It was filled with hundreds of niches, one over the other. There is a country in each one; they're like boys, they're dead." In this landmark poem, written at the height of the Pinochet dictatorship, major Chilean poet Raul Zurita protests with ferocious invention the extinguishment of a generation and the brutalization of a nation. Of the role of poetry and of his own treatment by the military under this regime, Zurita has said, "You see, the only thing that told me that I wasn't crazy, that I wasn't living in a nightmare, was this file of poems, and then when they threw them into the sea, then I understood exactly what was happening." This elegy refuses to be an elegy, refuses to let the Disappeared disappear.

    But for the young socialite in pre-Castro Cuba, her life in Havana with her Sergeant of police father is idyllic. That is, until she falls in love with Lorenzo, a penniless man who takes her away to the impoverished town of El Cotorro, and her father disowns her. Josefina comes to wish her father dead but regrets it after the Sergeant is assumed killed in a student-led riot. One day, mysterious letters from the Sergeant begin to arrive, telling her the truth about his past. The ghostly letters become her link to love.Set in Miami and Cuba and covering nearly fifty years of that island's history, Love and Ghost Letters unfolds the lives of the members of the Navarro-Concepción families in the patterns and permutations of memory, and conjures a Cuban setting that evokes mysticism and magic.

    From carving and veneering to jewelry boxes and custom cabinetry, "Woodwork" is the ultimate visual guide to every essential woodworking technique.Featuring an attractive range of finely crafted projects in easy-to-follow step-by-step detail, from household items to furniture, "Woodwork" is an inspiring book for woodworking enthusiasts who want to develop their skills, whether a beginner or more advanced woodworker.

    She left Latin America twenty years ago, but recently returned to look critically at our Church, our Constitution, our daily lives. Told in a lyrical and personal voice, but backed up by solid research, In the Land of God and Man draws a new map of Latin and Latino America -- from Quito, Ecuador to Queens, New York -- exposing its hidden cultural undercurrents and bringing women out of the factories and favelas, the brothels and the boardrooms, and allowing them to tell their own stories.

    But everyone-including the baffled novelist-is trying to figure out exactly who San Vicente really is. There is some record of San Vicente in FBI records during the Wilson era, and some mention of him in anarchist records and rumors, but the rest has to be filled in. And who better to do this than Taibo? Meanwhile-with Taibo busy in the background trying to resolve the mystery of his hero's identity-San Vicente goes about his heroic avocation of organizing strikes against the capitalists, dodging thugs and hiding out from the Mexican Army."As an activist in Mexico in the '60s, Paco Ignacio Taibo II began a search for figures in leftist history that his generation could look up to. Today an internationally famous detective novelist (An Easy Thing, etc), the writer has validated his quest with a novel-documentary, in which he reimagines a historical figure-a mysterious Spanish anarchist named Sebastián San Vicente. Casting himself in a tale set 29 years before he was born, Taibo chronicles his present-day research and depicts a range of first person characters (some of them real figures) who engage with the elusive anarchist. Incorporating historical documents or documents based on fact-letters, telegrams, police files, etc.-the author further blurs the boundary between fact and fiction. Taibo's affectionate account of working-class culture in a phase of heroic struggle is a perfect little jeu d'esprit."-Publisher's Weekly"…a hilariously funny novel that satirizes every possible aspect of the politics and social fabric of 20th-century Mexico. Taibo is one of Mexico's most popular writers, known for his detective fiction and more mainstream novels like Leonardo's Bicycle. Then again, mainstream may be the wrong word-in the latter two titles, as in this, Taibo plays with the definitions of novel, history, politics and time. Very highly recommended."-Library Journal (starred review)"I am

    Enjoy the exotic flavors of these diverse cuisines without leaving your kitchen. Jason's delicious recipes capture the essence of the moles of Oaxaca, the Mayan legacy of the Yucatan, the smoky chile flavors of Zacatecas,the fruit-centric Southern regions, the Spanish influence of Veracruz, and the street food of Mexico City. Recipes include:Oaxacan Black BeansBlue Corn Mushrooms BocolesFour Chile Noodle SoupClassic Sweet Corn TamalesOld-Style Street EnchiladasSonoran Machaca BurritosSweet Potato PastelitosTres Leches CakeA leading authority in vegan Mexican cooking, Jason shares the core concepts for making authentic Mexican cuisine and tie the recipes to their place in the story of Mexico. Readers will come away with a new understanding and admiration for the diversity and flavors of Mexico and be inspired to make delectable main dishes, soups, spreads, sandwiches, breads, desserts, snacks, and much more.

