Accepting their demented challenge, Batman is forced to live and endure the personal hells of the Joker, Scarecrow, Poison Ivy, Two-Face, and many other sworn enemies in order to save the innocents and retake the prison. During his run through this absurd gauntlet, the Dark Knight's own sanity is placed in jeopardy. This special anniversary edition trade paperback also reproduces the original script with annotations by Morrison and editor Karen Berger.

    Given free reign to use any means necessary, Lucifer is promised a prize of his own choosing if he fulfills this holy request. But once he completes his mission, the Prince of Darkness' demand shakes the foundation of Heaven and Hell. Now as his enemies unite to stop his reemergence, Lucifer gathers his forces as he prepares to launch his new revolution.This volume contains:The Sandman Presents: Lucifer #1–3Lucifer #1–4

    Williams III and W. Haden Blackman launch the ongoing Batwoman series, as Batwoman (a.ka. Kate Kane) faces deadly new challenges in her war against Gotham City's underworld–and new trials in her personal life.Who or what is stealing children from the barrio, and for what vile purpose? Will Kate train her cousin, Bette Kane (a.k.a. Flamebird), as her new sidekick? How will she handle unsettling revelations about her father, Colonel Jacob Kane? And why is a certain government agency suddenly taking an interest in her? These are some of the questions that will be answered in this long-awaited series!This deluxe hardcover colllect issues 0-5 of Batwoman, part of the DC Comics—The New 52 event.

    From the maiden voyage of a home-built plane to the adventures of a young courier and his flying whale to a handful of stories about coming of age and letting things go, this first volume of Flight is full of memorable tales that will both amaze and inspire.

    Phonomancer David Kohl hadn't spared his old patron a thought for almost as long... at which point his mind starts to unravel. Can he discover what's happened to the Mod-Goddess of Britpop while there's still something of himself left? Dark modern-fantasy in a world where music is magic, where a song can save your life or end it.Collects Phonogram: Rue Britannia #1-6.

    We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. —Danny Graydon

    His artistry is in his Zen-like clarity, his simple direct address, and his unique understanding of the essential animal-human continuum. When one experiences MUTTS, one experiences genius." -Alice Sebold, author of The Lovely Bones"Dog-Eared"is exactly what this latest collection from cartoonist Patrick McDonnell is destined to become. The brilliant assortment of simple-yet-complex strips will have readers turning its pages again and again, eager to revisit the charm, truth, and humor found within.McDonnell's strip, highlights the adventures of Earl the dog and Mooch the cat, best buddies who regularly come in contact with Shtinky Puddin', Sourpuss, Guard Dog, and Crabby-as well as an assortment of whimsically rendered humans. This cast is capable of endless antics, interspersed with poignant views on both the animal and human condition. And whether they're raiding garbage cans or basking in full-frontal belly rubs, Mooch and Earl always have a comment to clinch the scene.MUTTS is the kind of strip that comic readers find irresistible. "Dog-Eared" is the same kind of collection. One strip leads to another, and before you know it you've turned page after dog-eared page to satisfy a growing MUTTS addiction.

    After being run out of Boneville, the three Bone cousins, Fone Bone, Phoney Bone and Smiley Bone are separated and lost in a vast uncharted desert. One by one they find their way into a deep forested valley filled with wonderful and terrifying creatures. It will be the longest -- but funniest -- year of their lives.

    With over 500 daily strips and 80 full-color Sunday pages, this is satire, and Doonesbury, at its best.

    Become a corporeal immortal Death Knight and obtain reality-altering weaponry in the never-ending battle between good and evil.Collects DEATH VIGIL #1-8.

    Cloud, who attempts to teach Bruce about trust. Meanwhile Batman has taken on a mysterious new partner in his fight against crime in Gotham City, but will his attempt at trusting someone cause him to be rewarded...or punished?Collects BATMAN: THE WIDENING GYRE #1-6.

    Venom?! Spider-Man's worst enemy becomes his uneasy ally in the battle to halt Carnage's mad rampage. But when he finds himself at odds with a number of his allies, who want to finish Carnage and his cronies once and for all, Spider-Man must decide whether to violate his personal code of honor to rid the world of pure evil. Can the web-slinger find an alternative before it's too late? Either choice carries dire consequences!Collecting: The Amazing Spider-Man 378-380, Spectacular Spider-Man 201-203, Spider-Man 35-37, Spider-Man Unlimited 1-2, Web of Spider-Man 101-103

    where master chefs rule the town like crime lords and people literally kill for a seat at the best restaurants, a bloody culinary war is raging.On one side, the Internationalists, who blend foods from all over the world into exotic delights. On the other, the "Vertical Farm," who prepare nothing but organic, vegetarian, macrobiotic dishes. Into this maelstrom steps Jiro, a renegade and ruthless sushi chef, known to decapitate patrons who dare request a California Roll, or who stir wasabi into their soy sauce. Both sides want Jiro to join their factions. Jiro, however has bigger ideas, and in the end, no chef may be left alive!Anthony Bourdain, top chef, acclaimed writer (Kitchen Confidential, Medium Raw) and star of the hit travel show, No Reservations, co-writes with Joel Rose (Kill Kill Faster Faster, The Blackest Bird) this stylized send-up of food culture and society, with detailed and dynamic art by Langdon Foss.

    They meet during the Depression -- she working as a chambermaid, he as a milkman -- and we follow them as they encounter, and cope with, World War II, the advent of radio and t.v., telephones and cars, the atomic bomb, the moon landing. Briggs's portrayal of his parents as they succeed, or fail, in coming to terms with their rapidly shifting world is irresistably engaging -- full of sympathy and affection, yet clear-eyed and unsentimental.The book's strip-cartoon format is deceptively simple; it possesses a wealth of detail and an emotional depth that are remarkable in such a short volume. Briggs's marvelous illustrations and succinct, true-to-life dialogue create a real sense of time and place, of what it was like to experience such enormous changes. Almost as much a social history as it is a personal account, Ethel & Ernest is a moving tribute to ordinary people living in an extraordinary time.

    The young scientist, who disappeared underground several months ago, claimed, to everyone’s astonishment, to be able to prove the existence of Hell by using Darwin’s theory of evolution. The little group, led by Charlie, plunge underground in his pursuit. The deeper they progress into the entrails of our planet, the more they enter another world that hides other forms of life heretofore never experienced. The discovery changes them gradually in a way they cannot at first perceive…