Not quite what he expected, and not for the faint of heart.Founded in 2012, The Center for Fiction's Crime Fiction Academy is the first ongoing program exclusively dedicated to crime writing in all its forms. Hone your skills with bestselling crime fiction authors Alison Gaylin and Jason Starr. Attend master classes with crime fiction greats like Mary Higgins Clark, Lee Child, Harlan Coben, Linda Fairstein, Nelson DeMille, Michael Connelly, Lisa Unger, and many more. Students receive a Writers’ Studio membership with access to our extensive circulating collection, and have the opportunity to read their work to an audience filled with editors, agents, and publishing professionals at our seasonal Crime Fiction Slam. Not in New York? Check centerforfiction.org for information about our online classes.

    Translated from the Polish by award-winning translators John and Bogdana Carpenter, these sixty-eight verse and prose poems span forty years of Herbert's incredible life and work. The pieces are organized chronologically from 1950 to 1990, with an emphasis on the writer's early and late poems.Here Zbigniew Herbert's poetry turns from the public--what we have come to expect from this poet--to the more personal. The title poem, "Elegy for the Departure of Pen Ink and Lamp , is a three-part farewell ode to the inanimate objects and memories of childhood. Herbert reflects on the relationship between the living and the dead in "What Our Dead Do," the state of his homeland in "Country," and the power of language in "We fall asleep on words . . . " Herbert's short prose poems read like aphorisms, deceptively whimsical but always wise: "Bears are divided into brown and white, also paws, head, and trunk. They have nice snouts, and small eyes.... Children who love Winnie-the-Pooh would give them anything, but a hunter walks in the forest and aims with his rifle between that pair of small eyes."Elegy for the Departure and Other Poems confirms Zbigniew Herbert's place as one of the world's greatest and most influential poets.

    *** Volume 1 plays a key role in the plot of the US movie Sex and the City. *** This Volume 2 includes love poems written by Matthew Arnold, Alfred Austin, Samuel Alfred Beadle, William Blake, Christopher Brennan, Lord Byron, Robert Burns, John Clare, Samuel Taylor Coleridge, Henry Constable, William Cowper, Michael Drayton, George Eliot, Thomas Ford, Stephen Foster, Robert Frost, Thomas Frost, Norman Rowland Gale, Johann Wolfgang von Goethe, Alfred P. Graves, Robert Herrick, Leigh Hunt, Benjamin Jonson, John Keats, Richard Lovelace, Pablo Neruda, Edgar Allen Poe, and William Shakespeare.

    Credited with revitalizing the short story as a genre in Russian literature, he was posthumously honored with the Soviet Union's highest literary prize following his untimely death at the age of forty-five. Stories from a Siberian Village introduces Shukshin to English readers with twenty-five stories that reflect the Siberian origins of his artistic identity. These stories, most of which have never before appeared in English, are set in a remote Siberian village caught in transition between rural traditions and modern Soviet life. There Shukshin's peasants—survivors of revolution, collectivization, and war—seek their identity in a "brave new world." Eccentrics and oddballs, Shukshin's protagonists are restless freedom seekers whose dreams and foibles are as broad and inexplicable as their native Siberian landscape. As touchy as artists and as unpretentious as truck drivers, they struggle with questions of life and death, faith and reason, custom and progress. From their mutual misapprehensions and the gap between their dreams and reality arises Shukshin's biting humor.

    A town of spilled peaches fields its own game show. A mosquito fogger finds an unlikely friend. The stories in Mike Young's debut collection Look! Look! Feathers tap into the surreal and sad, the absurd and ragged dreams scratching at the edge of the American heart. Punks drive auctioned police cars, and necklaces of bluebird bones are sold from a roadside van. In these tales of the Pacific Northwest, Young finds magic burrowed under the moss of ordinary life.

    Includes the stories "Where I Live," "Harrison Bergeron," "Who Am I This Time?," "Welcome to the Monkey House," "Long Walk to Forever," "The Foster Portfolio," "Miss Temptation," "All the King's Horses," "Tom Edison's Shaggy Dog," "New Dictionary," "Next Door," "More Stately Mansions," "The Hyannis Port Story," and "D.P."

    Though claiming to be a salesman, it soon becomes apparent that Josef has no purpose in the town, and that a newcomer can expect nothing but distrust from the townspeople. Maribor is full of tensions that are played out in pub brawls and in the rivalry between the Slovenes and Germans at the top of the social hierarchy. Trying to fit in, Josef soon falls in with a group of engineers and begins an affair with Margarita, the wife of a friend; as Josef lingers without any obvious business, however, he draws the attention of the local police chief, who believes him to be a communist. The longer Josef stays, the more incomprehensible the town becomes, the further he falls, and the less certain he is of his sanity. Against this backdrop of ethnic hatred and personal descent, Josef witnesses the fiery shimmer of the aurora borealis and imagines the town has been set aflame—an omen of the coming of war..About the Authors:Drago Jancar was born in Maribor, Slovenia, in 1948. A former president of the Slovenian PEN Center and a winner of the Preseren Foundation Award, he is currently an editor of the New Review, a cultural journal once at the forefront of the Slovenian dissident movement. He is the author of Mocking Desire.Michael BigginsMICHAEL BIGGINSheads the Slavic and East European Section at the University of Washington Libraries, Seattle. He is the translator of Mocking Desire.

