The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    Joseph March, a twenty-one-year-old working class kid from Seattle, is on top of the world. He has just graduated college and his future beckons, unencumbered, limitless, magnificent. Joe's life implodes when he starts to suffer the symptoms of bipolar disorder, and, not long after, his mother kills a man she's never met with a hammer. Joe moves to White Pine, Washington, where his mother is serving time and his father has set up house. He is followed by Tess Wolff, a fiercely independent woman with whom he has fallen in love. The lives of Joe, Tess, and Joe's father fall into the slow rhythm of daily prison visits followed by beer and pizza at a local bar. Meanwhile, Anne-Marie March, Joe's mother, is gradually becoming a local heroine as many see her crime as a furious, exasperated act of righteous rebellion. Tess, too, has fallen under her spell. Spurred on by Anne-Marie's example, Tess enlists Joe in a secret, violent plan that will forever change their lives. Maksik sings of modern America's battered soul and of the lacerating emotions that make us human. Magnetic and masterfully told, Shelter in Place is about the things in life we are willing to die for, and those we're willing to kill for.

    It's the one day of the year when everyone has a shot at finding true love—even a rapacious, over-sexed turtle god. It's a celebration of hobos and heartbreak, Lionel Richie impersonators and banana-brandy-flavored rice wine. It's The Festival of Earthly Delights.Boyd Darrow is a young American living in Puchai, a tiny Southeast Asian country that tourist brochures refer to as "The Kingdom of Winks." In a series of letters written to a mysterious recipient, Boyd tells of the delights, humiliations and brain-bending misadventures he experiences while adjusting to life in the small college town of Mai Mor. He and his somewhat less-than-faithful girlfriend, Ulla, were hoping to start their lives over in Puchai, but Puchai has an agenda all its own.Ulla's been hired to organize the talent show at the town's annual "Festival of Taang," but she seems more interested in the possibilities of cultural exchange with a local revolutionary. Meanwhile, Boyd grapples with a culture in which baby owls are considered a delicacy, turtles are worshipped as deities, and a wink can have one of 379 possible meanings (including "You're fired," "There's something in my eye," and "I want to kiss your lips!"). He's also falling for his boss's daughter, a half-Puchanese girl with a black eye and a troubling past. Lines are crossed, secrets are revealed, and, as Boyd's life inevitably spins out of control, the Festival draws closer with each day...Hilarious and wise and fiercely original, The Festival of Earthly Delights is a no-holds-barred celebration of love, cultural differences, and one man's reluctant embrace of the sensual pleasures of this world, in all their awkward, enigmatic glory.ADVANCE PRAISE"If Puchai were a real country, I'd be a citizen by now, or at least an illegal alien. What a glorious novel!" —Gary Shteyngart, author of Super Sad True Love Story"Matt Dojny's novel is a true delight. I can't think of any writer since Kingsley Amis who's been able to write high-minded comedy that packs such a punch. I've never enjoyed a comic novel more." —John Wray, author of Lowboy"Matt Dojny's narrator Boyd Darrow is as poetically drawn as J.D. Salinger's Holden Caulfield, and as intimately hilarious as C.D. Payne's Nick Twisp. Dojny has created an entire country filled with characters that are so fresh and endearing, you'll find yourself wishing Puchai were a real place. I love this book." —Kristen Schaal (Flight of the Conchords, The Daily Show)"Comic novels can be whimsical, or clever, or delightful, or witty, or canny, or powerful. Rarely are they all of those things. Matt Dojny's large-hearted, bright-minded novel has drawings and letters and love and loss, and now you do, too." —Ben Greenman, author of What He's Poised to Do and Superbad

    Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply. “Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.

    It will take courage to learn how to live again.‘An all-round triumph.’ John HudspithFor the families of the victims of the St Botolph and Old Billingsgate disaster, the undoing of a miscarriage of justice should be a cause for rejoicing. For more than thirteen years, the search for truth has eaten up everything. Marriages, families, health, careers and finances.Finally, the coroner has ruled that the crowd did not contribute to their own deaths. Finally, now that lies have been unravelled and hypocrisies exposed, they can all get back to their lives.If only it were that simple.Tapping into the issues of the day, Davis delivers a highly charged work of metafiction, a compelling testament to the human condition and the healing power of art. Written with immediacy, style and an overwhelming sense of empathy, Smash all the Windows will be enjoyed by readers of How to Paint a Dead Man by Sarah Hall and How to be Both by Ali Smith.

    Lonely at first, he eventually finds his way—first by joining up with Longy Zwillman and becoming one of the preeminent bootleggers on the East Coast, and later by amassing a fortune in real estate.Kendall Wakefield is a free-spirited college senior who longs to become a painter. Her mother, the daughter of a slave and founder of an African-American college in South Florida, is determined to find a suitable match for her only daughter.One evening in 1938, Mrs. Wakefield hosts a dinner that reunites Julian with his parents—who have been rescued from Hitler’s Germany by the college—and brings him together with Kendall for the first time. From that encounter begins a thirty-year affair that will take the lovers from the beaches of Miami to the jazz clubs of Greenwich Village to postwar life in Paris, where they will mingle with Sartre, Picasso, and a host of other artists and intellectuals. Through his years serving in American intelligence and as an interrogator at the Nuremberg trials, what Julian wants most is to marry and find the joy that eluded his parents. Kendall craves her freedom, and after trading her oil paints for a Leica camera, becomes a celebrated photographer, among the first American journalists to photograph the survivors of a liberated concentration camp. Yet despite distance, their competing desires, and the rapidly changing world, their longing for each other remains a constant in the ceaseless sweep of time.Captivating and infused with historical detail, this is the epic tale of three generations, two different but intertwined families, and one unforgettable love story.

