Henry, originally published in 1906, has become one of the best known and most beloved of Chistmas tales. An exuberant couple urged on by their love, make great sacrifices in order to purchase the perfect Christmas gift for the other. The husband sells his gold watch in order to buy expensive combs for his wife's luxurious locks. While the wife sells her hair to the wigmaker in order to buy a chain suitable for her husband's handsome timepiece. When all is revealed on Christmas Eve, the sweet irony of their dual generosity leaves them, whether they know it or not, as the wisest of gift givers: "But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. O all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi."The artist Joel Priddy employs the same twists of reciprocity in his own work and is well suited to adapting and updating this classic for a modern audience.

    and the Florida Crackers -the zany but lovable folks who populated the remote hamlet that was Marjorie Rawlings’ home. With a gift for humor and a venerable ear for dialect comes the author’s personal accounts of the people, scenery and wildlife of Cross Creek.Short Stories:A Crop Of BeansBenny and the Bird DogsJacob’s LadderThe PardonVarmintsThe EnemyGal Young UnAlligatorsA Plumb Clare ConscienceA Mother In MannvilleCocks Must Crow

    He is turned away but not before learning that one of the most adept of the old priestesses, or sibyls, lives in disgrace in the mountains above the temple. In her rude goat-hut he seeks the meaning of his disastrous brush with the son of God. She reveals that she, too, has been touched by the son of a god, a very different son, not quite human, born of her own body. He dwells with her as a constant reminder of the betrayal of her mystical and erotic union with the divine, her punishment, and perhaps her redemption.

    Readers of Denis Johnson, David Foster Wallace, Mary Gaitskill, Susanna Moore, and other contemporary fiction writers will welcome this haunting novel about a 27-year-old woman who flees her failed marriage only to find herself involved in a perplexing spiral of murder, counterfeit, and false identity.

    Fleeing from a motorcycle gang, alienated, middle-aged Spanish Barrman escapes into a hidden cave and finds himself entombed in an underground labyrinth inhabited by the wondrous Skook.

    25,000 first printing. $25,000 ad/promo.

    Little does she know what kind of world she is about to step into.Miss Prim dutifully accepts the job and begins organizing her employer's vast library. A knowledgeable, mysterious gentleman with very specific opinions about life, he challenges Miss Prim's seemingly unshakeable disposition. And as she becomes familiar with the other townspeople, she begins to realize that the surprising lifestyle of the town awakens amazement, perplexity, and even disdain in her. For in this tiny corner of the world, a flourishing colony of exiles have settled into a simple, rural existence, living around great literature, intellectual discussions, family, and sweet indulgences. Their peculiar and unconventional ways slowly test Miss Prim's most intimate ideas and fears as well as her most profound convictions. She quickly comes to realize that her advanced degrees did little to prepare her for the lessons she's being taught the least of which is a lesson in love.Set against a backdrop of steaming cups of tea, freshly baked cakes, warm fires, and lovely company, The Awakening of Miss Prim is a delightful, thought-provoking, and sensitive novel that gives rise to theories about love and companionship, education, and the beauty of every passing moment.

    The Empty House is about being in love with the wrong man; The Day of the Storm is about discovering family—and its secrets; and Under Gemini is about deception. A wonderful new omnibus edition of three full-length novels by one of America's favorites.

    Fifty-five million years ago, during the early Eocene period, a sudden burst of lightning frightened a herd of small prehistoric horses. In the ensuing panic, one of the horses, a five-year-old mare no bigger than a fox terrier, fell into a lake and drowned. On June 23rd, 1975, in Austin, Texas, a drop of oil combusted in a car engine. This tiny explosion happened just as the Ford Pinto, driven by a one-armed hitchhiker named Jimmy, pulled into the parking lot of the Timber Creek Apartments, home to the young woman in the passenger seat, a twenty-two-year-old biology student named Clarissa Sanders. Machine is the story of the hidden connections between these two seemingly unrelated events. Omnivorous in its pursuit of knowledge?every single one of its eighty-eight pages a daring mixture of fact and fiction, science and art?this short novel relentlessly pursues one of life's great mysteries: where does Fate end and coincidence begin?

    These stories all deal with the common theme of the awakening of love at unpremeditated time and place, catching the victims off-guard. For the essential flavor of the tales, read Sunstroke, the story of a chance encounter on board ship; and A Night at Sea, perhaps the most unusual story of the group. Russian -- some about cultured people, some about peasants. The market is:- all who like exceptional short stories; all who are interested in getting the feel of one of the most famous writers.

    She has to adapt and make a home for her baby daughter and aging husband amidst boreholes, long drops and Aga stoves.She comes to terms with her neighbours, Joshua, a practising Sangoma, and Ben, a Jewish pig farmer; is educated in the ways of the Practical by her indomitable maid May; and comes of age through her determined efforts to create things of beauty amidst the khakibos - a lawn and poetry. She even restores the family fortune by engaging in a lucrative and uniquely South African venture.

    

    Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate. Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.

    Stephen Pearl's new translation, the first major English-language publication of Oblomov in more than fifty years, succeeds exquisitely to introduce this astonishing and endearing novel to a new generation of readers.

     Nico goes silent, and the group at the table looks at him. “I am,” he says, “but I was planning on sending her into a school that has hidden supers, not on a drug bust. She has a very specific goal in mind, you know.” “Yes, I am aware,” Mastermental says. “And if you really wish to ignore this—” “I didn’t say that,” Nico says, as Morgan jerks in silent protest. “But it’s not what she’s planning on going into.” “Yes, but she is the perfect person to infiltrate a track and field group, as well as see who else is affected. There is a possibility that it goes much higher than that, Lauren has fractured memories of even teachers acting strangely, as well,” Mastermental says. “But as much as I dislike stereotyping—” “I look like a normal, high school jock, right?” Morgan offers.