarly complicated when he falls for his elegant teacher, Rosemary Cross, and finds himself vying for her favor with Herman Blume-who is portrayed in the film by Bill Murray-the wealthy father of two of his classmates. Max ultimately proves himself a figure of some tenacity as he negotiates the minefield of love, desire, and adolescence.At the Toronto Film Festival, Screen International called Rushmore "a real charmer filled with surprise twists and emotions that avoid sentimentality . . . A little gem."

    Noted film historian John Culhane tells the story behind the creation of Fantasia, using never-before-published material and a wealth of memorable illustrations, including actual frames from the classic film.

    This study analyzes Chinatown in the context of the figure of the detective in literature and film from Sophocles to Edgar Allan Poe and Alfred Hitchcock.

    Although she made her name as a star of the silent screen, she found her calling as a gossip columnist, where she had the ear of the most powerful force in show business: the public. With a readership of 20,000,000 people, Hopper turned nobodies into stars, and brought stars to their knees. And in this sensational memoir, she tells all. In her career, Hopper crossed some of Hollywood’s biggest bold-faced names, from Joan Crawford and Bette Davis to Charlie Chaplin and Katherine Hepburn, and her feud with rival gossip columnist Louella Parsons became the stuff of legend. In The Whole Truth and Nothing But, we get Hedda’s side of the story—and what a story it is. Hedda Hopper is portrayed by Judy Davis in the Ryan Murphy TV series Feud.

    This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

    He's best know as the empathetic android Bishop in Aliens and the intuitive criminal profiler Frank Black in the TV series "Millennium," but he has also played gunfighters and gangsters, an astronaut, a vampire, a sadistic monk, Charles Bronson and Abraham Lincoln. He's mentored Tarzan, Evel Knievel and the Antichrist, and fought Terminators, Aliens, Predators, Pinhead, Bigfoot, Superman, the Autobots, Mr. T, Jean Claude Van Damme and Steven Seagal. He's worked with directors James Cameron, Steven Spielberg, Kathryn Bigelow, Walter Hill, Sidney Lumet, Francois Truffaut, John Huston, David Fincher, John Woo, Jim Jarmusch and Sam Raimi... But this is just skimming the surface.Henriksen is a true artist - a painter, a potter and a creative collaborator who brings complexity and humanity to all of his work by drawing on real life experiences that are often stranger than fiction. His biography not only celebrates the actor's screen persona, film by film, but also recounts the chaotic upbringing and early life experiences that shaped him, revealing the man behind the image. As Lance so candidly states, "This isn't just a book about me becoming an actor. It's about all the people I've crossed paths with over the years who have helped me flourish in spite of the chaos in my early life. It's about a lifelong process of becoming a human being."

    During their journey to realize their dream, they encountered unprecedented challenges and regularly took the difficult way out.For the first time ever, the story of how these two young filmmakers struck lightning is being told by those who witnessed it. We Don’t Need Roads includes original interviews with Zemeckis, Gale, Christopher Lloyd, Lea Thompson, Huey Lewis, and over fifty others who contributed to one of the most popular and profitable film trilogies of all time.With a focus not only on the movies, but also the lasting impact of the franchise and its fandom, We Don’t Need Roads is the ultimate read for anyone who has ever wanted to ride a Hoverboard, hang from the top of a clock tower, travel through the space-time continuum, or find out what really happened to Eric Stoltz after the first six weeks of filming. So, why don’t you make like a tree and get outta here – and start reading! We Don’t Need Roads is your density.

    Weirdsville U.S.A. charts Lynch’s work from his experimental art school years and the midnight movie hit Eraserhead, the mainstream success of The Elephant Man and the commercial failure of Dune, the birth of Weird Americana with Blue Velvet and Twin Peaks and the neo-noir mystery Lost Highway, to the present day and the film The Straight Story and TV series Mulholland Drive.

     Charlie Chaplin is most famously known for his “tramp” character—the homeless hobo that can be seen hopping from trains and lining up in the soup kitchens of the Great Depression. At a time when the whole world was struggling from economic meltdown, Charlie Chaplin made “destitute” a term of endearment. We may laugh when we see Charlie Chaplin so broke that he has to boil his shoes and eat them, but during the worst parts of the economic collapse of the 1920s and 1930s, some people had to do just that. So, at the time, even though many would laugh at the crazy tramp’s antics, they could also relate and identify with them. And the fact that Charlie Chaplin’s tramp character could be completely broke with his pockets turned out, sitting in a gutter with the rain pouring down, yet still be happy, gave people quite a bit of encouragement. People thought that if the homeless, wandering tramp portrayed in Chaplin’s films could get through such rough times and be alright, maybe they could too. Inside you will read about... ✓ From the Poorhouse to the Stage ✓ Coming to America ✓ Unhappily Married ✓ The Silent Film Hush Money ✓ He Doesn’t Talkie ✓ Socialist Leanings ✓ Exile from the United States And much more! As goofy as some of Chaplin’s slapstick comedic moments are in his films, it was the way he just kept trundling along, even in the face of great adversity, that empowered so many. It was this tantalizing glimpse of hope, more than anything else, that kept them coming back for more.

    Throughout his remarkable career in the dramatic arts, as well as his occasionally explosive personal life, Sean Penn has proved he rarely plays by the rules. A tumultuous marriage to Madonna, stints in jail, and other forms of hell-raising marked Penn's younger years, along with some stunning performances on film. Later, Penn emerged as a brilliant director, devoted father, contentious political activist…and reluctant actor, capable nevertheless of breathtaking performances (Dead Man Walking, Sweet and Lowdown, Mystic River, and 21 Grams). Illustrated with over seventy-five black and white photographs and drawing on exclusive interviews with Penn and his family, friends and colleagues (Jack Nicholson, Dennis Hopper, Woody Allen, Susan Sarandon, Bono, Christopher Walken, Angelica Huston, and many more), Kelly creates an engaging, richly detailed and multi-faceted portrait of an uncompromising American artist in this exclusive and engrossing authorized biography.

    This volume gathers highlights from designs commissioned by the Criterion Collection, featuring covers, supplemental art, and never-before-seen sketches and concept art plus a gallery of every Criterion cover since the collection’s first laserdisc in 1984. From avant-garde experiments to big-budget blockbusters, cult favorites to the towering classics of world cinema, the depth and breadth of what film can be is on display in these striking images. Whether painstakingly faithful re-creations or bold re-imaginings, the stunningly diverse designs collected here offer new ways for cinephiles and design aficionados alike to engage with the world’s greatest filmmakers.

    Few could anticipate the unparalleled influence it would have on pop culture, one that would inspire future generations of filmmakers and redefine the gangster picture as we know it today. From the rush of grotesque violence in the opening scene to the iconic hilarity of Joe Pesci's endlessly quoted "Funny how?" shtick, it's little wonder the film is widely regarded as a mainstay in contemporary cinema.In the first ever behind-the-scenes story of Goodfellas, film critic Glenn Kenny chronicles the making and afterlife of the film that introduced America to the real modern gangster--brutal, ruthless, yet darkly appealing, the villain we can't get enough of. Featuring interviews with the film's major players, such as Martin Scorsese, Robert De Niro and Joe Pesci, Made Men shines a light on the lives and stories wrapped up in the Goodfellas universe, and why its enduring legacy is still essential to charting the trajectory of American culture thirty years later.