Her life is brutal but simple: fight and survive. Until the day she sees the impossible on the battlefield—her brother, fighting with the enemy—the brother she watched die five years ago.Faced with her brother's betrayal, she must survive the winter in the mountains with the Riki, in a village where every neighbor is an enemy, every battle scar possibly one she delivered. But when the Riki village is raided by a ruthless clan thought to be a legend, Eelyn is even more desperate to get back to her beloved family.She is given no choice but to trust Fiske, her brother’s friend, who sees her as a threat. They must do the impossible: unite the clans to fight together, or risk being slaughtered one by one. Driven by a love for her clan and her growing love for Fiske, Eelyn must confront her own definition of loyalty and family while daring to put her faith in the people she’s spent her life hating.Part Wonder Woman, part Vikings—and all heart.

    Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.

    Her fleeting relationship with him has devastating consequences, forcing her to take a humiliating way out to save herself and her family. This choice unleashes a sequence of fatal events that shatter her life, affecting everyone involved.In June 1941, World War II comes to Russian soil, hurling Lyuba, along with millions of others, into the inhuman grinder, testing the limits of her strength and resilience of her heart. Will it be strong enough years later to allow her to reveal the ugly secret she has buried from the only person the war has left for her to love?

    Famous for his romantic conquests, Justin had never before let a woman touch his heart. But Abby was no ordinary woman. She was beautiful and she was brave. She was also young and terrfied of her brother, a religious fanatic and self-sworn enemy of all Royalists.When the rebel army unleashed its might on the castle, Justin fought tirelessly to break the siege. But even his closest friends did not know what tormented him. And Abby, as she sat with the rebel commanders at her brother's table, dreamed of a man she could not, must not love...

    “Your life at every instant up for— / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books).Logue’s account of Homer’s Iliad is a radical reimagining and reconfiguration of Homer’s tale of warfare, human folly, and the power of the gods in language and verse that is emphatically modern and “possessed of a very terrible beauty” (Slate). Illness prevented him from bringing his version of the Iliad to completion, but enough survives in notebooks and letters to assemble a compilation that includes the previously published volumes War Music, Kings, The Husbands, All Day Permanent Red, and Cold Calls, along with previously unpublished material, in one final illuminating volume arranged by his friend and fellow poet Christopher Reid. The result, War Music, comes as near as possible to representing the poet’s complete vision and confirms what his admirers have long known: that “Logue’s Homer is likely to endure as one of the great long poems of the twentieth century” (The Times Literary Supplement).

    Using his life experiences for much of the action in the novel, Zupan introduces us to Jakob Bergant Berk, a man lost in two places and times. Slip-sliding between occupied Slovenia in the 1940s and a Spanish resort in the 1970s, we move from harrowing wartime guerrilla fighting to Berk’s curious encounter with Joseph Bitter, a former German soldier, during vacation in Spain. In the war, Berk is an apolitical non-conformist swept along by events over which he has little control, and some thirty years later, still traumatised by his wartime experiences, he tries to make sense of his memories in discussions with his old enemy Bitter.Once rumoured that it was used by the CIA as a manual for guerrilla warfare, Minuet for Guitar is a powerful examination of war on par with Céline’s Journey to the End of the Night, a modern Slovenian classic filled with philosophical ruminations and told in Zupan’s casual, ironic and even seductive voice.War is also a dance. The war dance had begun, they say. A minuet. Accompanied by a twenty-five-shot guitar.

    That’s what I say to his dreaming face as I watch the shadows of his dark eyelashes dance by the light of a Tilley lamp.It’s not the first lie I’ve told myself. When I was sixteen, I wanted to fly. I was going to take off like an angel from heaven and leave the muck and madness of Northern Ireland behind as I struck out across the west coast of Donegal heading straight for America. Nothing but the Land of Happy Ever After would do for me.It was him I blamed for clipping my wings. I fashioned a cage out of self-pity then and slipped it over my head like a boned corset to hold myself together and to lock him out.But hate cannot bind two people to each other for twenty-five years, no matter how many dark skies have to be weathered. Only love can do that. It’s the first truth I’ve told myself.

    I have seldom coveted anything as I coveted that book." — C.S. LewisBefore portraying Wagner's "Ring," Arthur Rackham (1867–1939) had become England's leading illustrator through his interpretations of fairy and fantastic books: Grimm's Fairy Tales, Rip van Winkle, Peter Pan in Kensington Gardens, A Midsummer-Night's Dream. With his insight into elves, twisted oaks, and bearded heroes, Wagner was the logical step: with the "Ring," Rackham brought his talent for ethereal watercolor and line into new realms of adult mythology.This edition reproduces, in full color, all 64 watercolor illustrations from Siegfried & The Twilight of the Gods (1911) and The Rhinegold & The Valkyrie (1912). The original English and American editions also contained black-and-white vignettes and tailpieces, a selection of which appear here: the original text, a dated English translation of the libretto, has been replaced by comprehensive descriptive captions and an introduction by James Spero.Rackham poured all his mature fancy into the "Ring." The gnarled Nibelung Alberich sports with teasing Rhinemaidens, fiery Loge and lordly Wotan tussle with giants and serpents. An ecstatic Brünnhilde is finally consumed on Siegfried's funeral pyre in perhaps the most successful representation of this scene anywhere, either graphically or theatrically. Wagner's Teutonic forests and caves give Rackham free reign for his brooding, haunting nature backgrounds; characters, costumes, and all the tiny details are painted with such textual accuracy and empathy that today's opera companies who wish to return to staging the "Ring" in the traditional manner turn to Rackham's paintings for guidance.The painstaking reproduction of these artworks brings Arthur Rackham's most heroic visions to the many collectors and admirers who cannot obtain the expensive out-of-print editions. With the aid of the clear captions, the Wagnerian cycle may be followed once again in its most time-honored and rich interpretation.

