Bilingual edition in Spanish and English. Translated by Margaret Sayers Peden. Margaret Sayers Peden, who is well known and respected for her translations of Fuentes, Neruda, Quiroga, and Paz, has made an admirable selection of poems that includes romances, redondillas, epigrams, decimas, sonnets, silvas, villancicos, and two excerpts from Sor Juana's theater. The introduction and notes provide the necessary context for those unfamiliar with the poet's life and times. "Her sprightly English versions of these technically exacting poems...would, I am sure of it, have pleased Sor Juana herself"--Alastair Reid.

    Getting Even, a collection of his late '60s magazine pieces, offers a look into Allen's bag of shtick, back when it was new. From the supposed memoirs of Hitler's barber: "Then, in January of '45, a plot by several generals to shave Hitler's moustache in his sleep failed when von Stauffenberg, in the darkness of Hitler's bedroom, shaved off one of the Führer's eyebrows instead..." Even tho the idea of writing jokes about old Adolf--or addled rabbis, or Maatjes herring--isn't nearly as fresh as it used to be, Getting Even still delivers plenty of laughs. At his best, Woody can achieve a level of transcendent craziness that no other writer can match. If you're looking for a book to dip into at random, or a gift for someone who's seen Sleeper 13 times, Getting Even is a classic, with 316,000 copies sold to date.

    The effects of her betrayal play out in a violent struggle for power in both family and government over three generations, intertwining her story with that of a young lawyer named María forty years later. During the attempted Fascist coup of 1981, María is accused of plotting the prison escape of a man she successfully prosecuted for murder. As María's and Isabel's narratives unfold they encircle each other, creating a page-turning literary thriller firmly rooted in history.

    Juan knows little of the interior life of his father Ranz; but when Juan marries, he begins to consider the past anew, and begins to ponder what he doesn't really want to know. Secrecy—its possible convenience, its price, and even its civility—hovers throughout the novel. A Heart So White becomes a sort of anti-detective story of human nature. Intrigue; the sins of the father; the fraudulent and the genuine; marriage and strange repetitions of violence: Marías elegantly sends shafts of inquisitory light into the shadows and on to the costs of ambivalence. ("My hands are of your colour; but I shame/To wear a heart so white"—Shakespeare's Macbeth.)

    He lives in an undistinguished middle-class housing development in Maipu, a town in the suburbs of Santiago, Chile. When the neighbors camp out overnight, the protagonist gets his first glimpse of Claudia, an older girl who asks him to spy on her uncle Raul.       In the second section, the protagonist is the writer of the novel begun in the first section. His father is a man of few words who claims to be apolitical but who quietly sympathized—to what degree, the author isn’t sure—with the Pinochet regime. His reflections on the progress of the novel and on his own life—which is strikingly similar to the life of his novel’s protagonist—expose the raw suture of fiction and reality.      Ways of Going Home switches between author and character, past and present, reflecting with melancholy and rage on the history of a nation and on a generation born too late—the generation who, as the author-narrator puts it, learned to read and write while their parents became accomplices or victims. It is the most personal novel to date from Alejandro Zambra, the most important Chilean author since Roberto Bolaño.

    At first sight, he described it as "a most picturesque and beautiful city, situated in one of the loveliest landscapes that I have ever seen." Irving was preparing a book called A Chronicle of the Conquest of Granada, a history of the years 1478–1492, and was continuing his research on the topic. He immediately asked the then-governor of the historic Alhambra Palace as well as the archbishop of Granada for access to the palace, which was granted because of Irving's celebrity status. Aided by a 17-year old guide named Mateo Ximenes, Irving was inspired by his experience to write Tales of the Alhambra. Throughout his trip, he filled his notebooks and journals with descriptions and observations though he did not believe his writing would ever do it justice. He wrote, "How unworthy is my scribbling of the place." Irving continued to travel through Spain until he was appointed as secretary of legation at the United States Embassy in London, serving under the incoming minister Louis McLane. He arrived in London by late September 1829.

    In the harshness of winter, her family must join the largest exodus in human history to survive. As battle lines are drawn and East Prussia’s borders vanish beneath them, they leave their farm and all they know behind for an uncertain future.But Ilse also has Janusz, her family’s young Polish laborer, by her side. As they flee from the Soviet army, his enchanting folktales keep her mind off the cold, the hunger, and the horrors unfolding around them. He tells her of a besieged kingdom in the Baltic Sea from which spill the amber tears of a heartbroken queen.Neither of them realizes his stories will prove crucial and prophetic.Not far away, trying and failing to flee from a vengeful army, Arno and his mother hide in the ruins of a Königsberg mansion, hoping that once the war ends they can reunite their dispersed family. But their stay in the walled city proves untenable when they find themselves dodging bombs and scavenging in the rubble. Soon they’ll become pawns caught between two powerful enemies, on a journey with an unknown destination.Hope carries these children caught in the crosshairs of war on an extraordinary pilgrimage in which the gift of an amber teardrop is at once a valuable form of currency and a symbol of resilience, one that draws them together against insurmountable odds.

