. . forever. Through the eyes of Cormac O'Connor -- granted immortality as long as he never leaves the island of Manhattan -- we watch New York grow from a tiny settlement on the tip of an untamed wilderness to the thriving metropolis of today. And through Cormac's remarkable adventures in both love and war, we come to know the city's buried secrets -- the way it has been shaped by greed, race, and waves of immigration, by the unleashing of enormous human energies, and, above all, by hope.

    There’s Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset.As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.

    Like Dubus’s already- classic memoir, Townie, and his novel House of Sand and Fog (a #1 New York Times bestseller), Gone So Long is a profound exploration of the struggle between the selves we wish to be, and the ones—shaped by chance and circumstance, as well as character—that we can’t escape.

    From the outside, it looks like she has everything, but on the inside, she fears she has nothing that matters. In Madeleine’s memories, her grandmother Margie is the kind of woman she should have been—elegant, reserved, perfect. But when Madeleine finds a diary detailing Margie’s bold, romantic trip to Jazz Age Paris, she meets the grandmother she never knew: a dreamer who defied her strict, staid family and spent an exhilarating summer writing in cafés, living on her own, and falling for a charismatic artist. Despite her unhappiness, when Madeleine’s marriage is threatened, she panics, escaping to her hometown and staying with her critical, disapproving mother. In that unlikely place, shaken by the revelation of a long-hidden family secret and inspired by her grandmother’s bravery, Madeleine creates her own Parisian summer—reconnecting to her love of painting, cultivating a vibrant circle of creative friends, and finding a kindred spirit in a down-to-earth chef who reminds her to feed both her body and her heart. Margie and Madeleine’s stories intertwine to explore the joys and risks of living life on our own terms, of defying the rules that hold us back from our dreams, and of becoming the people we are meant to be.

    Now she lives in Vermont under the name Maggie Reid, in a small house with her cats and dog. She’s thankful for the new friends she’s made―though she can’t risk telling them too much. And she takes satisfaction in working as a makeup artist at the luxurious local spa, helping clients hide the visible outward signs of their weariness, illnesses, and injuries. Covering up scars is a skill she has mastered.Her only goal is to stay under the radar and make it through her remaining probation. But she isn’t the only one in this peaceful town with secrets. When a friend’s teenage son is thrust into the national spotlight, accused of hacking a powerful man’s Twitter account, Maggie is torn between pulling away and protecting herself―or stepping into the glare to be at their side. As the stunning truth behind their case is slowly revealed, Maggie’s own carefully constructed story begins to unravel as well. She knows all too well that what we need from each other in this difficult world is comfort. But to provide it, sometimes we need to travel far outside our comfort zones.

    A teenage girl—her father long since disappeared, her mother unwilling to have her in the house—is pregnant, alone herself, with nowhere to go. And out in the country, two brothers, elderly bachelors, work the family homestead, the only world they've ever known.From these unsettled lives emerges a vision of life, and of the town and landscape that bind them together—their fates somehow overcoming the powerful circumstances of place and station, their confusion, curiosity, dignity and humor intact and resonant. As the milieu widens to embrace fully four generations, Kent Haruf displays an emotional and aesthetic authority to rival the past masters of a classic American tradition.Utterly true to the rhythms and patterns of life, Plainsong is a novel to care about, believe in, and learn from.

    They've got a two hundred year-old house, an autistic son obsessed with the Titanic, and 17 chickens, at last count. It's the kind of paradise where stay-at-home moms team up to cook the school's "hot lunch," dads grill grass-fed burgers, and, as Lucy observes, "chopping kale has become a certain kind of American housewife's version of chopping wood."When friends at a wine-soaked dinner party reveal they've made their marriage open, sensible Lucy balks. There's a part of her, though – the part that worries she's become too comfortable being invisible-that's intrigued. Why not try a short marital experiment? Six months, clear ground rules, zero questions asked. When an affair with a man in the city begins to seem more enticing than the happily-ever-after she's known for the past nine years, Lucy must decide what truly makes her happy – "real life," or the "experiment?"