    One night, Vittoria misses dinner service at the family's renowned Sicilian restaurant. Emilia soon finds the body of her beloved twin...desecrated beyond belief. Devastated, Emilia sets out to find her sister's killer and to seek vengeance at any cost—even if it means using dark magic that's been long forbidden.Then Emilia meets Wrath, one of the Wicked—princes of Hell she has been warned against in tales since she was a child. Wrath claims to be on Emilia's side, tasked by his master with solving the series of women's murders on the island. But when it comes to the Wicked, nothing is as it seems...

    and the once-powerful Roman Empire is in its death throes—split between East and West, menaced by barbarian hordes almost literally at its gates. The Emperor Honorious cowers in the marsh-bound city of Ravenna, where he has moved the government. There is the Prefect Hadrian, a powerful official and fanatical Christian convert; Marcus Anicius, the pagan aristocrat who is clinging to a dyping past, and the Jew Eliezar ben Elijah, hemmed in by his own traditions and burdened by his dark vision of the future.

    A girl of the isolated Four-Legs Clan, all she knows about the King's elite Water Dogs is that they leash wicked creatures called daevas to protect the empire from the Undead. But when scouts arrive to recruit young people with the gift, she leaps at the chance to join their ranks. To hunt the monsters that killed her sister.Scarred by grief, she's willing to pay any price, even if it requires linking with a daeva named Darius. Human in body, he's possessed of a terrifying power, one that Nazafareen controls. But the golden cuffs that join them have an unwanted side effect. Each experiences the other's emotions, and human and daeva start to grow dangerously close.As they pursue a deadly foe across the arid waste of the Great Salt Plain to the glittering capital of Persepolae, unearthing the secrets of Darius's past along the way, Nazafareen is forced to question his slavery—and her own loyalty to the empire. But with an ancient evil stirring in the north, and a young conqueror sweeping in from the west, the fate of an entire civilization may be at stake…

    Then In Then - Morris Gleitzman's heartbreaking children's novel set during the Nazi occupation of Poland during the Second World War - Jewish orphan Felix and his best friend Zelda have been captured and are on the way to a concentration camp, unless they manage to escape . Now Now is the third shocking, funny and heartbreaking book in Morris Gleitzman's Second World War series. Sometimes facing the past is the bravest act of all... ONCE I didn't know about my grandfather Felix's scary childhood. After After is the fourth shocking, funny and heartbreaking book in Morris Gleitzman's Second World War series. After The Nazis took my parents I was scared After They killed my best friend I was angry After They ruined my thirteenth birthday I was determined to get to the forest, to join forces with Gabriek and Yuli, to be a family, to defeat the Nazis after all Haunting . . . dangerous and desperate, but also full of courage and hope' Soon The Second World War has officially ended, but the streets are still a battleground - for food, for shelter, for protection . . . Felix is in hiding to stay safe, but finds he has been left holding the baby - literally. An orphaned infant has been left in his care and he will do everything he can to protect the child, in the way a few incredible people did for him during the Holocaust. This powerfully moving addition to Morris Gleitzman's bestselling series about Felix and Zelda takes place in 1945, following the story told in After. This intensely affecting story will move readers of all ages.

    Though she seems a devoted daughter, his cruelty has left her afraid to love. After his sudden death she becomes a virtual recluse, leaving her small farm only to sell the fruit and vegetables she grows. But everything changes on a dark, cold night when she finds a young runaway hiding near her cottage. Alice, too, is unloved and in pain, and as the pair become friends, Jane begins to wonder whether she could offer the girl the loving home she's never had. But dark secrets in both their pasts threaten everything Jane hopes for...

    Even today, the war inspires countless articles and books, extensive archaeological excavations, movies, television documentaries, even souvenirs and collectibles. Butwhile the ancients themselves believed that the Trojan War took place, scholars of the modern era have sometimes derided it as a piece of fiction.Combining archaeological data and textual analysis of ancient documents, this Very Short Introduction considers whether or not the war actually took place and whether archaeologists have really discovered the site of ancient Troy. To answer these questions, archaeologist and ancient historian EricH. Cline examines various written sources, including the works of Homer, the Epic Cycle (fragments from other, now-lost Greek epics), classical plays, and Virgil's Aeneid. Throughout, the author tests the literary claims against the best modern archaeological evidence, showing for instance thatHomer, who lived in the Iron Age, for the most part depicted Bronze Age warfare with accuracy. Cline also tells the engaging story of the archaeologists--Heinrich Schliemann and his successors Wilhelm Dörpfeld, Carl Blegen, and Manfred Korfmann--who found the long-vanished site of Troy throughexcavations at Hisarlik, Turkey.Drawing on evidence found at Hisarlik and elsewhere, Cline concludes that a war or wars in the vicinity of Troy probably did take place during the Late Bronze Age, forming the nucleus of a story that was handed down orally for centuries until put into final form by Homer. But Cline suggests that, even allowing that a Trojan War took place, it probably was not fought because of Helen's abduction, though such an incident may have provided the justification for a war actually fought for more compelling economic and political motives.About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchantand provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, theseries will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy andaffordable guide that will likely prove indispensable.

    During the preparation for the trial, he discovers to his horror that his defense may result in acquittal. As a lawyer, John is bound by his oath to the state to maintain secrecy, to guarantee a fair trial, and to safeguard the law; yet keeping that oath could lead to the murderer's release. Should he abandon the case? Only if he's willing to suffer the state's disciplinary action. Maybe that would be easier to face than the growing anger of the community. Or the disappointment and disbelief of his own family.