Twenty-two bridesmaids' dresses. One random act of kindness that will change their lives forever.Tess has given up looking for Mr. Right, but that doesn’t mean she’s given up on love. When she reads a newspaper article about a young couple who've had everything stolen from their home, including four bridesmaids dresses, she knows she has to help. But by helping the bride, Tess risks exposing a past she doesn't want anyone to know about. She does everything she can to minimize the danger she's in, but she does the one thing guaranteed to destroy everything - she falls in love with the wrong man.Logan Allen has spent most of his career reporting on the news from around the world. When a letter arrives from Afghanistan, the trauma he's been living with is about to explode back into his life. He betrayed a small Afghan village and Tess thinks he’s betrayed her.From their first random act of kindness comes an experience Logan and Tess will never forget. And maybe, if they work together, they can create a future that’s better than anything they've left behind.All Of Me is the first book in The Bridesmaids Club series and can easily be read as a standalone. Each of Leeanna's series are linked so you can find out what happens to your favorite characters in other books.Other Contemporary Romances by Leeanna MorganThe Montana Brides:Book 1: Forever Dreams (Gracie and Trent)Book 2: Forever in Love (Amy and Nathan)Book 3: Forever After (Nicky and Sam)Book 4: Forever Wishes (Erin and Jake)Book 5: Forever Santa: a Montana Brides Christmas novellaBook 6: Forever Cowboy (Emily and Alex)Book 7: Forever Together (Kate and Dan)Book 8: Forever and a Day (Sarah and Jordan)The Bridesmaids Club:Book 1: All of Me (Tess and Logan)Book 2: Loving You (Annie and Dylan)Book 3: Head Over Heels (Sally and Todd)Book 4: Sweet on You (Molly and Jacob)Emerald Lake Billionaires:Book 1: Sealed with a Kiss (Rachel and John)Book 2: Playing for Keeps (Sophie and Ryan)Book 3: Crazy Love (Holly and Daniel)Book 4: One And Only (Elizabeth and Blake)The Protectors:Book 1: Safe Haven (Hayley and Tank)Book 2: Just Breathe: (Kelly and Tanner)Book 3: Always (Mallory and Grant)Book 4: The Promise (Ashley and Matthew)Book 5: Coming Home (Mia and Stan)Book 6: The Gift (Hannah and Brett)Book 7: The Wish (Claire and Jason)Sapphire Bay:Book 1: Falling For You (Natalie and Gabe)Book 2: Once In A Lifetime (Sam and Caleb)Book 3: A Christmas Wish (Megan and William)Book 4: Before Today (Brooke and Levi)Book 5: The Sweetest Thing (Cassie and Noah)Book 6: Sweet Surrender (Willow and Zac)Santa's Secret Helpers:Book 1: Christmas On Main Street (Emma and Jack)Book 2: Mistletoe Madness (Kylie and Ben)Book 3: Silver Bells (Bailey and Steven)Book 4: The Santa Express (Shelley and John)

    As three worlds collide, a mother's Philippines, a father's India and the poet's contemporary America, the resulting impressions are chronicled in this collection of incisive and penetrating verse. The writer weaves her words carefully into a wise and affecting embroidery that celebrates the senses while remaining down-to-earth and genuine. "We see that everything is in fact miracle fruit, including this book itself"-Andrew Hudgins.

    All you do is sit down at a typewriter and bleed.” -Ernest Hemmingway I don’t lead the kind of life that should be written about. I’ve done terrible things and lived a hundred lives, running away from my problems. That defines me, I guess. An escapist. Maybe I’m just messed up. Whatever the case, this is my confession. These are my truths. I give to you my uncensored life- my heart on a platter. I have sat down at my typewriter. Watch the words form from the blood that pours forth. -R.J. Avenira

    Moved by the guilt of never having worked with his hands, Neruda opens with the despairing confession, “Why did I not make a broom? / Why was I given hands at all?” The themes of hands and work grow in significance as Neruda celebrates the carpenters, longshoremen, blacksmiths, and bakers—those laborers he admires most—and shares his exuberant adoration for the earth and the people upon it.Yes, I am guiltyof what I did not do,of what I did not sow, did not cut, did not measure,of never having rallied myself to populate lands,of having sustained myself in the desertsand of my voice speaking with the sand.Pablo Neruda (1904–1973) was a Chilean poet and diplomat who received the Nobel Prize in Literature in 1971. Recognized during his life as “a people’s poet,” he is considered one of the greatest artists of the twentieth century.William O’Daly is the best-selling translator of six of Pablo Neruda’s books, including The Book of Questions and The Sea and the Bells. His work as a translator has been featured on The Today Show.