    Author of the New York Times bestsellers “Let the Great World Spin” and “Transatlantic,” McCann has been called “a giant among us” (Peter Carey), “dazzlingly talented” (O: The Oprah Magazine), and “that rare species in contemporary fiction: a literary writer who is an exceptional storyteller” (The Independent). He’s received a National Book Award, an Oscar nomination, and a slew of international prizes. His talents are on full display in his new short story, “Gone,” a deeply affecting literary thriller about a mother and son, alone in a cottage on the west coast of Ireland, and the search that ensues when the boy—whom she adopted years before, deaf and with “already a whole history written in him”—goes missing. He slips away in early morning, down to the cold sea with his new Christmas wetsuit, and as the hours and days drag on, the coast guard, police, dogs, fishermen, farmers, and schoolchildren holding hands search the sea and walk the fields while the television crews and detectives come and go, the police at the cottage seeming to “ghost into one another: almost as if they could slip into one another’s faces.” The mother, Rebecca, now under suspicion, is racked with guilt over the decisions that led to her son’s disappearance, and tormented by the judgment of others: "You bought what? A wetsuit? Why in the world? What sort of mother? How much wine did you drink?" For Rebecca, “every outcome was unwhisperable.” “Gone” is a charged narrative that propels you forward, heart in your throat, and a moving, intimate look at life’s struggles toward grace and a kind of redemption.

    As the grief-stricken Swabey looks back on their affair, the exact nature of his responsibility for Clara’s death is movingly revealed.

    From the self-appointed historian of the title piece to the wage slaves of ?Our Spring Catalog? and ?The Pipe, ? these are characters you?ve met before. They?re quirky visionaries and misguided dreamers sprung from a world of high school ambitions and misunderstood intentions. Laugh-out-loud funny, absurd, and always human, Jack Pendarvis's debut collection is the work of a writer of rare comedic literary talent.

    He is opposed by Niels Nielsen, a melancholy intellectual who hurls invective at the dictator and the hypocrisy and moral bankruptcy of society. Barutanski himself despises the sycophants beneath him and recognizes in Nielsen a genuine foe; but Nielsen, haunted by his own lapses of conscience, struggles to escape both the regime and the role of opposition leader that is thrust upon him.Miroslav Krleza is considered one of the most important Central European authors of the twentieth century. In his career he was a poet, playwright, screenwriter, novelist, essayist, journalist, and travel writer. He also suffered condemnation as a leftist and a practitioner of modernism and his books were proscribed in the 1930s. The first two books of the trilogy The Banquet in Blitva were written in the thirties and their comments on political, psychological, artistic, and ethical issues earned him the enmity of Yugoslavia's increasingly fascist government. He did not write and publish the third book in the trilogy until 1962.

    He established the style of the modern short story and influenced many great writers, including George Bernard Shaw, James Joyce, Ernest Hemingway, Katherine Mansfield, and Virginia Woolf.

    This is the man who picks his nose on the bus, who will fight for his country and fight you to do it his way. He will shout you into submission while astounding you with his tenderness towards his wife. His standard answer to all you questions is "nothing." Singaporean to the core, this volume of short stories narrated in a mixture of colloquial Singlish and standard English reinvents classic prose forms from the ghost story to the university admissions essay through the figure of Uncle.

    Telling three interconnected stories taking place on the same day, two weeks after events in "The Foul Mouth and the Mancy Martial Artist" this novel is a can't miss for fans of THE KING HENRY TAPES. Spending equal time with Tyson Bonnie, Eva Reti, and King Henry Price himself, KING HENRY AND THE THREE LITTLE TRIPS shows the fallout from the Days of Supernatural Exhibit in both the personal cost for our characters and the political cost for supernatural organizations worldwide as fear of the Curator spreads to even the Asylum itself. Read as Tyson Bonnie escorts Vicky Welf to the Coyote Nation compound, find out if Eva Reti can survive the anima experiment inflicted upon her, and follow King Henry as he returns to the Asylum seeking Plutarch's help. The queue for the "Foul Mouth and the Pit of No Return" roller-coaster begins here! THE KING HENRY TAPES Book 1 - "The Foul Mouth and the Fanged Lady" (released) Book 2 - "The Foul Mouth and the Cat Killing Coyotes" (released) Book 3 - "The Foul Mouth and the Troubled Boomworm" (released) Book 4 - "The Foul Mouth and the Headless Hunny" (released) Book 5 - "The Foul Mouth and the Mancy Martial Artist" (released) Book 5.5 - "King Henry and the Three Little Trips" (released) Book 6 - "The Foul Mouth and the Pit of No Return" (forthcoming)

    These stories hold the readers enthrall from the opening sentence itself, bringing the various characters to life in vivid detail.