    She was raised in San Francisco by two gay dads, and although an inebriated Jim Nabors once told her that her mother was Adrienne Barbeau, her biological origins remain a mystery to her. Now on the cusp of thirty and a very minor celebrity in Troubador, Oregon, Easy is content with her quiet life in a go-nowhere town and her internet flirtations with ardent fans. But when Syfy picks up her show and her online message board repartee with one of her fans carries over into real life romance, complete with ex-wives, children, and unexpected pregnancy, things quickly spin out of control and she’s forced into a reckoning with her past in order to embrace a future she never could have anticipated.

    Now, fighting a debilitating illness and haunted by her past, she finds herself incapable of emotional or sexual intimacy. As a way to break down the defenses she has built up in her safe Chicago life, she sets out on a cross-country bike tour. On this trip she meets Ndele, a beautiful, mysterious black man who challenges her to confront her ghosts and decide whether to put her past behind her and live or succumb to the terrible uncertainties that plague even her dreams.

    The only person Max can trust is his new-found love, beautiful Karis Deen, a scientist with the Smithsonian Tropical Research Institute. Except Karis herself holds a dangerous secret that could not only destroy Max, but could change the entire balance of world power.

    When Sabby is sent to a boarding school in northern India, he witnesses a strict regime in which the schoolboys are beaten and brutalized by the teachers.The boys themselves take on their abusers' cruel traits, mindlessly killing animals and hanging their skins on a cactus, before their thoughts turn to even more sinister schemes. Conspiratorial whisperings and plans of revenge spiral into a tragedy engulfing Sabby in a chilling exploration of human nature's darkest facets.

    For seventeen-year-old Connie, however, the newcomers provide a tantalising glimpse of the wider world — a world beyond the gossip and petty concerns traded over the counter of Cleat’s Corner Store. As the Onorati brothers begin to cast an unexpected influence over Leyton, Connie realises that, like them, she must grapple with her ambitions and dreams for the future. But what can any of them hope to find in the ruins of all they’ve lost?

    With all the heartbreaking earnestness of a Wilco song, these eighteen stories by Chad Simpson roam the small-town playgrounds, blue-collar neighborhoods, and rural highways of Illinois, Indiana, and Kentucky to find people who’ve lost someone or something they love and have not yet found ways to move forward. Simpson’s remarkable voice masterfully moves between male and female and adolescent and adult characters. He embraces their helplessness and shares their sad, strange, and sometimes creepy slices of life with grace, humor, and mounds of empathy. In “Peloma,” a steelworker grapples with his preteen daughter’s feeble suicide attempts while the aftermath of his wife’s death and the politics of factory life vie to hem him in.  The narrator of “Fostering” struggles to determine the ramifications of his foster child’s past now that he and his wife are expecting their first biological child. In just two pages, “Let x” negotiates the yearnings and regrets of childhood through mathematical variables and the summertime interactions of two fifth-graders. Poignant, fresh, and convincing, these are stories of women who smell of hairspray and beer and of landscapers who worry about their livers, of flooded basements and loud trucks, of bad exes and horrible jobs, of people who remain loyal to sports teams that always lose. Displaced by circumstances both in and out of their control, the characters who populate Tell Everyone I Said Hi are lost in their own surroundings, thwarted by misguided aspirations and long-buried disappointments, but fully open to the possibility that they will again find their way.

    A loving husband, an angelic daughter and the cottage of her dreams in County Cork. Her picture-perfect life seems too good to be true. And it is.At a housewarming party with their new neighbours, her daughter Amelia goes missing. As friends become suspects, Susan’s life spirals out of control. And when Amelia’s yellow cardigan is dredged from the lake, every parent’s worst nightmare suddenly seems horribly real.In the aftermath of Amelia’s disappearance Susan and her husband Paul are not themselves. Someone is hiding something. What if Susan and Paul’s entire relationship was built on lies stretching back years?Some secrets may be best left buried in the past, but uncovering the truth could be the only way to find Amelia – before it’s too late.

    From the outside, Zephyr is just another bland corporate monolith, but behind its glass doors business is far from usual: the beautiful receptionist is paid twice as much as anybody else to do nothing, the sales reps use self help books as manuals, no one has seen the CEO, no one knows exactly what they are selling, and missing donuts are the cause of office intrigue. While Jones originally wanted to climb the corporate ladder, he now finds himself descending deeper into the irrational rationality of company policy. What he finds is hilarious, shocking, and utterly telling.

    Settle in and enjoy your stay at O'Mara's, where stories abound, romance lurks and laughter sounds.  Aisling O'Mara. She's married to a Ronan Keating look-a-like, and okay, he can't sing to save himself, but he does think the world of her. Her life would be perfect if it weren't for the fact Mother Nature hasn't seen fit to bestow a child upon them yet. The tick-tock of her biological clock is getting louder, and she's determined to make it happen. But at what cost?Ita Finnegan. O'Mara's Director of Housekeeping, wants to be happy. She's decided the key to finding happiness is to find love, and she's hatched a plan to meet her perfect match. But how can she expect someone else to love her when she doesn't like herself very much?Meanwhile, Mammy O'Mara is planning a quiet soiree with neighbours and family to introduce herself and Donal to the neighbourhood, but, somehow, it's morphed into the Howth House party of the year. Oh, and you're invited!