It’s essential reading.” —Joann Sfar, cartoonist of The Rabbi’s Cat Ivory Coast, 1978. It’s a golden time, and the nation, too—an oasis of affluence and stability in West Africa—seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet’s youth in Yop City. It is the story of the studious and clear-sighted nineteen-year-old Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It’s a wryly funny, breezy account of the simple pleasures and private troubles of everyday life in Yop City. Clément Oubrerie’s warm colors and energetic, playful line connect expressively with Marguerite Abouet’s vibrant writing. This reworked edition offers readers the chance to immerse themselves in Abouet’s Yop City, bringing together the first three volumes of the series in Book One. Drawn & Quarterly will release volumes four through six of the original French series (as yet unpublished in English) in Book Two. Aya is the winner of the Best First Album award at the Angoulême International Comics Festival, the Children’s Africana Book Award, and the Glyph Award; was nominated for the Quill Award, the YALSA’s Great Graphic Novels list, and the Eisner Award; and was included on “best of” lists from The Washington Post, Booklist, Publishers Weekly, and School Library Journal.

    Sentenced to life imprisonment in the penal colony of French Guiana, he became obsessed with one goal: escape. After planning and executing a series of treacherous yet failed attempts over many years, he was eventually sent to the notorious prison, Devil's Island, a place from which no one had ever escaped . . . until Papillon. His flight to freedom remains one of the most incredible feats of human cunning, will, and endurance ever undertaken.Charrière's astonishing autobiography, Papillon, was published in France to instant acclaim in 1968, more than twenty years after his final escape. Since then, it has become a treasured classic -- the gripping, shocking, ultimately uplifting odyssey of an innocent man who simply would not be defeated.

    Alan S. Fredrick summarizes missing episodes and includes a translation of 'The Tale of Tristan's Madness.'One of the earliest extant versions of the Tristan and Yseut story, Beroul's French manuscript of The Romance of Tristan dates back to the middle of the twelfth century. It recounts the legend of Tristan, nephew of King Mark of Cornwall, and the king's Irish wife Yseut, who fall passionately in love after mistakenly drinking a potion. Their illicit romance remains secret for many years, but the relentless suspicion of the king's barons and the fading effects of the magic draught eventually lead to tragedy for the lovers. While Beroul's work emphasizes the impulsive and often brutal behaviour of the characters, its sympathetic depiction of two people strug1150gling against their destiny is one of the most powerful versions of this enduringly popular legend.

    Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.

    The adolescent Elie and his family, among hundreds of thousands of Jews from all parts of Eastern Europe, are cruelly deported from their hometown to the horrors of Auschwitz and Buchenwald. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), Elisha - the sole survivor of his family, whose immolation he witnessed at Auschwitz - has survived the Second World War and settled in Palestine. Apprenticed to a Jewish terrorist gang, he is commanded to execute a British officer who has been taken hostage. During the lonely hours before dawn, he meditates on the act of murder he is waiting to commit.In The Accident, (1962), Wiesel's second novel, Elisha, now a journalist living in New York, is the victim of a nearly fatal automobile accident. This fiction questions the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions." Wiesel's trilogy offers meditations on mankind's attraction to violence and on the temptation of self-destruction.

    Drawn to what lies beyond the range of reason, they all reach for the beautiful and fleeting, whether through humor, music, poetry, or unspoken words. Across his encounters with each of them, the narrator—a Guatemalan literature professor and writer named Eduardo Halfon—pursues his most enigmatic subject: himself.Mapping the geography of identity in a world scarred by a legacy of violence and exile, The Polish Boxer marks the debut of a major new Latin American voice in English.Eduardo Halfon has been cited as among the best young Latin American writers by the Hay Festival of Bogotá and is the recipient of Spain’s prestigious José María de Pereda Prize for the Short Novel. In 2011 he received a Guggenheim Fellowship to continue the story of The Polish Boxer, which is his first novel to be published in English. He travels frequently to his native Guatemala and lives in Nebraska.

    He was a womaniser, a heavy drinker and a bon viveur, but to them he became a saviour. This is the extraordinary story of Oskar Schindler, who risked his life to protect Jews in Nazi-occupied Poland and who was transformed by the war into a man with a mission, a compassionate angel of mercy.

    When she meets two suitors who fit perfectly into her namesake’s myth, Amba cannot help but feel that fate is teasing her. Salwa, respectful to a fault, pledges to honor and protect Amba, no matter what. Bhisma, a sophisticated, European-trained doctor, offers her sensual pleasures and a world of ideas. But military coups and religious disputes make 1960s Indonesia a place of uncertainty, and the chaos strengthens Amba’s pursuit of freedom. The more Amba does to claim her own story, the better she understands her inextricable bonds to history, myth, and love. Revised edition: This edition of The Question of Red includes editorial revisions.

    These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.

    In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

    Snatches of calypso compete with hymn tunes, drums and street cries as neighbours drink, brawl, pass judgment, make love, look out for each other and crave a better life. But Ephraim is no dreamer and nothing, not even the seductive Rosa, is going to stop him escaping his dead-end job for a fresh start in England.Set as returning troops from the Second World War fill the town with their raucous celebrations, Erroll John's Moon on a Rainbow Shawl depicts a vibrant, cosmopolitan world that is as harsh as it is filled with colour and warmth.

    Manuel returns to his native village after working on a sugar plantation in Cuba only to discover that it is stricken by a drought and divided by a family feud. He attacks the resignation endemic among his people by preaching the kind of political awareness and solidarity he has learned in Cuba. He goes on to illustrate his ideas in a tangible way by finding water and bringing it to the fields through the collective labor of the villagers. In this political fable, Roumain is careful to create an authentic environment and credible characters. Readers will be emotionally moved as well as ideologically persuaded.

    Three appalling crimes leave all of Paris aghast: the Marquise de Langruen is hacked to death, the Princess Sonia is robbed, and Lord Beltham is found dead, stuffed into a trunk. Inspector Juve knows that all the clues point to one suspect: the master of disguise, Fantômas. Juve cleverly pursues him in speeding trains, down dark alleys, through glittering Parisian salons, obsessed with bringing the demon mastermind to justice. As thrilling to read now as it was when first published in 1915, Fantômas is not a puzzle but an intoxicant” (The Village Voice).

    In the sixteenth century, the Protestant Reformation launched an attack on privilege and the Catholic Church, but it rapidly became an established, bourgeois authority itself. Rural laborers and the urban poor, who were still being promised equality in heaven, began to question why they shouldn’t have equality here and now on earth.There ensued a furious struggle between the powerful—the comfortable Protestants—and the others, the wretched. They were led by a number of theologians, one of whom has left his mark on history through his determination and sheer energy. His name was Thomas Müntzer, and he set Germany on fire. The War of the Poor recounts his story—that of an insurrection through the Word.In his characteristically bold, cinematic style, Éric Vuillard draws insights from this revolt from nearly five hundred years ago, which remains shockingly relevant to the dire inequalities we face today.

    reveals one of the most horrifying aspects of any war: the rape and torture of civilian women by occupying forces. S. is the story of a Bosnian woman in exile who has just given birth to an unwanted child—one without a country, a name, a father, or a language. Its birth only reminds her of an even more grueling experience: being repeatedly raped by Serbian soldiers in the "women's room" of a prison camp. Through a series of flashbacks, S. relives the unspeakable crimes she has endured, and in telling her story—timely, strangely compelling, and ultimately about survival—depicts the darkest side of human nature during wartime. "S. may very well be one of the strongest books about war you will ever read. . . .The writing is taut, precise, and masterful."