    INTO THE DARK & EMPTYING FIELD is an interrogation of loneliness and its many masks. The book explores innocence as the price of knowledge in a host of voices that share an emotional truth. McKibbens offers a monument of understanding for even the bleakest pieces of our human conundrum.

    This edition has over 110 new poems and over 50 images. Uncaged Wallflower is for those who feel trapped in the thoughts their minds produce, unable to express them with the rest of the world out of fear of critique or disagreement. For the people who need an extra dose of positivity in their day and inspiration to follow their dreams. This is not a poetry book for you to read and relate to in a sorrow filled way. It is for you to read and say yes, I can be better, and I will.

    Poems in English and Spanish that discuss what it means to be Puerto Rican in the United States today.

    When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]

    Up until now, she’s been concentrating on running the local newspaper and raising her daughter.But all that is about to change when Juliette is informed that the Ticklemore Tattler is to fold and that she’ll be out of a job. She begins to wonder whether she can buy the newspaper and try to make a go of it herself.Aware that she needs some advice she contacts Oliver Pascoe, little knowing that when her old colleague re-enters her life, his help isn’t the only thing she wants him for!As she begins to fall in love, however, what she doesn’t realise is that Oliver has something he’s keeping from her.

    Ted Kooser’s third book in the Pitt Poetry Series is a selection of poems published in literary journals over a ten year period by a writer whose work has been praised for its clarity and accessiblity, its mastery of figurative language, and its warmth and charm.

    Giles, acclaimed filmmaker Richard Dutcher, and bestselling author Jaron Briggs, Asylum Archives is prescribed as a few milligrams of insanity!

    These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers' childhoods. As much about loss as they are about reclamation, Doshi's poems guide us through an 'underworld of longing and deliverance', making the exhilarating claim that through the act of vanishing, we may be shaped into existence again. Everything Begins Elsewhere was followed by her third collection, Girls Are Coming Out of the Woods, in 2018.

    They vow to restore and defend the ancient keep, even as an old enemy returns stronger than ever and creatures of darkness close in on them. Meanwhile, King Verlamer continues to expand his colossal, brutal empire, and Dremlock Kingdom remains his primary target. Yet the key to Dremlock's survival may exist in distant lands.

    Highly recommended."—Library Journal"Intimate and hypnotic."—Ploughshares"Levin has the skilled ear, magnificent tongue, and fierce mind of the truly prophetic."—Rain Taxi"Levin's work is phenomenological; it details how it feels to be an embodied consciousness making its way through the world."—Boston Review"Death is the new and unshakeable lens through which I see," writes Dana Levin about her third book, in which she confronts mortality and loss in subjects ranging from Tibetan Buddhist burial practices to Aztec human sacrifice. Shaped by dreams and "the worms and the gods," these poems are a profound investigation of our inescapable fate. As Louise Glück has said: "Levin's animating fury goes back deeper into our linguistic and philosophic history: to Blake's tiger, to the iron judgments of the Old Testament."They took you in an ambulance even though you were dead,they took youand my sister saidWhy are you saving her if she is dead?     shey shey—Curve of sky a crescent blade.Vultures wheeling     on thermal parapets, shunyata,     void that flays—Yak butter,     barley flour and tea: you watch him     make the paste.Dana Levin's debut volume In the Surgical Theatre won the prestigious APR/Honickman First Book Prize. She teaches creative writing at the University of New Mexico and in the Warren Wilson College MFA Program. She lives in Santa Fe, New Mexico.