    As he revisits the details of the investigation, he is reacquainted with his similarly long, unrequited love for Irene Hornos, then just an intern, now a respected judge. Absorbing and masterfully crafted, The Secret in Their Eyes is a meditation on the effects of the passage of time and unfulfilled desire.Eduardo Sacheri’s tale is imbued with the subdued terror that characterized the Dirty War of 1970s Argentina, and was made into the Academy Award winning film of the same name in 2009.

    Written almost a decade before the death squads disrupted Argentina, it is the gripping first-person narrative of an old man caught in a wave of persecutions against all old people, and might well stand as a metaphor for the murkier currents of Latin American society today. Adolfo Bioy Casares relates the day-by-day life of Isidro Vidal, the "old boys" from the corner cafe, and the women, young and old, who offer temporary redemption from madness and mob terror. Part Allegory and part irreducible dream, this story of courage, cowardice, and love is disquieting testimony on the human condition of our southern neighbors.

    Galdós's Madrid, recast from his youthful wanderings through the city's slums and cafés, includes the egg sellers and faded bullfighters surrounding Fortunata as well as the quieter, sequestered milieu of Jacinta's upbringing. Through Juanito, the lover of both women, the writer reveals Spain as a variegated fabric of delicate traditions and established vices, of shaky politics and rich intrigue. In this vast and colorful world, resonant of Dickens's London and Balzac's France, Galdós presents his characters with a depth, ambiguity, and humor born of the multiplicity of his scene.Galdós's novels enjoyed, for a time, a wide and attentive readership in Spain. As his reputation grew, however, hostility toward his achievements, envy of his success, and political squabbling hampered his progress, stalling his election to the Royal Academy and, in 1912, thoroughly derailing his nomination as Spain's candidate for the Nobel Prize.Though the political controversies that surrounded Galdós's works have long been calmed, this translation by Agnes Moncy Gullón brings alive the tempestuous era in which he lived and wrote, allowing English readers to hear the percussive yet often melodic tones of nineteenth-century Madrid in the correct and casual speech of Jacinta, in the pretty but empty words of Juanito, and in the painfully proper, sometimes vulgar language of Fortunata.

    This renowned Internet blogger, daytime sleeper, and dedicated hedonist is yanked into family business matters when the president of the business, his older, accomplished brother, disappears. Thus begins The Best Thing That Can Happen to a Croissant, an easy-riding, reluctant-detective story. Tusset's prodigious talents as both a satirist and creator of one of the most hilarious underachievers in recent memory make this an exquisitely entertaining read.

    The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters—an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.

    But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    Since publication of The Outsider and Others in 1939, his work has been published in many parts of the world, widely anthologised, and filmed. His books include The Survivor and Others, The Dream Quest of Unknown Kadath, The Doom That Came to Sarnath, Fungi from Yuggoth and Other Poems, The Tomb and Other Tales, At the Mountains of Madness, The Lurker at the Threshold (Lovecraft and Derleth) and The Lurking Fear. Lovecrat was born and lived most of his life in Providence, Rhode Island.1."Foreword", by August Derleth2."Providence"3."On a Grecian Colonnade in a Park"4."Old Christmas"5."New England Fallen"6."On a New England Village Seen by Moonlight"7."Astrophobos"8."Sunset"9."To Pan"10."A Summer Sunset and Evening"11."To Mistress Sophia Simple, Queen of the Cinema"12."A Year Off"13."Sir Thomas Tryout"14."Phaeton"15."August"16."Death"17."To a Youth"18."My Favorite Character"19."To Templeton and Mount Monadnock"20."The Poe-et's Nightmare"21."Lament for the Vanished Spider"22."Regnar Lodbrug's Epicedium"23."Little Sam Perkins"24."Drinking Song from the Tomb"25."The Ancient Track"26."The Eidolon"27."The Nightmare Lake"28."The Outpost"29."The Rutted Road"30."The Wood"31."The House"32."The City"33."Hallowe'en in a Suburb"34."Primavera"35."October"36."To a Dreamer"37."Despair"38."Nemesis"39."Yule Horror"40."To Mr. Finlay, Upon His Drawing for Mr. Bloch's Tale, 'The Faceless God'"41."Where Once Poe Walked"42."Christmas Greetings to Mrs. Phillips Gamwell—1925"43."Brick Row"44."The Messenger"45."To Klarkash-ton, Lord of Averoigne"46."Psychopompos"47."The Book"48."Pursuit"49."The Key"50."Recognition"51."Homecoming"52."The Lamp"53."Zaman's Hill"54."The Port"55."The Courtyard"56."The Pigeon-Flyers"57."The Well"58."The Howler"59."Hesperia"60."Star Winds"61."Antarkos"62."The Window"63."A Memory"64."The Gardens of Yin"65."The Bells"66."Night Gaunts"67."Nyarlathotep"68."Azathoth"69."Mirage"70."The Canal"71."St. Toad's"72."The Familiars"73."The Elder Pharos"74."Expectancy"75."Nostalgia"76."Background"77."The Dweller"78."Alienation"79."Harbour Whistles"80."Recapture"81."Evening Star"82. "Continuity"Cover Illustration: Gervasio Gallardo

    In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.