    Usually depicted as the lush and green world of rural quiet and tranquility, the Valley becomes the backdrop for the difficulties these characters confront as they try to maintain hope and independence in the face of isolation. In the title story, a teenage boy learns the consequences of succumbing to the lure of a town outsider; in "Campo," a young farm worker frantically attempts to hide his supervision of a huddle of children from the town police, only to have another young man come to his unexpected rescue; in "The Unimportant Lila Parr," a father must expose his own secrets after his son is found murdered in a highway motel. From conflicts of family and sexuality to the pain of loss and memory, the characters in Zigzagger seek to reconcile themselves with the rural towns of their upbringing—a place that, by nature, is bordered by loneliness.

    military occupation, a soldier emerged from the outskirts of a small town to report that he had just shot and killed two policemen and an outspoken Catholic priest. It’s the opening scene in a mystery that, forty years later, compels writer J.B. MacKinnon—the priest’s nephew, born five years after the incident—to visit the island nation for himself. Beginning with scant official information, he embarks on a chilling investigation of what many believe was a carefully plotted assassination—and on a search for the uncle he never knew.Winner of Canada’s highest award for literary nonfiction, Dead Man in Paradise takes MacKinnon to corners of the country far from the Caribbean paradise seen by millions of tourists; he meets with former revolutionaries and shadowy generals from the era of dictatorship, family members of the slain policemen, and struggling Dominicans for whom the dead priest is a martyr, perhaps even a saint. Along the way, he uncovers a story inseparable from the brutal history of the New World, from the fallout of American invasion, and from the pure longing for social justice that once touched a generation. Part memoir, part travelogue, part mystery thriller, Dead Man in Paradise is “a testament to the enduring virtues of literary journalism” (The Georgia Straight).

    Antonio's Gun and Delfino's Dream, Quinones's second collection of nonfiction tales, does the same for one of the most important issues of our times: the migration of Mexicans to the United States.Quinones has covered the world of Mexican immigrants for the last thirteen years--from Chicago to Oaxaca, Michoacan to southeast Los Angeles, Tijuana to Texas. Along the way, he has uncovered stories that help illuminate all that Mexicans seek when they come north, how they change their new country, and are changed by it.Here are the stories of the Henry Ford of velvet painting in Ciudad Juarez, the emergence of opera in Tijuana, the bizarre goings-on in the L.A. suburb of South Gate, and of the drug-addled colonies of Old World German Mennonites in Chihuahua. Through it all winds the tale of Delfino Juarez, a young construction worker, and modern-day Huckleberry Finn, who had to leave his village to change it.

    The cartels have grown increasingly bold in recent years, building submarines to move up the coast of Central America and digging elaborate tunnels that both move drugs north and carry cash and U.S. high-powered assault weapons back to fuel the drug war. Channeling her long experience working on border issues, Longmire brings to life the very real threat of Mexican cartels operating not just along the southwest border, but deep inside every corner of the United States. She also offers real solutions to the critical problems facing Mexico and the United States, including programs to deter youth in Mexico from joining the cartels and changing drug laws on both sides of the border.

    A work of conscience that travels from San Matías Cuatchatyotla, a small, dusty town in central Mexico, to the cold and wet streets of Williamsburg, Brooklyn, this searing exposé chronicles the life and tragic death of an undocumented worker, along with broader issues of municipal corruption and America’s deadly and controversial border policy.From the Trade Paperback edition.

    Only the fourth book of Peri Rossi’s to be translated into English—the others are The Ship of Fools, A Forbidden Passion, and Dostoevsky’s Last Night—Solitaire of Love showcases the mesmerizingly rhythmic language that has become the trademark of this award-winning and prolific author of novels, essay collections, poetry, and short stories. Tracing the course of a relationship as it evolves into uncompromising self-destruction, the narrator of Solitaire of Love becomes addicted to his own passion and to the body of his beloved. Erotic, romantic love becomes bewitchment, producing a heightened state where time is measured in the rhythms of a chosen body and pride becomes subservient to obsession. The specifics of this other body trump any claim to ordinary existence for the narrator, as sex becomes a kind of idolatrous slavery and love becomes a mechanism for self-immolation. As in Peri Rossi’s other works, an ambiguous sense of gender and sexuality arise from her uniquely experimental prose and mystically erotic logic. Language is subsumed into this process as a way to bear witness, to transfix and capture the love object. The limbo of obsession, as described by Peri Rossi, creates an infantilizing brand of loneliness, broken by flashes of joy, insight, fury, and fear. This novel was originally published in Spanish in 1988.

    In a new preface, editor and translator Robert Bly explores what the poems reveal today about politics, the spirit, and the purpose of art.

    These unwitting Jewish women were procured for the thousands of new European immigrants who came to establish these colonies. The import of these women left a legacy in each of these countries: the rise of anti–Semitism.Bodies and Souls brings to light a dark, untold chapter in Jewish history – a topic previously hidden because of the extreme shame surrounding it. From the end of the 1860s until the beginning of WWII, thousands of young, impoverished Jewish women were sold into slavery by a notorious criminal gang of Jewish mobsters, the Zwi Migdal. By the turn of the 19th century the Zwi Migdal had established their headquarters in Buenos Aires. However, it was in Rio de Janeiro that The Society of Truth was created.The most shameful part of all of this was how the women were treated by the Jewish community. A group of these women banded together to form The Society of Truth. They stood up against the dogma that said they were impure. Herein lies the irony: this group, cast aside by their community, went on to form a new society for themselves, a society of love, honour to God and faith in each other.

    Eshleman and his present collaborator, Jose Rubia Barcia, have not only rendered these complex poems into brilliant and living English, but have also established a definitive Spanish test based on Vallejo's densely rewritten manuscripts. In recreating this modern master in English, they have also made a considerable addition to poetry in our language."