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    In the week before Jack plans to marry, the pair heads out from Los Angeles to the Santa Ynez wine country. For Jack, the tasting tour is Seven Days to D-Day, his final stretch of freedom. For Miles--who has divorced his wife, is facing an uncertain career and has lost his passion for living--the trip is a weeklong opportunity to evaluate his past, his future and himself. A raucous and surprising novel filled with wonderful details about wine, Sideways is also a thought-provoking and funny book about men, women, and human relationships.

    . . Piper Jane Mackenzie, mayor of Honey Creek, won’t let a major scandal rip her quirky hometown apart, or jeopardize her dream of one day running for higher office. So she’s willing to welcome undercover detective Colby McBride, hired to help solve the mystery behind her wannabe fiancé’s disappearance. Colby’s cover? That he is an old boyfriend now begging Piper for a second chance—always when there are plenty of townsfolk around to witness his shenanigans. Piper hardly knows whether to laugh or cry, especially when she finds herself drawn to the handsome rascal. He's not the only newcomer she has to deal with. There’s a new interim preacher in town, Sam Cassidy. Drifting from one assignment to another since his one love died, Sam isn’t sure he’s the right fit for Honey Creek. But as Piper knows, this is a place chock-full of surprises. And if she can keep her town—and her heart—from going completely off the rails, there may be a sweet, unexpected future in store . . .

    One night in winter, Peter Lake, orphan and master-mechanic, attempts to rob a fortress-like mansion on the Upper West Side.Though he thinks the house is empty, the daughter of the house is home. Thus begins the love between Peter Lake, a middle-aged Irish burglar, and Beverly Penn, a young girl, who is dying.Peter Lake, a simple, uneducated man, because of a love that, at first he does not fully understand, is driven to stop time and bring back the dead. His great struggle, in a city ever alight with its own energy and besieged by unprecedented winters, is one of the most beautiful and extraordinary stories of American literature.

    Cassie Barrett, a renowned anthropologist, and Alex Rivers, one of Hollywood's hottest actors, met on the set of a motion picture in Africa. They shared childhood tales, toasted the future, and declared their love in a fairy-tale wedding. But when they return to California, something alters the picture of their perfect marriage. A frightening pattern is taking shape—a cycle of hurt, denial, and promises, thinly veiled by glamour. Torn between fear and something that resembles love, Cassie wrestles with questions she never dreamed she would face: How can she leave? Then again, how can she stay?

    Two years after his mother and father were murdered in an attack on their California-bound wagon train, little Tommy Dunning crouches in an old root cellar, quivering with cold—and raw fear. Somewhere just above him, men are searching, army men who want to take him away from the only home he remembers. Local settler Eva Dunning believes with every thread of her being that God delivered the orphan to be raised by her. She watches and prays the soldiers will not find the child. But forces beyond her control are closing in. Major James Carleton has orders to collect the boy, Eva’s husband Bennet is threatening to expose their secret, and back in Arkansas, the aging Ruby Seddon is hiring a ruthless gunslinger to help rescue her grandson, no matter the cost in blood or gold. The Last Orphan is the journey of a precocious five-year old and two strong women, each of whom believes God has chosen her to raise the boy in love and the “correct” faith tradition.

    She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage — with rules.As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home — though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life — her hunger, her anger — in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.

    Now she’s clean and sober but in need of a desperate favor—she asks Jason and his wife to take care of her teenage daughter for forty-eight hours while she handles some business in town.But Hayden never returns.And her disappearance brings up more unresolved problems from Jason’s past, including the abrupt departure of his best friend on their high school graduation night twenty-seven years earlier. When a body is discovered in the woods, the mysteries of his sister’s life—and possible death—deepen. And one by one these events will shatter every expectation Jason has ever had about families, about the awful truths that bind them and the secrets that should be taken to the grave.